Mixed Race Studies

Latina heroine or black radical? The complicated story of Lucy Parsons.

The Washington Post
2018-01-12

Tera W. Hunter, Professor of History and African American Studies
Princeton University, Princeton, New Jersey

Lucy Parsons occupies an unusual position in American history: a prominent woman noted as much for her acts of brilliance and bravery as for her evasiveness and contradictions.

Parsons spent most of her life in Chicago, where a park named in her honor calls her the first “Chicana socialist labor organizer.” Born circa 1853, Parsons said she was of Mexican and Indian descent and from Texas — an Aztec genealogy dating before Columbus. Elsewhere she’s been recognized as “the first Black woman to play a prominent role in the American Left.”

These differing narratives are indicative of a life that defies easy categorization and has challenged assessments of Parsons’s legacy…

…With “Goddess of Anarchy,” prize-winning historian Jacqueline Jones has written the first critical, comprehensive biography of Parsons that seeks to peel back the layers of her complex life. Jones amassed an incredible body of records — local, state and federal government documents; prolific newspapers; organizational and personal correspondence; and Lucy and husband Albert Parsons’s extant writings. Through these documents Jones uncovered evidence that Parsons was not of Mexican or Indian ancestry. Her research shows, too, that Parsons was not, as many have thought, born Lucia Eldine Gonzalez but as Lucia Carter in Virginia in 1851. Her mother was black, and her father was white (and probably her slave owner). Her family moved to Waco, Tex., during the Civil War, where Lucia worked as a cook and seamstress in the homes of white families. As a teenager, she married an older, formerly enslaved man, Oliver Benton, a.k.a. Oliver Gathings, and had a child who died as an infant…

Read the entire review here.

Goddess of Anarchy: The Life and Times of Lucy Parsons, American Radical

Basic Books
2017-12-05
480 pages
6.5 x 1.5 x 9.5 inches
Hardcover ISBN 13: 9780201510355
eBook ISBN 13: 9780201626636

Jacqueline Jones, Mastin Gentry White Professor of Southern History
University of Texas, Austin

From a prize-winning historian, a new portrait of an extraordinary activist and the turbulent age in which she lived

Goddess of Anarchy recounts the formidable life of the militant writer, orator, and agitator Lucy Parsons. Born to an enslaved woman in Virginia in 1851 and raised in Texas-where she met her husband, the Haymarket “martyr” Albert Parsons-Lucy was a fearless advocate of First Amendment rights, a champion of the working classes, and one of the most prominent figures of African descent of her era. And yet, her life was riddled with contradictions-she advocated violence without apology, concocted a Hispanic-Indian identity for herself, and ignored the plight of African Americans.

Drawing on a wealth of new sources, Jacqueline Jones presents not only the exceptional life of the famous American-born anarchist but also an authoritative account of her times-from slavery through the Great Depression.

Lucy Parsons bio reveals new facts about the birth, ethnicity of the ‘Goddess of Anarchy’

The Chicago Tribune
2017-11-15

Mark Jacob, Metro Editor

A new biography of Lucy Parsons reveals new facts about her life. Photo courtesy of the Lucy Parsons Project/Justice Design (/ LUCY PARSONS PROJECT)

Lucy Parsons, an anarchist firebrand who was one of the most enigmatic Chicagoans ever, might fit in better today than she did during her own time a century ago.

She was a black woman married to a white man. Scandalous then, no big thing now…

She favored an eight-hour workday and a social safety net, positions that made her a radical in the late 1800s but would qualify her for Congress today.

And Parsons had another trait of today’s politicians: She was a merchant of misinformation.

“Goddess of Anarchy: The Life and Times of Lucy Parsons, American Radical” is an important new biography by University of Texas historian Jacqueline Jones that fact-checks Parsons’ made-up details about her own background, correcting errors existing in virtually every biographical sketch ever written about this amazing woman…

Read the entire article here.

‘A Dreadful Deceit’ argues against a ‘racial’ past

The Los Angeles Times
2013-12-20

Robin D.G. Kelley, Distinguished Professor of History
University of California, Los Angeles

Jacqueline Jones in ‘A Dreadful Deceit’ aims to debunk the ‘myth of race’ and the ‘American creation story’ but for the most part is unconvincing in her argument.

Jacqueline Jones, A Dreadful Deceit: The Myth of Race from the Colonial Era to Obama’s America (New York: Basic Books, 2013).

Four years ago, Atty. Gen. Eric Holder called us a “nation of cowards” for refusing to confront our racial past. Jacqueline Jones’ “A Dreadful Deceit” dismisses the very idea that our past is “racial.”

What Holder identifies as our national burden, Jones calls the “American creation story”: the narrative that slavery was born of racial prejudice and that the election of a black president marked a triumph over the long shadow of race. Her objective is to debunk the “myth of race,” to relieve Americans of the specious belief that “race is real and that race matters.”

Jones is not the first. Franz Boas, W.E.B. DuBois and Ashley Montagu are among a veritable sea of scholars who have shown that “race” has no scientific basis. It is a socially created means of classifying and ranking humans based on any number of criteria. It is about power, not biology…

…”A Dreadful Deceit’s” insistence that race is not a factor leads Jones to ignore racism’s role in creating economic inequality. Today’s workforce, she asserts, is “defined less by skin color and history than by shared powerlessness within a global economy.” But if truly “shared,” how do we explain the widening wealth gap between whites and blacks or that the world’s cheap apparel is made in the global South by a non-white, super-exploited labor force?

