How the Myth of Barack Obama Overtook the Man (and the Politician)

Posted in Articles, Barack Obama, Biography, Book/Video Reviews, Media Archive, Politics/Public Policy, United States on 2021-08-18 23:27Z by Steven

How the Myth of Barack Obama Overtook the Man (and the Politician)

Hyperallergic
2021-08-15

Justine Smith
Montreal, Quebec


From Obama: In Pursuit of a More Perfect Union (2021), dir. Peter Kunhardt (image courtesy HBO)

A new HBO film introduces a level of nuance to its depiction of the president that’s been sorely lacking in most portrayals.

What is “home” in the American imagination? Politicians often cite this ideal. Will our “doors” be open or closed? What do our “neighbors” look like? In the introduction to The Age of Surveillance Capitalism, Shoshana Zuboff describes the home as “where we know and where we are known, where we love and are loved. Home is mastery, voice, relationship, and sanctuary: part freedom, part flourishing … part refuge, part prospect.” Barack Obama promised this image of home, preaching that the United States could pursue unity and love for all. His very presence as a Black man on the world stage signaled a cultural shift that made it seem, if only briefly, that a tide was turning and the US was ready to grapple with its racism. For many, he was a symbol of progress. To others, he was a conniving invader, a covert socialist/communist/terrorist, or even the antichrist. Both images leave his actual humanity behind. What happens when a person becomes a symbol?

The new HBO film Obama: In Pursuit of a More Perfect Union looks at his life and work with a level of nuance that’s rare for a mainstream documentary. Still, like most Obama movies, the focus remains firmly on his social and cultural impact rather than his policy. “People underestimate the value of symbols,” Ta-Nehisi Coates argues at one point. Undeniably, Obama himself catered to and was well aware of his symbolic importance. And most films about him, made by a sympathetic media — By the People, The Final Year, The Way I See It, etc. — cater to his image as a historic groundbreaker. Even the Michelle Obama biography Becoming portrays the former first family as beacons of hope in a dark time…

Read the entire article here.

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Author Brit Bennett Based Her Hit Novel The Vanishing Half On A Town Near Her Mother’s Home: “Everyone was Obsessed with Color”

Posted in Articles, Interviews, Media Archive, Passing, United States on 2021-05-15 23:14Z by Steven

Author Brit Bennett Based Her Hit Novel The Vanishing Half On A Town Near Her Mother’s Home: “Everyone was Obsessed with Color”

PEOPLE
2021-05-10

HBO plans to produce a limited series adaptation of the novel for the screen.

Mothers know best — and sometimes, they know the idea to a best selling novel.

Brit Bennett author of the hit book The Vanishing Half spoke with PEOPLE Every Day host Janine Rubenstein about the inspiration behind the story book clubs can’t stop talking about.

The Vanishing Half tells the story of two twin sisters who grow up to “live their lives off the color line“, one living as a White woman and one as a Black woman. Bennett’s mother, who is originally from Louisiana, once told her a story from her childhood about a nearby town where people were “obsessed with color”, in regards to the color of their skin.

“And, that immediately struck me as, ‘Oh, this is the setting for a novel’,” said Bennett…

Read the entire interview here.

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Brit Bennett: ‘Last week was truly the wildest week of my life’

Posted in Articles, Arts, Interviews, Media Archive, Passing, United States, Women on 2020-07-06 16:06Z by Steven

Brit Bennett: ‘Last week was truly the wildest week of my life’

The Guardian
2020-07-05

Simran Hans


‘I’m Californian, so nobody really reads me as anxious’: Brit Bennett. Photograph: Leonardo Cendamo/Getty Images

The US author on topping the bestseller charts with her new novel, why being right is overrated, and the TV show bringing her joy in lockdown

Brit Bennett, 30, was born and raised in southern California. She attended Stanford University and earned an MFA in fiction at the University of Michigan. Her acclaimed first novel, The Mothers, was published in 2016, when she was 26. Her follow-up, The Vanishing Half, has spent the past three weeks in the top five of the New York Times bestseller list and the screen rights have been optioned by HBO in a seven-figure deal.

HBO had to outbid 17 rival TV companies in the race to adapt your book for the screen. How does that feel?
Last week was truly the wildest week of my life. It was my birthday week, so I’ve never been sent so many bottles of champagne or bouquets of flowers in my life, and probably never will be again.

And that was on top of your book debuting at No 1 in the NYT bestseller list. What were you doing when you heard the news?
It was maybe 5 o’clock in the evening and I was just sitting on my couch, and my editor called out of nowhere. We were optimistic, but I never imagined that. The people who are No 1 are household names, like Stephen King!

