Mixed Race Studies

The Trouble with Post-Blackness

Columbia University Press
February 2015
288 pages
Paperback ISBN: 9780231169356
Hardcover ISBN: 9780231169349
E-book ISBN: 9780231538503

Edited by:

Houston A. Baker, Distinguished University Professor
Vanderbilt University, Nashville, Tennessee

K. Merinda Simmons, Associate Professor of Religious Studies
University of Alabama

An America in which the color of one’s skin no longer matters would be unprecedented. With the election of President Barack Obama in 2008, that future suddenly seemed possible. Obama’s rise reflects a nation of fluid populations and fortunes, a society in which a biracial individual could be embraced as a leader by all. Yet complicating this vision are shifting demographics, rapid redefinitions of race, and the instant invention of brands, trends, and identities that determine how we think about ourselves and the place of others.

This collection of original essays confronts the premise, advanced by black intellectuals, that the Obama administration marked the start of a “post-racial” era in the United States. While the “transcendent” and post-racial black elite declare victory over America’s longstanding codes of racial exclusion and racist violence, their evidence relies largely on their own salaries and celebrity. These essays strike at the certainty of those who insist life, liberty, and the pursuit of happiness are now independent of skin color and race in America. They argue, signify, and testify that “post-blackness” is a problematic mythology masquerading as fact—a dangerous new “race science” motivated by black transcendentalist individualism. Through rigorous analysis, these essays expose the idea of a post-racial nation as a pleasurable entitlement for a black elite, enabling them to reject the ethics and urgency of improving the well-being of the black majority.

Table of Contents

• Acknowledgments
• Introduction: The Dubious Stage of Post-Blackness—Performing Otherness, Conserving Dominance, by K. Merinda Simmons
• 1. What Was Is: The Time and Space of Entanglement Erased by Post-Blackness, by Margo Natalie Crawford
• 2. Black Literary Writers and Post-Blackness, by Stephanie Li
• 3. African Diasporic Blackness Out of Line: Trouble for “Post-Black” African Americanism, by Greg Thomas
• 4. Fear of a Performative Planet: Troubling the Concept of “Post-Blackness”, by Rone Shavers
• 5. E-Raced: #Touré, Twitter, and Trayvon, by Riché Richardson
• 6. Post-Blackness and All of the Black Americas, by Heather D. Russell
• 7. Embodying Africa: Roots-Seekers and the Politics of Blackness, by Bayo Holsey
• 8. “The world is a ghetto”: Post-Racial America(s) and the Apocalypse, by Patrice Rankine
• 9. The Long Road Home, by Erin Aubry Kaplan
• 10. Half as Good, by John L. Jackson Jr.
• 11. “Whither Now and Why”: Content Mastery and Pedagogy—a Critique and a Challenge, by Dana A. Williams
• 12. Fallacies of the Post-Race Presidency, by Ishmael Reed
• 13. Thirteen Ways of Looking at Post-Blackness (after Wallace Stevens), by Emily Raboteau
• Conclusion: Why the Lega Mask Has Many Mouths and Multiple Eyes, by Houston A. Baker Jr.
• List of Contributors
• Index

Dilution Anxiety and the Black Phallus

Ohio State University Press
July 2008
224 pages
6×9
Paper ISBN: 978-0-8142-5168-3
Cloth ISBN: 978-0-8142-1091-8
CD ISBN: 978-0-8142-9171-9

Margo Natalie Crawford, Associate Professor of English
Cornell University

After the “Black is Beautiful” movement of the 1960s, black body politics have been overdetermined by both the familiar fetishism of light skin as well as the counter-fetishism of dark skin. Moving beyond the longstanding focus on the tragic mulatta and making room for the study of the fetishism of both light-skinned and dark-skinned blackness, Margo Natalie Crawford analyzes depictions of colorism in the work of Gertrude Stein, Wallace Thurman, William Faulkner, Black Arts poets, James Baldwin, Toni Morrison, and John Edgar Wideman. In Dilution Anxiety and the Black Phallus, Crawford adds images of skin color dilution as a type of castration to the field of race and psychoanalysis. An undercurrent of light-skinned blackness as a type of castration emerges within an ongoing story about the feminizing of light skin and the masculinizing of dark skin. Crawford confronts the web of beautified and eroticized brands and scars, created by colorism, crisscrossing race, gender, and sexuality. The depiction of the horror of these aestheticized brands and scars begins in the white-authored and black-authored modernist literature examined in the first chapters. A call for the end of the ongoing branding emerges with sheer force in the post–Black movement novels examined in the final chapters.

Read excerpts from the book here.