Jones generally treats “race” (a means of classifying difference) as a proxy for “racism” (a hierarchical system of subjugation based on race). The point is not that race explains everything but that racism is built into the very structure of the economy. Race may be a myth, but racism survives…

Read the entire review here.

“Dreadful Deceit”: Race is a myth

Salon
Sunday, 2013-12-15

Laura Miller, Staff Writer

A historian argues that one of the defining elements of American culture is merely a “social fiction”

Jacqueline Jones’ provocative new history, “Dreadful Deceit: The Myth of Race From the Colonial Era to Obama’s America,” contains a startling sentence on its 265th page. It comes after Jones quotes Simon Owens, the last of five African-Americans whose life stories she describes in the book. Owens — an auto worker, labor activist and writer who died in 1983 — stated, “I understood as a Negro first, in the South, the North, in the union, in the NAACP, in the C.P. [Communist Party] and in the S.W.P [Socialist Workers Party].” Jones adds, “Because generations of white people had defined him and all other blacks first and foremost as ‘Negroes,’ he had no alternative but to acknowledge — or, rather, react to — that spurious identity.”

That racial identities are “spurious” is the foundational argument of this fascinating book. Race is a cultural invention, rather than a biological fact (on this scientists widely agree), and Jones, a history professor at the University of Texas and recipient of a MacArthur Fellowship, wants to show how pernicious and persistent this falsity is. In the book’s epilogue, she points to an article from the 2012 edition of the New York Times titled “How Well You Sleep May Hinge on Race,” based on a study showing that living in high-crime neighborhood or having chronic conditions like diabetes or hypertension can cause insomnia. But, as Jones observes, these are problems deriving from poverty, not race, and so the article “blatantly conflated socioeconomic status with the idea of race.”

Of the five people whose life stories are told in “Dreadful Deceit,” the first is essentially voiceless: an enslaved man named Antonio, abducted from his homeland in Africa and murdered while being “corrected” by a colonial landowner in 17th-century Chesapeake. As Jones relates, Antonio’s race “had no practical meaning” to the man who purported to own him, Symon Overzee. Describing in well-researched detail the economic and political milieu of the time, she argues that what created Antonio’s vulnerability to Overzee was not his skin color or any other physical trait but his uprootedness, “without a tribe or a nation-state to protect and defend him in the Atlantic world.”…

…None of the life stories in the book supports this argument more forcefully than that of Richard W. White, a Civil War veteran elected to the office of clerk of the Chatham County Superior Court in Georgia. One of his opponents in the election filed suit against White, charging that he was ineligible to hold office in Georgia because he was “colored.” White, who was relatively new in town and “from unknown parts and of unknown lineage,” appeared to be “white.” The evidence marshaled to prove that White was not white consisted, as the judge freely admitted, of “the reputation of the person in his community, that is what he says of himself — what others say of him — his associates and his general reputation.” In other words, Jones underlines, a man’s race in this community “would be a matter not of ethnicity or heritage or appearance or biology. It would be, purely and simply, a social fiction — one without any appreciable basis in physical reality.”…

Read the entire review here.

A Dreadful Deceit: The Myth of Race from the Colonial Era to Obama’s America

Basic Books
2013-12-10
384 pages
Hardback ISBN-13: 9780465036707

Jacqueline Jones, Mastin Gentry White Professor of Southern History
University of Texas, Austin

In 1656, a Maryland planter tortured and killed an enslaved man named Antonio, an Angolan who refused to work in the fields. Three hundred years later, Simon P. Owens battled soul-deadening technologies as well as the fiction of “race” that divided him from his co-workers in a Detroit auto-assembly plant. Separated by time and space, Antonio and Owens nevertheless shared a distinct kind of political vulnerability; they lacked rights and opportunities in societies that accorded marked privileges to people labeled “white.”

An American creation myth posits that these two black men were the victims of “racial” discrimination, a primal prejudice that the United States has haltingly but gradually repudiated over the course of many generations. In A Dreadful Deceit, award-winning historian Jacqueline Jones traces the lives of Antonio, Owens, and four other African Americans to illustrate the strange history of “race” in America. In truth, Jones shows, race does not exist, and the very factors that we think of as determining it— a person’s heritage or skin color—are mere pretexts for the brutalization of powerless people by the powerful. Jones shows that for decades, southern planters did not even bother to justify slavery by invoking the concept of race; only in the late eighteenth century did whites begin to rationalize the exploitation and marginalization of blacks through notions of “racial” difference. Indeed, race amounted to a political strategy calculated to defend overt forms of discrimination, as revealed in the stories of Boston King, a fugitive in Revolutionary South Carolina; Elleanor Eldridge, a savvy but ill-starred businesswoman in antebellum Providence, Rhode Island; Richard W. White, a Union veteran and Republican politician in post-Civil War Savannah; and William Holtzclaw, founder of an industrial school for blacks in Mississippi, where many whites opposed black schooling of any kind. These stories expose the fluid, contingent, and contradictory idea of race, and the disastrous effects it has had, both in the past and in our own supposedly post-racial society.

Expansive, visionary, and provocative, A Dreadful Deceit explodes the pernicious fiction that has shaped four centuries of American history.