Describe The Vanishing Half.
It’s a story about twin sisters, Desiree and Stella, who decide to live their lives on opposite sides of the colour line – one as a white woman and one as a black woman…

Read the entire interview here.

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HBO Wins ‘The Vanishing Half’ Auction In 7-Figure Deal; 17 Bidders Pursued Brit Bennett Bestseller

Posted in Articles, Arts, Media Archive, Passing, United States, Women on 2020-07-06 15:48Z by Steven

HBO Wins ‘The Vanishing Half’ Auction In 7-Figure Deal; 17 Bidders Pursued Brit Bennett Bestseller

Deadline
2020-06-29

Mike Fleming Jr


HBO

EXCLUSIVE: HBO won a wild auction that sources said saw 17 bidders vying for The Vanishing Half, the novel by Brit Bennett that is currently atop The New York Times bestseller list. Sources said HBO will pay low seven-figures for the book and the author will be executive producer of what HBO will develop as a limited series.

The novel focuses on the Vignes sisters, identical twins who, after growing up together in a small, southern black community, run away at age sixteen. It’s not just the shape of their daily lives that is different as adults, it’s everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other passes for white, hiding her identity from her husband, who knows nothing of her past. Even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters’ storylines intersect?…

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The Loving Story

Posted in History, Law, Media Archive, United States, Videos, Virginia on 2012-02-14 04:18Z by Steven

The Loving Story

Home Box Office (HBO)
2012-02-14, 21:00 EST

Nancy Buirski, Director and Producer

In June 2, 1958, a white man named Richard Loving and his part-black, part-Cherokee fiancée Mildred Jeter travelled from Caroline County, VA to Washington, D.C. to be married. At the time, interracial marriage was illegal in 21 states, including Virginia. Back home two weeks later, the newlyweds were arrested, tried and convicted of the felony crime of “miscegenation.” To avoid a one-year jail sentence, the Lovings agreed to leave the state; they could return to Virginia, but only separately. Living in exile in D.C. with their children, the Lovings missed their families and dearly wanted to return to their rural home. At the advice of her cousin, Mildred wrote a letter to Attorney General Robert F. Kennedy, who wrote her back suggesting she get in touch with the American Civil Liberties Union.

Two young ACLU lawyers, Bernard S. Cohen and Philip J. Hirschkop, took on the Lovings’ case, fully aware of the challenges posed at a time when many Americans were vehement about segregation and maintaining the “purity of the races.” In interviews filmed at the time, the two lawyers dissect the absurdities of the laws and the difficulties of trying a case over five years old. Today, Hirschkop recalls that Mildred was quiet and articulate, while joking that his initial impression of Richard was that he looked like a crew-cut “redneck.” As they came to know them, however, it became apparent that the couple was deeply committed to each other. With an eye towards taking their case to the highest possible court, Cohen filed a motion to vacate the judgment on the Lovings’ original conviction and set aside the sentence. Local Judge Leon Bazile denied the motion, stating that God had separated people by continents and did not “intend for the races to mix.” After the Virginia Supreme Court responded with similarly antiquated and racist sentiments, Cohen and Hirschkop seized the opportunity to take the case to the U.S. Supreme Court.

Although the odds of getting a case heard by the Court were slim, Cohen and Hirschkop learned that Loving v. Virginia would be heard on April 10, 1967. Aware that their case had the potential to set a landmark precedent, the two green lawyers (Hirschkop was only two years out of law school and had never argued before the Supreme Court) prepped in New York before heading to the famous Supreme Court building in D.C. In oral arguments heard on audiotape, the State compared anti-miscegenation statutes to the right to prohibit incest, polygamy, and underage marriage, claiming that children are victims in an interracial marriage. The plaintiff’s lawyers, by contrast, included legal arguments interspersed with references to sociology and anthropology. And though the Lovings chose not to attend, Cohen may have made the most compelling case by relaying to Chief Justice Warren and his fellow judges Richard’s simple message: “Tell the court that I love my wife, and it is unfair that I can’t live with her in Virginia.”

After a two-month wait, the U.S. Supreme Court ruled unanimously in favor of the Lovings on June 12, 1967. This precedent-setting decision resulted in 16 states being ordered to overturn their bans on interracial marriage. Alabama was the last holdout, finally repealing its anti-miscegenation law in 2000.

Preview – The Loving Story

The Loving Story Director’s Interview
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