Mixed Race Studies

The Grimkes: The Legacy of Slavery in an American Family

Liveright (an imprint of W. W. Norton)
2022-11-08
432 pages
6.3 x 9.4 in
Hardcover ISBN: 978-1-324-09084-7

Kerri K. Greenidge, Mellon Assistant Professor
Department of Studies in Race, Colonialism, and Diaspora
Tufts University, Medford, Massachusetts

A stunning counternarrative of the legendary abolitionist Grimke sisters that finally reclaims the forgotten Black members of their family.

Sarah and Angelina Grimke—the Grimke sisters—are revered figures in American history, famous for rejecting their privileged lives on a plantation in South Carolina to become firebrand activists in the North. Their antislavery pamphlets, among the most influential of the antebellum era, are still read today. Yet retellings of their epic story have long obscured their Black relatives. In The Grimkes, award-winning historian Kerri Greenidge presents a parallel narrative, indeed a long-overdue corrective, shifting the focus from the white abolitionist sisters to the Black Grimkes and deepening our understanding of the long struggle for racial and gender equality.

That the Grimke sisters had Black relatives in the first place was a consequence of slavery’s most horrific reality. Sarah and Angelina’s older brother, Henry, was notoriously violent and sadistic, and one of the women he owned, Nancy Weston, bore him three sons: Archibald, Francis, and John. While Greenidge follows the brothers’ trials and exploits in the North, where Archibald and Francis became prominent members of the post–Civil War Black elite, her narrative centers on the Black women of the family, from Weston to Francis’s wife, the brilliant intellectual and reformer Charlotte Forten, to Archibald’s daughter, Angelina Weld Grimke, who channeled the family’s past into pathbreaking modernist literature during the Harlem Renaissance.

In a grand saga that spans the eighteenth century to the twentieth and stretches from Charleston to Philadelphia, Boston, and beyond, Greenidge reclaims the Black Grimkes as complex, often conflicted individuals shadowed by their origins. Most strikingly, she indicts the white Grimke sisters for their racial paternalism. They could envision the end of slavery, but they could not imagine Black equality: when their Black nephews did not adhere to the image of the kneeling and eternally grateful slave, they were cruel and relentlessly judgmental—an emblem of the limits of progressive white racial politics.

A landmark biography of the most important multiracial American family of the nineteenth century, The Grimkes suggests that just as the Hemingses and Jeffersons personified the racial myths of the founding generation, the Grimkes embodied the legacy—both traumatic and generative—of those myths, which reverberate to this day.

“Faithfully Drawn from Real Life”: Autobiographical Elements in Frank J. Webb’s The Garies and Their Friends

The Pennsylvania Magazine of History and Biography
Volume 137, Number 3 (July 2013)
pages 261-300
DOI: 10.5215/pennmaghistbio.137.3.0261

Mary Maillard

A resurgence of interest in Frank J. Webb’s The Garies and Their Friends—the second novel by an African American and the first to portray northern racism—underscores the need for consideration of recently discovered biographical information about this enigmatic author. Previously unknown details about the lives of Frank J. Webb (1828-94) and his family and friends parallel some of his literary portrayals, subtly inform other scenes and characters, and generally help to illuminate the unique combination of biography, social history, and creative imagination that constitute Webb’s complex literary achievement.

The Garies and Their Friends is constructed around two major narrative lines: the stories of the Garie family and the Ellis family. In Georgia, Clarence Garie, a white slave owner, is living openly with his mulatto slave mistress, Emily Winston; he treats her with as much affection and respect as if she were his wife and wishes to marry her, but interracial marriage is illegal in the state. They have two children, named after their parents, Clarence and Emily. The Garies entertain Emily’s cousin, George Winston, who, although born and raised in slavery, was educated and freed by a kind master. Now, with all the appearances of a refined gentleman, he is passing as white—much to the approbation and amusement of Mr. Garie.

In Philadelphia, the Ellises are a “highly respectable and industrious coloured family.” Mr. Ellis, a carpenter, and his wife, Ellen, have three…

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