Mixed Race Studies

The Grimkes: The Legacy of Slavery in an American Family

Liveright (an imprint of W. W. Norton)
2022-11-08
432 pages
6.3 x 9.4 in
Hardcover ISBN: 978-1-324-09084-7

Kerri K. Greenidge, Mellon Assistant Professor
Department of Studies in Race, Colonialism, and Diaspora
Tufts University, Medford, Massachusetts

A stunning counternarrative of the legendary abolitionist Grimke sisters that finally reclaims the forgotten Black members of their family.

Sarah and Angelina Grimke—the Grimke sisters—are revered figures in American history, famous for rejecting their privileged lives on a plantation in South Carolina to become firebrand activists in the North. Their antislavery pamphlets, among the most influential of the antebellum era, are still read today. Yet retellings of their epic story have long obscured their Black relatives. In The Grimkes, award-winning historian Kerri Greenidge presents a parallel narrative, indeed a long-overdue corrective, shifting the focus from the white abolitionist sisters to the Black Grimkes and deepening our understanding of the long struggle for racial and gender equality.

That the Grimke sisters had Black relatives in the first place was a consequence of slavery’s most horrific reality. Sarah and Angelina’s older brother, Henry, was notoriously violent and sadistic, and one of the women he owned, Nancy Weston, bore him three sons: Archibald, Francis, and John. While Greenidge follows the brothers’ trials and exploits in the North, where Archibald and Francis became prominent members of the post–Civil War Black elite, her narrative centers on the Black women of the family, from Weston to Francis’s wife, the brilliant intellectual and reformer Charlotte Forten, to Archibald’s daughter, Angelina Weld Grimke, who channeled the family’s past into pathbreaking modernist literature during the Harlem Renaissance.

In a grand saga that spans the eighteenth century to the twentieth and stretches from Charleston to Philadelphia, Boston, and beyond, Greenidge reclaims the Black Grimkes as complex, often conflicted individuals shadowed by their origins. Most strikingly, she indicts the white Grimke sisters for their racial paternalism. They could envision the end of slavery, but they could not imagine Black equality: when their Black nephews did not adhere to the image of the kneeling and eternally grateful slave, they were cruel and relentlessly judgmental—an emblem of the limits of progressive white racial politics.

A landmark biography of the most important multiracial American family of the nineteenth century, The Grimkes suggests that just as the Hemingses and Jeffersons personified the racial myths of the founding generation, the Grimkes embodied the legacy—both traumatic and generative—of those myths, which reverberate to this day.

We’re reporting Census data all wrong

Boston Indicators
Cambridge, Massachusetts
2021-12-13

Luc Schuster, Director
Boston Indicators, Cambridge, Massachusetts

Traditional reporting of census data may be contributing to misleading findings about actual demographic change.

Census data on race and ethnicity are invaluable for understanding who we are as a region and how we’re changing over time. Invaluable, yes. But also imperfect. Headlines during the census count last year focused on challenges facing Census Bureau workers during a pandemic and on the Trump administration’s efforts to depress the count in certain areas. But the physical count isn’t the only problem. While back-end reporting changes for the 2020 Census in some ways help us see more clearly who we are as a multiracial, multiethnic nation, other changes have led to misleading findings about actual demographic change. These challenges are compounded by traditional reporting approaches used by researchers like us that have tended to not include all people who select a given race on their census form.

Fortunately, alternatives exist for painting a more accurate picture. These judgment calls make an especially large difference for Boston’s White, Black, and Native American populations, as shown in the graph below, but the traditional reporting approach skews other race totals as well. Traditional reporting of 2020 census data understates Boston’s Black population by almost 43,000 residents…

Read the entire article here.

Multiracial in Greater Boston: The Leading Edge of Demographic Change

Boston Indicators, Cambridge, Massachusetts
2021-11-17
30 pages

Trevor Mattos, Senior Research Manager

Luc Schuster, Senior Director

Peter Ciurczak, Research Associate

The United States is a nation of immigrants. And so is the region of Greater Boston. We’ve gone through waves of being more and less open to immigration, but the effect across recent generations has been a steadily diversifying population. Not only is racial diversity increasing in the aggregate, but a growing number of families are forming across racial and ethnic lines. Today, for instance, one in five babies born in Massachusetts is of mixed race or Latino ethnicity. The report provides detail on these shifting demographic patterns and engages with what they mean for our communities more broadly.

