Don’t Touch My HairPosted in Africa, Anthropology, Books, Media Archive, Monographs on 2019-05-03 13:30Z by Steven |
Allen Lane (an imprint of Penguin)
2019-02-05
240 pages
Hardback ISBN: 9780241308349
Ebook ISBN: 9780141986296
Emma Dabiri, Teaching Fellow SOAS; Visual Sociology Ph.D. Researcher, Goldsmiths
Despite our more liberal world views, black hair continues to be erased, appropriated and stigmatised to the point of taboo. Why is that?
Recent years have seen the conversation around black hair reach tipping point, yet detractors still proclaim ‘it’s only hair!’ when it never is. This book seeks to re-establish the cultural significance of African hairstyles, using them as a blueprint for decolonisation. Over a series of wry, informed essays, the author takes us from pre-colonial Africa, through the Harlem Renaissance, Black Power and into today’s Natural Hair Movement, the Cultural Appropriation Wars and beyond. We look at the trajectory from hair capitalists like Madam CJ Walker in the early 1900s to the rise of Shea Moisture today, touching on everything from women’s solidarity and friendship, to forgotten African scholars, to the dubious provenance of Kim Kardashian’s braids.
The scope of black hairstyling ranges from pop culture to cosmology, from prehistoric times to the (afro)futuristic. Uncovering sophisticated indigenous mathematical systems – the bedrock of modern computing – in black hair styles, alongside styles that served as secret intelligence networks leading enslaved Africans to freedom, Don’t Touch My Hair proves that far from being only hair, black hairstyling culture can be understood as an allegory for black oppression and, ultimately, liberation.