Mixed Race Studies

Exploring the Afro-Indigenous experience

Indian Country Today
2021-09-28

Nancy Spears
Gaylord News

The author’s new novel looks at the history of a Black family in central Georgia

Honorée Fanonne Jeffers is a full-tenure professor who’s been teaching nearly two decades in the English department at the University of Oklahoma. The first African American full professor in the history of the department, who is also Afro-Indigenous.

Her new novel explores the Afro-Indigenous experience, an area of literature Jeffers said has been long underrepresented and under-discussed.

The 790-page novel titled “The Love Songs of W.E.B Du Bois” released earlier this year in July explores the two centuries-old history of a Black family in central Georgia who is descended from Afro-Indigenous origin.

She discussed the book at the virtual National Book Festival event with Karen Grigsby Bates, senior correspondent for NPR’s Code Switch on Sept. 23.

Jeffers sat down with Gaylord News to discuss the themes of her book and reflects on how the narrative can translate to social justice issues across minority groups in the US…

Read the entire interview here.

The Love Songs of W.E.B. Du Bois, A Novel

HarperCollins
2021-08-24
816 pages
6x9in
Hardcover ISBN: 9780062942937
eBook ISBN: 9780062942968
Audiobook ISBN: 9780062942975

Honorée Fanonne Jeffers, Professor of English
University of Oklahoma, Norman

The 2020 National Book Award–nominated poet makes her fiction debut with this magisterial epic—an intimate yet sweeping novel with all the luminescence and force of Homegoing; Sing, Unburied, Sing; and The Water Dancer—that chronicles the journey of one American family, from the centuries of the colonial slave trade through the Civil War to our own tumultuous era.

The great scholar, W. E. B. Du Bois, once wrote about the Problem of race in America, and what he called “Double Consciousness,” a sensitivity that every African American possesses in order to survive. Since childhood, Ailey Pearl Garfield has understood Du Bois’s words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother Pearl, the descendant of enslaved Georgians and tenant farmers—Ailey carries Du Bois’s Problem on her shoulders.

Ailey is reared in the north in the City but spends summers in the small Georgia town of Chicasetta, where her mother’s family has lived since their ancestors arrived from Africa in bondage. From an early age, Ailey fights a battle for belonging that’s made all the more difficult by a hovering trauma, as well as the whispers of women—her mother, Belle, her sister, Lydia, and a maternal line reaching back two centuries—that urge Ailey to succeed in their stead.

To come to terms with her own identity, Ailey embarks on a journey through her family’s past, uncovering the shocking tales of generations of ancestors—Indigenous, Black, and white—in the deep South. In doing so Ailey must learn to embrace her full heritage, a legacy of oppression and resistance, bondage and independence, cruelty and resilience that is the story—and the song—of America itself.