Mixed Race Studies

Creole Renegades: Rhetoric of Betrayal and Guilt in the Caribbean Diaspora

University Press of Florida
2014-06-17
240 pages
6.125 x 9.256
Hard Cover ISBN 13: 978-0-8130-4979-3

Bénédicte Boisseron, Associate Professor in French and Francophone Studies
University of Montana

In Creole Renegades, Bénédicte Boisseron looks at exiled Caribbean authors—Edwidge Danticat, Jamaica Kincaid, V. S. Naipaul, Maryse Condé, Dany Laferriére, and more—whose works have been well received in their adopted North American countries but who are often viewed by their home islands as sell-outs, opportunists, or traitors.

These expatriate and second-generation authors refuse to be simple bearers of Caribbean culture, often dramatically distancing themselves from the postcolonial archipelago. Their writing is frequently infused with an enticing sense of cultural, sexual, or racial emancipation, but their deviance is not defiant.

Underscoring the typically ignored contentious relationship between modern diaspora authors and the Caribbean, Boisseron ultimately argues that displacement and creative autonomy are often manifest in guilt and betrayal, central themes that emerge again and again in the work of these writers.

Contents

• Acknowledgments
• Note on Translations
• Introduction: The Second-Generation Caribbean Diaspora
• 1. Anatole Broyard: Racial Betrayal and the Art of Being Creole
• 2. Maryse Condé’s Histoire de la femme cannibale: Coming Out in the French Antilles
• 3. Edwidge Danticat and Dany Laferrière: Parasitic and Remittance Diaspora
• 4. V. S. Naipaul and Jamaica Kincaid: Rhetoric of National Dis-Allegiance
• 5. Creole versus Bossale Renegade: “Turfism” in the Black Diaspora of the Americas
• Notes
• Bibliography
• Index

Empire’s progeny: The representation of mixed race characters in twentieth century South African and Caribbean literature

2006-01-01
355 pages
Publication Number: AAT 3249543

Kathleen A. Koljian
University of Connecticut

A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at the University of Connecticut, 2006.

This dissertation is an examination of the portrayal of mixed race characters in South African and Caribbean literature. Through a close reading of the works of representative Caribbean [Derek Walcott, Michelle Cliff, and Jamaica Kincaid] and South African authors, [Bessie Head, Zoe Wicomb, and Zakes Mda] my dissertation will construct a more valid paradigm for the understanding of mixed-race characters and the ways in which authors from the Caribbean and South Africa typically deploy racially mixed characters to challenge the social order imposed during colonial domination. These authors emphasize the nuanced and hierarchical conceptualizations of racialized identity in South Africa and the Caribbean. Their narratives stand in marked contrast to contemporary models of ‘hybridity’ promulgated by prominent post-colonial critics such as Homi Bhabha and his adherents. In this dissertation, I hope to provide a more historically and culturally situated paradigm for understanding narrative portrayals of mixed race characters as an alternative to contemporary theories of ‘hybridity’. Current paradigms within post-colonial theory are compromised by their lack of historical and cultural specificity. In failing to take into account specific and long-standing attitudes toward racial identity prevalent in particular colonized cultures, these critics founder in attempts to define the significance of the racially mixed character in postcolonial literature. Bhabha, for example, fails to recognize that the formation of racialized identity within the Caribbean and South Africa is not imagined in simple binary terms but within a distinctly articulated racial hierarchy. Furthermore, Bhabha does not acknowledge the evolution of attitudes and ideas that have shaped the construction and understanding of mixed-race identity. After a brief survey of the scientific discourse of race in the colonial era, and a representative sampling of key thematic elements and tropes in early colonial literature to demonstrate the intersection of race theory and literature, close readings of individual narratives will demonstrate the limitations of current models of ‘hybridity’ and illuminate the ways in which individual authors and texts are constructed within (and sometimes constrained by) long-standing and pervasive discourses of racialized identity.

Table of Contents

• Introduction: Empire’s Progeny
• “A Small Corner of the Earth”: Bessie Head
• “Colouring the Truth”: Zoe Wicomb
• Birthing the Rainbow Nation: Zakes Mda’s Madonna of Excelsior
• The “Mulatto of Style”: Derek Walcott’s Carribean Aesthetics
• “Only Sadness Comes from Mixture”: Clare Savage’s Matrilineal Quest
• Xeula and Oya: Jamaica Kincaid’s Autobiography of My Mother
• Conclusion
• Works Cited

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