The mixed-race girl’s guide to the art of passing: racial simulations in Danzy Senna’s Caucasia and Nella Larsen’s QuicksandPosted in Dissertations, Literary/Artistic Criticism, Media Archive, Passing, Women on 2015-02-08 19:49Z by Steven |
Florida Atlantic University
May 2014
65 pages
Gyasi S. Byng
A Thesis Submitted to the Faculty of the Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts, Florida Atlantic University
Racial identifications are continually influenced by and constructed through one’s environment. Building on Jean Baudrillard’s “The Precession of Simulacra” and Gaston Bachelard’s The Poetics of Space, this thesis argues that houses and clothing are the material objects that allow characters Birdie Lee from Danzy Senna’s Caucasia and Helga Crane from Nella Larsen’s Quicksand to construct their mixed race identities. Birdie Lee’s childhood home is the place where she develops a mixed race identity. When she leaves that home, she is forced to take on simulacra in order to pass for white. Without a stable childhood or adult home, Helga Crane’s wardrobe becomes the space where she unconsciously develops a mixed race identity. Her clothing choices allow her to simulate an entirely black identity that masks her mixed race heritage. Ultimately, the fates of Birdie and Helga are determined by whether or not they can occupy a space that is accepting of their mixed race identities.
Read the entire thesis here.