Artist Thenjiwe Niki Nkosi reveals—and defies—the white supremacist underpinnings of elite gymnasticsPosted in Articles, Arts, Media Archive, Social Justice, United States on 2022-03-09 04:21Z by Steven |
Document Journal
2019-11-07
Miss Rosen
As Simone Biles becomes the most decorated athlete in sports, Nkosi tells Document about the implications of Black girls’ success in elite gymnastics, which has historically been used as a tool of oppression.
When Simone Biles made history at the 2019 World Championships by becoming the most decorated gymnast of any gender, she single-handedly redefined one of the world’s most elite sports. As a Black woman in a traditionally white space, she surpassed all expectations, becoming an icon in the process.
For Johannesburg-based multimedia artist Thenjiwe Niki Nkosi, Biles’ success is a testament to Black power in the face of an establishment determined to undermine it. Earlier this summer Biles invented new skills and the Federation Internationale de Gymnastique (FIG), the sport’s governing body, penalized her for the groundbreaking performance. The FIG reduced the degree of Biles’ signature ‘double double’ dismount (two twists, two flips) from the beam—out of concern, they claimed, about the safety of lesser gymnasts who might harm themselves while attempting it…
…Born in New York to a South African father in exile and a Greek-American mother, Nkosi’s family moved to Harare, Zimbabwe, in 1989 when she just was eight years old. “I get this rush of emotion when I think of the day we were watching Nelson Mandela being released from prison in 1990 on TV,” Nkosi says. “My parents were looking at each other like, ‘This is it, we are going to go.’…
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