Mixed Race Studies

The Tale of Hollywood’s Most Curious Career Imposter

Messy Nessy: Cabinet of Chic Curiosities
2019-07-11

Francky Knapp

Sex sells, and it sells even better with a dash of mystery. For every housewife in mid-century America, the enigmatic charm of Indian performer Korla Pandit was the ticket to getting weak in the knees before the kids came home from school. In the 15 minutes allotted to The Korla Pandit Program, the performer brought a scintillating new rhythm to suburbia’s ho-hum beat. Every week, he’d grace the small screen and play the sultry sounds of Miserlou with a coy smile, wearing a bejewelled turban, and flashing those soul-searching bedroom eyes. It was all part of his schtick, of course, and one of the most strangest in Hollywood history, given that Pandit wasn’t Indian, but African American. Today, the persona he created opens up a dialogue about race, fame, and surprising flexibility of truth…

Read the entire article here.

Call For Papers: Encyclopedia of Racism in American Cinema

Salvador Jimenez Murguia, Ph.D., Associate Professor of Sociology
Akita International University, Akita City, Akita Prefecture, Japan
2016-01-11

The volume Encyclopedia of Racism in American Cinema, takes up the topic of racism in American Cinema from its early days of film production to the present. Covering over 400 entries that include films, producers, directors, actresses, actors, genres, and critical interpretations, the breadth and depth of this volume may generate some highly significant material for both academics, as well as general audiences. The first of its kind (indeed there are no other encyclopedias that cover this topic anywhere on the market), the Encyclopedia of Racism in American Cinema would be a timely pop cultural companion to the ever-growing field of critical race studies. Additionally, as Americans become more well versed in the complexities of race, navigating current events that conjure up a sense of importance with regard to racial formations, and the implications of racism in their daily lives, a volume such as this can only add to the understanding of how race and racism operate on screen and serve to inform, influence and reinforce notions of racial divisions off screen.

This volume is under contract with Rowman and Littlefield to be published in late 2017. In this way, I will be requiring very quick turn-arounds.

If you’re interested in contributing, please send me an email with the subject line “Racism in Film,” and I’ll forward the list of entries (it is not a comprehensive list and I’ll be open to further suggestions). Entries will be assigned on a first-come, first-serve basis.

Although I’m happy to receive brief curriculum vitaes, they are not required. I would like to cast the net wide in attracting authors from a variety of disciplines and professions. Advanced undergraduates, graduate students and junior faculty are particularly welcome to contribute.

Categories

• African-American Studies
• American
• Bibliography
• Cultural Studies
• Ethnicity and National Identity
• Film and Television
• Gender Studies and Sexuality
• Interdisciplinary
• Popular Culture

Salvador Jimenez Murguia, Ph.D.

The Missing Bi-racial Child in Hollywood

Canadian Review of American Studies
Volume 37, Number 2 (2007)
pages 239-263
E-ISSN: 1710-114X; Print ISSN: 0007-7720

Naomi Angel

The growing interest in issues pertaining to “mixed-race” identities and communities, as well as a surge in films with “mixed-race” characters has prompted this examination of representations of “mixedrace” characters in film. The research consists of an analysis of selected films, including Guess Who’s Coming to Dinner and Jungle Fever, and situates this analysis within a historical framework based on the particular context in which each film was set and/or made. The value in studying “mixed-race” representations in film lies in the reflection it provides of significant moments in “mixed-race” histories and in the portrayal of cultural imaginings of people of “mixed race.”

Read or purchase the article here.