Mixed Race Studies

Dangerous Creole Liaisons: Sexuality and Nationalism in French Caribbean Discourses from 1806 to 1897

Liverpool University Press
2016-05-02
224 Pages
239 x 163mm
Hardback ISBN: 9781781383018

Jacqueline Couti, Assistant Professor of French and Francophone Studies
University of Kentucky

Dangerous Creole Liaisons explores a French Caribbean context to broaden discussions of sexuality, nation building, and colonialism in the Americas. Couti examines how white Creoles perceived their contributions to French nationalism through the course of the nineteenth century as they portrayed sexualized female bodies and sexual and racial difference to advance their political ideologies. Questioning their exhilarating exoticism and titillating eroticism underscores the ambiguous celebration of the Creole woman as both seductress and an object of lust. She embodies the Caribbean as a space of desire and a political site of contest that reflects colonial, slave and post-slave societies. The under-researched white Creole writers and non-Caribbean authors (such as Lafcadio Hearn) who traveled to and wrote about these islands offer an intriguing gendering and sexualization of colonial and nationalist discourses. Their use of the floating motif of the female body as the nation exposes a cultural cross-pollination, an intense dialogue of political identity between continental France and her Caribbean colonies. Couti suggests that this cross-pollination still persists. Eventually, representations of Creole women’s bodies (white and black) bring two competing conceptions of nationalism into play: a local, bounded, French nationalism against a transatlantic and more fluid nationalism that included the Antilles in a “greater France.”

Table of Contents

• Introduction Chercher la femme: Traces of an Ever-Present Absence
• 1. The (White) Female Creole Body: Bearer of Culture and Cultural Signifier
• 2. Falling from Grace: Creole Gothic, Flawed Femininity, and The Collapse of Civilization Coda I (Re)writing History: Revival of the Declining Creole Nation and Transatlantic Ties
• 3. Sexualizing and Darkening Black Female Bodies: Whose Imagined Community?
• 4. Colonial Democracy and Fin de Siècle Martinique: The Third Republic and White Creole Dissent
• Coda II Heritage and Legacies
• Glossary
• Bibliography

Louisiana Creole Literature: A Historical Study

University Press of Mississippi
2013-10-17
256 pages
6 x 9 inches, bibliography, index
Hardback ISBN: 9781617039102

Catharine Savage Brosman, Professor Emerita of French
Tulane University, New Orleans, Louisiana

Louisiana Creole Literature is a broad-ranging critical reading of belles lettres—in both French and English—connected to and generally produced by the distinctive Louisiana Creole peoples, chiefly in the southeastern part of the state. The book covers primarily the nineteenth and twentieth centuries, the flourishing period during which the term Creole had broad and contested cultural reference in Louisiana.

The study consists in part of literary history and biography. When available and appropriate, each discussion–arranged chronologically–provides pertinent personal information on authors, as well as publishing facts. Readers will find also summaries and evaluation of key texts, some virtually unknown, others of difficult access. Brosman illuminates the biographies and works of Kate Chopin, Lafcadio Hearn, George Washington Cable, Grace King, and Adolphe Duhart, among others. In addition, she challenges views that appear to be skewed regarding canon formation. The book places emphasis on poetry and fiction, reaching from early nineteenth-century writing through the twentieth century to selected works by poets still writing in the early twenty-first century. A few plays are treated also, especially by Victor Séjour. Louisiana Creole Literature examines at length the writings of important Francophone figures, and certain Anglophone novelists likewise receive extended treatment. Since much of nineteenth-century Louisiana literature was transnational, the book considers Creole-based works which appeared in Paris as well as those published locally.

Catharine Savage Brosman, Houston, Texas, is professor emerita of French at Tulane University. She is the author of numerous books of French literary history and criticism, two volumes of nonfiction prose, and nine collections of poetry.

