Mixed Race Studies

Meridians: Mapping Metaphors of Mixed Race Indentity

University of Florida
August 2004
238 pages

Shane Willow Trudell

A dissertation presented to the Graduate School of the University of Florida in partial fulfullment of the requirements for the degree Doctor of Philosophy

Although mixed race identity traditionally has been equated with conflict, the conflict is not necessarily lived but may be more accurately viewed as a conflict of language, a conflict of metaphors. Traditionally, metaphors of mixed race identity have reflected notions of opposition and hierarchy; at the same time, mixed race individuals have searched for Utopian spaces in which conflict and tragedy are alleviated and race is imagined as a unifying, rather than divisive, idea. This study looks at the treatment of mixed race women in twentieth century novels, beginning with Jean Toomer’s Cane (1925) and then jumping to the end of the century—to Fran Ross’s Oreo (1975), Danzy Senna’s Caucasia (1998), and Jenoyne Adams’s Resurrecting Mingus (2001)—to study texts written during and after the Black Power Movement. It begins with an analysis of metaphors of blackness and whiteness that developed in the nineteenth century and then questions the ways these metaphors have traditionally complicated possibilities for mixed race identity, resulting in replications of the tragic mulatto and adherence to the one-drop rule. Subsequently, the analysis moves to contemporary metaphors of mixed race identity to explore their limits and possibilities and the ways in which these metaphors are implicated by questions of gender. The texts under analysis respond to the same set of problems, including the longing for Utopian spaces of wholeness and harmony within mixed race identities and non-traditional families. Additionally, these texts contain a latent struggle over questions of history, family, and racial identity. They long to articulate Utopian visions while they are confined within the historical moments and literary formulas in which they were written, and they struggle to negotiate postmodern questions of identity, self, wholeness, and harmony—both individual and communal—while bound by literary and social conventions that resist the Utopian visions they hope to articulate. Each text attempts to envision Utopian social, political, familial and individual spaces where the “play” of identity—the possibility of negotiation and individualization—may be manifested, Utopian visions of harmony may be realized, and new metaphors may be articulated.

TABLE OF CONTENTS

• ACKNOWLEDGMENTS
• PREFACE
• ABSTRACT
• CHAPTER
• 1. CARTOGRAPHIES OF RACIAL IDENTITY
  • Intimate Cartography
  • Mapping Past Paths and New Directions
  • Mapping the Contemporary Landscape
  • Mapping Metaphors
  • Mixed Metaphors
  • Playing With the Map
  • Mapping the Path Ahead
• 2. THE IVORY TOWER AND THE KETTLE BLACK: NINETEENTH CENTURY METAPHORS OF RACE
  • Race Crystallized
  • Climbing the Ivory Tower
  • Climbing into the Kettle Black
  • Continued Crystallization
• 3. LINES OF CONTACT AND COHERENCE: MERIDIANS IN THE WORK OF JEAN TOOMER
  • Points of Departure
  • Dividing Lines
  • Transcending the Divide
  • Points of Contact
• 4. TRAVELING THROUGH FRAN ROSS’S OREO, NO ORDINARY COOKIE
  • The Frontier: Where Two Come Together
  • TraveHng Beyond the Boundaries
  • “She Got Womb”
  • Travelers, Questers, and Cookies
  • Traveling in/as Twos
• 5. RE-VISIONS OF DIFFERENCE IN DANZY SENNA’S CAUCASIA
  • Disappearing: The Skin We’re In
  • Bodies at Play: Performing (and Being) Race(d)
  • Appearing in the Mirroring
  • Longing and Belonging
  • Appearing in Motion and Blurring the Lines
  • Reappearing beyond Recognition
• 6. HOME LIFE: CONFLICTED DOMESTICITY IN JENOYNE ADAMS’S RESURRECTING MINGUS
  • Home Bound
  • Divided Houses
  • Cracking the Mirror
  • Coming Home
• 7. MERIDIANS ON THE MAP OF IDENTITY
• WORKS CITED
• BIOGRAPHICAL SKETCH

Read the entire dissertation here.