Mixed Race Studies

Love Medicine, A Novel (Newly Revised Edition)

Harper Perennial
2016-08-23 (Originally published in 1994)
400 pages
5x8in
Paperback ISBN: 9780061787423

Louise Erdrich

Set on a North Dakota Ojibwe reservation, Love Medicine—the first novel from master storyteller and National Book Award-winning author Louise Erdrich—is an epic story about the intertwined fates of two families: the Kashpaws and the Lamartines.

With astonishing virtuosity, each chapter of this stunning novel draws on a range of voices to limn its tales. Black humor mingles with magic, injustice bleeds into betrayal, and through it all, bonds of love and family marry the elements into a tightly woven whole that pulses with the drama of life.

Erdrich has written a multigenerational portrait of strong men and women caught in an unforgettable whirlwind of anger, desire, and the healing power that is love medicine.

I Hear the Train: Reflections, Inventions, Refractions

University of Oklahoma Press
October 2001
282 pages
6 X 9
12 B&W Photos
Hardcover ISBN: 9780806133546
Paperback ISBN: 9780806190143

Louis Owens (1948-2002), Professor of English and Native American Studies
University of California, Davis

In this innovative collection, Louis Owens blends autobiography, short fiction, and literary criticism to reflect on his experiences as a mixedblood Indian in America.

In sophisticated prose, Owens reveals the many timbres of his voice—humor, humility, love, joy, struggle, confusion, and clarity. We join him in the fields, farms, and ranches of California. We follow his search for a lost brother and contemplate along with him old family photographs from Indian Territory and early Oklahoma. In a final section, Owens reflects on the work and theories of other writers, including Gayatri Chakravorty Spivak, Gerald Vizenor, Michael Dorris, and Louise Erdrich.

Louise Erdrich, Matthew Desmond Among Winners of National Book Critics Circle Awards

The New York Times
2017-03-16

Alexandra Alter, Publishing Reporter

Louise Erdrich outside her bookstore, Birchbark Books, in Minneapolis. Credit Jenn Ackerman for The New York Times

Louise Erdrich’s novel “LaRose,” which centers on two Native American families in North Dakota whose lives are upended by a horrific hunting accident that kills a 5-year-old boy, won the National Book Critics Circle Award for fiction on Thursday.

Ms. Erdrich, who has published 15 novels, won in an especially competitive year for high-profile literary fiction, with Michael Chabon, Ann Patchett, Zadie Smith and Adam Haslett among the finalists.

“I’m among such dramatically wonderful novels that it didn’t seem that this was possible,” Ms. Erdrich said in her acceptance speech, before making a passionate plea about the importance of free expression and the need for writers and journalists to challenge falsehoods.

“The truth is being assaulted not only in our country but all over the world,” she said. “More than ever, we have to look into the truth.”…

Read the entire article here.

Library of Congress Prize for American Fiction Awarded to Louise Erdrich

News from the Library of Congress
Washington, D.C.
2015-03-17

Winner to Participate in This Year’s National Book Festival

Librarian of Congress James H. Billington has announced that Louise Erdrich, author of such critically acclaimed novels as “Love Medicine,” “The Last Report on the Miracles at Little No Horse,” “The Plague of Doves” and her current novel, “The Round House,” will receive the Library of Congress Prize for American Fiction during the 2015 Library of Congress National Book Festival, Sept. 5.

Billington said of Erdrich: “Throughout a remarkable string of virtuosic novels, Louise Erdrich has portrayed her fellow Native Americans as no contemporary American novelist ever has, exploring—in intimate and fearless ways—the myriad cultural challenges that indigenous and mixed-race Americans face. In this, her prose manages to be at once lyrical and gritty, magical yet unsentimental, connecting a dreamworld of Ojibwe legend to stark realities of the modern-day. And yet, for all the bracing originality of her work, her fiction is deeply rooted in the American literary tradition.”

The National Book Festival and the prize ceremony will take place at the Walter E. Washington Convention Center in Washington, D.C.

“My grandfather, Patrick Gourneau, was educated in an Indian boarding school, became chairman of his tribe and testified before Congress on behalf of the Turtle Mountain people,” said Erdrich. “My other grandfather, Ludwig Erdrich, came here penniless from Germany in 1920 and worked incessantly through many heartbreaks to raise his family, including my father. Of all their grandchildren, it would have surprised them most to think of me, skinny and tongue-tied, amounting to anything. But in addition to the Library of Congress, I have my parents Rita and Ralph, in whom my grandparents’ spirits are still vital, to thank for this recognition.”

Erdrich is the third winner of the award. Previous winners are E.L. Doctorow (2014) and Don DeLillo (2013)…

Read the entire press release here.

Louise Erdrich on her fiction: ‘I’m writing out of the mixture of cultures’

The Guardian
2015-09-05

Bridey Heing

Receiving the Library of Congress prize for American fiction, Erdrich spoke of how her writing emerged from the ‘great loss’ of Native Americans

Novelist Louise Erdrich was presented with the Library of Congress prize for American fiction on Saturday in recognition of her three-decade literary career.

In the Q&A at the National Book Festival in Washington, DC, that followed, Erdrich – the author of Tracks, Love Medicine and The Round House and a key voice in contemporary American literature – offered insight into the worldview from which she writes, one heavily influenced by her own experiences as a mixed-race Native American.

“It is where I’m from; literally there’s no other way than this that I can write. I’m writing out of the mixture of cultures,” she said. “Knowing both sides of my family really infused my life with a sense that I lived in many times and in many places as many people. It was never just me. I was always filled with the stories, the humor, the loss. Because, of course, we are all part of this great loss that occurred.”…

Read the entire article here.

Passing into the present: Contemporary American Fiction of Racial and Gender Passing

Manchester University Press
2010-07-01
256 pages
216 x 138mm
Hardback ISBN: 9780719082290

Sinéad Moynihan, Senior Lecturer in English
University of Exeter

• Discusses wider themes including class, gender, sexuality, and religious identity
• Focuses on Philip Roth’s ‘The Human Stain‘, Louise Eridich’s ‘Tracks’ Percival Everett’s ‘Erasure’ and Paul Beatty’s ‘The White Boy Shuffle‘
• Looks at a wide rage of contemporary writers that represent the theme of gender and racial passing

This book is the first full-length study of contemporary American fiction of ‘passing’. Its takes as its point of departure the return of racial and gender passing in the 1990s in order to make claims about wider trends in contemporary American fiction.

The book accounts for the return of tropes of passing in fiction by Philip Roth, Percival Everett, Louise Erdrich, Danzy Senna, Jeffrey Eugenides and Paul Beatty. These writers are attracted to the trope because passing narratives have always foregrounded the notion of textuality in relation to the (il)legibility of black subjects passing as white. The central argument of this book, then, is that contemporary narratives of passing are concerned with articulating and unpacking an analogy between passing and authorship.

Aimed at students and researchers, it promises to inaugurate dialogue on the relationships between identity, postmodernism and authorship in contemporary American fiction.

Table of Contents

• 1. Introduction: ‘Passing’ into the present: passing narratives then and now
• 2. Living parchments, human documents: passing, racial identity and the literary marketplace
• 3. The way of the cross(-dresser): Catholicism, gender and race in two novels by Louise Erdrich
• 4. (W)Rites-of-passing: shifting racial and gender identities in Caucasia and Middlesex
• 5. Bodies / texts: passing and writing in The White Boy Shuffle and The Human Stain
• 6. Conclusion: ‘Passing’ fads?: recent controversies of authenticity and authorship
• Bibliography