Contents

• Preface
• Chapter One. Louisiana and Its Population: The Historical Background
• Chapter Two. Features of Early Louisiana Literature and the Cultural Milieu
• Chapter Three. Pere Rouquette and Other Early Francophone Poets
• Chapter Four. Mercier and Other Novelists Born in the Early Nineteenth Century
• Chapter Five. Mid-Nineteenth-Century Immigrant Francophone Authors
• Chapter Six. Fiction and Drama by Mid-Nineteenth-Century Free People of Color
• Chapter Seven. Poetry by Mid-Nineteenth-Century Free People of Color
• Chapter Eight. Cable and Hearn
• Chapter Nine. Late Francophone Figures: de la Houssaye, du Quesnay, Dessommes
• Chapter Ten. Kate Chopin
• Chapter Eleven. King, Stuart, and Others
• Chapter Twelve. Some Twentieth-Century Louisiana Prose Writers
• Chapter Thirteen. Louisiana Creole Poets of the Twentieth and Twenty-First Centuries
• Notes
• Selected Bibliography
• Index

American Creoles: The Francophone Caribbean and the American South

Liverpool University Press
May 2012
256 pages
234 x 156 mm
Hardback ISBN: 9781846317538

Edited by:

Celia Britton, Professor of French and Francophone Studies
University College London

Martin Munro, Professor of French and Francophone Studies
Florida State University

The Francophone Caribbean and the American South are sites born of the plantation, the common matrix for the diverse nations and territories of the circum-Caribbean. This book takes as its premise that the basic configuration of the plantation, in terms of its physical layout and the social relations it created, was largely the same in the Caribbean and the American South. Essays written by leading authorities in the field examine the cultural, social, and historical affinities between the Francophone Caribbean and the American South, including Louisiana, which among the Southern states has had a quite particular attachment to France and the Francophone world. The essays focus on issues of history, language, politics and culture in various forms, notably literature, music and theatre. Considering figures as diverse as Barack Obama, Frantz Fanon, Miles Davis, James Brown, Édouard Glissant, William Faulkner, Maryse Condé and Lafcadio Hearn, the essays explore in innovative ways the notions of creole culture and creolization, terms rooted in and indicative of contact between European and African people and cultures in the Americas, and which are promoted here as some of the most productive ways for conceiving of the circum-Caribbean as a cultural and historical entity.

Contents

• List of Illustrations
• Acknowledgements
• Introduction – Martin Munro and Celia Britton
• Creolizations
  • Lafcadio Hearn’s American Writings and the Creole Continuum – Mary Gallagher
  • Auguste Lussan’s La Famille creole: How Saint-Domingue Emigres Bcame Louisiana Creoles – Typhaine Leservot
  • Caribbean and Creole in New Orleans – Angle Adams Parham
  • Creolizing Barack Obama – Valerie Loichot
  • Richard Price or the Canadian from Petite-Anse: The Potential and the Limitations of a Hybrid Anthropology – Christina Kullberg
• Music
  • ‘Fightin’ the Future’: Rhythm and Creolization in the Circum-Caribbean – Martin Munro
  • Leaving the South: Frantz Fanon, Modern Jazz, and the Rejection of Negritude – Jeremy F. Lane
  • The Sorcerer and the Quimboiseur: Poetic Intention in the Works of Miles Davis and Edourard Glissant – Jean-Luc Tamby
  • Creolizing Jazz, Jazzing the Tout-monde: Jazz, Gwoka and the Poetics of Relation – Jerome Camal
• Intertextualities: Faulkner, Glissant, Conde
  • Go Slow Now: Saying the Unsayable in Edouard Glissant’s Reading of Faulkner – Michael Wiedorn
  • Edouard Glissant and the Test of Faulkner’s Modernism – Hugh Azerad
  • The Theme of the Ancestral Crime in the Novels of Faulkner, Glissant, and Conde – Celia Britton
  • An American Story – Yanick Lahen
• Notes on Contributors
• Index