Mixed Race Studies

Scholarly perspectives on the mixed race experience.

The use of the term “colored” was coined by mixed-race people (Ottley 1968:95). In the eighteenth century this population and their descendants created their own caste system, which was marked by color and class. In one case in South Carolina, mixed-race people formed the Brown Fellowship Society, an exclusive mulatto organization that I will discuss in more detail in Chapter 2. Mixed descendants of French and Spanish settlers in New Orleans also distinguished themselves by adopting the terms gens de couleur or people of color. This term carried with it all the connotations of higher case associated with nonblackness and mixed ancestry. In the first half of the nineteenth century, “colored” also became the term of polite usage among free Negroes of the North.

Objections to the term “colored” were duly noted in the African American press. In the September 24, 1831, edition of The Liberator, an editorial declared that “the term ‘colored’ is not a good one. Whenever used, it recalls to mind the offensive distinction of color.” T. Thomas Fortune, a leading journalist in the first quarter twentieth century, also declared that the word was a vague misnomer and had “neither geographical nor political significance, as applied to race” (a quoted in Barry and Blassingame 1982:391). Nevertheless, many people, especially middle- and upper-class African Americans, used the term “colored” (Isaacs 1964:70). The need for a name that was self-defined and descriptive remained.

Obiagele Lake, Blue Veins and Kinky Hair: Naming and Color Consciousness in African America (Santa Barbara: Greenwood Publishing Group, 2003), 11.

Georgia Douglas Johnson, Harlem Renaissance Poet & Playwright

Posted in Articles, Biography, Literary/Artistic Criticism, Media Archive, United States, Women on 2022-02-26 17:54Z by Steven

Georgia Douglas Johnson, Harlem Renaissance Poet & Playwright

Literary Ladies Guide: Inspiration for Readers and Writers from Classic Women Authors
2018-03-29

Nava Atlas

Georgia Douglas Johnson (September 10, 1880 – May 14, 1966) was an American poet and playwright associated with the Harlem Renaissance.

Born Georgia Douglas Camp in Atlanta, Georgia, she grew up in a mixed-race family with African American, Native American, and English roots.

Her poetry addressed issues of race as well as intensely personal yet ultimately universal themes including love, motherhood, and being a woman in a male-dominated world.

Four collections of her poetry were published: The Heart of a Woman (1918), Bronze (1922), An Autumn Love Cycle (1928), and Share My World (1962). She wrote nearly thirty plays and numerous other works, some of which have been lost…

Read the entire article here.

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Liana by Martha Gellhorn (1944)

Posted in Articles, Book/Video Reviews, Caribbean/Latin America, Media Archive, Women on 2019-04-18 19:30Z by Steven

Liana by Martha Gellhorn (1944)

Literary Ladies Guide: Inspiration for Readers and Writers from Classic Women Authors
2018-11-25

Taylor Jasmine

Martha Gellhorn was married to Ernest Hemingway when Liana, her fifth novel, was published in 1944. She had already made quite a name for herself as a war correspondent by that point and it rankled her to be described as “Mrs. Ernest Hemingway” in reviews of her books.

Though her fiction varied in its quality and critical acclaim, her book of linked stories titled The Trouble I’ve Seen (1936), based on her actual observations as a journalist during the Depression, earned her a great deal of respect.

Her brief marriage to Hemingway was already in jeopardy the year that Liana appeared. In her capacity as a war correspondent, Gellhorn wanted to cover the action, wherever it happened to be…

…The story centers on Liana, who is described as a mulatto, or what we now call mixed-race. She marries Marc Royer, a wealthy white man on a fictional French Caribbean island called Saint Boniface.

For his part, he marries her mainly to spite another woman, and so, Liana is marked by a kind of tragedy in this sense, becoming a prisoner in his home, and a partner to a man who doesn’t fully love her…

Read the entire review here.

Tags: Literary Ladies Guide, Literary Ladies Guide: Inspiration for Readers and Writers from Classic Women Authors, Martha Gellhorn, New York Times, Taylor Jasmine, The New York Times

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Mixed Race Studies

Georgia Douglas Johnson, Harlem Renaissance Poet & Playwright

Liana by Martha Gellhorn (1944)

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