What Does It Mean To Be Latino? The ‘Light-Skinned Privilege’ Edition

Posted in Audio, Identity Development/Psychology, Interviews, Latino Studies, Media Archive, United States on 2021-08-21 03:46Z by Steven

What Does It Mean To Be Latino? The ‘Light-Skinned Privilege’ Edition

Code Switch
National Public Radio
2021-07-14

Shereen Marisol Meraji, Co-host/ Senior Producer

Kumari Devarajan, Producer

Leah Donnella, Editor


Maria Hinojosa (left) and Maria Garcia.
Krystal Quiles for NPR

Maria Garcia and Maria Hinojosa are both Mexican American, both mestiza, and both relatively light-skinned. But Maria Hinojosa strongly identifies as a woman of color, whereas Maria Garcia has stopped doing so. So in this episode, we’re asking: How did they arrive at such different places? To find out, listen to our latest installment in this series about what it means to be Latino.

Listen to the story (00:37:15) here.

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‘In the Heights’ and Colorism: What Is Lost When Afro-Latinos Are Erased

Posted in Articles, Communications/Media Studies, Latino Studies, Media Archive, United States on 2021-06-22 20:36Z by Steven

‘In the Heights’ and Colorism: What Is Lost When Afro-Latinos Are Erased

The New York Times
2021-06-21

By Maira Garcia, Sandra E. Garcia, Isabelia Herrera, Concepción de León, Maya Phillips and A.O. Scott


The “In the Heights” cast includes Daphne Rubin-Vega, left, Stephanie Beatriz, Melissa Barrera (rear), Olga Merediz, Gregory Diaz IV, Dascha Polanco and Jimmy Smits. Warner Bros.

The film, set in a New York neighborhood known as the Little Dominican Republic, didn’t cast dark-skinned Latinos in lead roles. Our writers discuss how that absence reverberates.

In the Heights,” the long-delayed Hollywood adaptation of the Broadway musical, has been heralded as a step for more Latino representation in Hollywood, but a conversation has emerged about colorism and the casting of the film.

The New York neighborhood at the center of the story, Washington Heights, is predominantly Afro-Dominican. In an interview, Felice León, a video producer for The Root, asked Jon M. Chu, the director, and some of the stars about the lack of dark-skinned leads in the film: “As a Black woman of Cuban descent specifically from New York City,” she told him, “it would be remiss of me to not acknowledge the fact that most of your principal actors were light-skinned or white-passing Latinx people.” Chu said it was a conversation and something he needed to be educated about. In the end, he said, they “tried to get the people who were best for those roles.”

Lin-Manuel Miranda, who is a part of the film’s creative team, which includes the writer Quiara Alegría Hudes, addressed the criticism last week in a statement on Twitter. He apologized for falling short in “trying to paint a mosaic of this community.” Several prominent Latinos came to Miranda’s defense, including the pioneering Latina actress Rita Moreno, who later backtracked her comments. It’s not the first time Chu has had to contend with questions of identity. His box office hit “Crazy Rich Asians” also had to address similar issues when it came to the casting of Asians and Asian-Americans in the film. (The lead actor in that film, Henry Golding, is biracial.)

I asked five critics and reporters at The Times to weigh in on the criticism and what it means for representation in the arts. These are edited excerpts from the conversation. MAIRA GARCIA

Read the entire article here.

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