Read the entire report here.

Coast Guard: Wreck found in Atlantic is storied cutter Bear

The Washington Post
2021-10-14

Mark Pratt, Reporter/Editor
The Associated Press

BOSTON — The wreck of a storied military ship that served in two World Wars, performed patrols in waters off Alaska for decades, and at one point was captained by the first Black man to command a U.S. government vessel has been found, the Coast Guard said Thursday.

A wreck thought to be the U.S. Revenue Cutter Bear, which sank in 1963 about 260 miles east of Boston as it was being towed to Philadelphia, where it was going to be converted into a floating restaurant, was located in 2019.

But it was only in August that a team of experts looking at the evidence came to the conclusion that they are “reasonably certain” that the wreck is indeed the Bear, officials of the Coast Guard and National Oceanic and Atmospheric Administration said at a waterfront news conference in Boston.

“At the time of the loss of Bear, it was already recognized as a historic ship,” said Joe Hoyt, of the Office of National Marine Sanctuaries…

…Thursday’s announcement coincided with the arrival in Boston of the U.S. Coast Guard Cutter Healy, named after the Bear’s captain from 1886 until 1895, Michael “Hell Roaring Mike” Healy.

The Healy, an icebreaker commissioned in 1999, recently completed a transit of the Arctic Northwest Passage.

Healy, born in 1839, was the son of a Georgia plantation owner and a slave. Healy’s father sent him to Massachusetts to escape enslavement, [William] Thiesen said.

He likened the Healy — commissioned by Abraham Lincoln a month before the president’s assassination — to an Old West sheriff, whose jurisdiction was an area the size of the lower 48 states.

“While he never, during his lifetime, self-identified as African American, perhaps to avoid the prejudice he would likely have encountered in his personal life and career, he was in reality the first person of African American descent to command a ship of the U.S. Government,” a NOAA news release said…

Read the entire article here.

Historical Reformer – Lemuel Haynes

Nations
2021-12-20

Thaddeus Tague

The First Black Pastor in American History

On April 19th, 1775 – war was coming to Lexington, Massachusetts. The 77 hastily armed colonists arrived first. The sun began to rise, and with it came the sound of a marching war machine. The militaristically-naked colonists gaped at the more than 700 redcoats that faced them, weapons drawn. A sneering British major had approached within shouting distance and yelled, “Throw down your arms! Ye villains, ye rebels.” Within moments, firing started on both sides. Eight colonists lay dead. The British force advanced and set fire to the town. As soon as they advanced beyond the town however, they were met with the veritable thousands of “minutemen” who had assembled nearby. Quickly deployed and burning to protect their freedom, the minutemen overwhelmed the British force. In the days after, thousands more men were recruited in the local region. One of these men was a newly freed slave named Lemuel Haynes. A passionate Christian and Calvanist, Lemuel helped fight and tend to the wounded during the subsequent engagements. Seeing the blood and combat on the following few days – he vowed in his heart that he would fight to extend freedom and liberty to all men and women in the new colonies…

Read the entire article here.

Twin sisters sue Wampanoag Tribe over disputed membership

Cape Cod Times
Hyannis, Massachusetts
2020-09-27

Jessica Hill, News Reporter

Twin sisters Kayla, left, and Katie Balbuena outside their East Falmouth home. The sisters have filed suit against the Mashpee Wampanoag Tribe, arguing that tribe has wrongly taken them off its membership roll. Steve Heaslip/Cape Cod Times

MASHPEE — Twin 20-year-old sisters are taking Wampanoag tribal leaders to court after they were removed from the tribal membership roll.

Kayla and Kaitlyn Balbuena are suing the Mashpee Wampanoag Tribe Enrollment Committee in Tribal Court after the committee removed them from the tribal roll about a month ago.

“We don’t want to sue our tribe,” Kayla said, “but we just want to fight for our rights back.”

The Balbuena sisters filed the lawsuit on Sept. 15. The sisters, who live in East Falmouth, argue that the tribe’s enrollment department placed them on a pending list and have taken away their rights as tribal members based on hearsay and falsehood.

The enrollment committee and Rita Lopez, the enrollment department director, did not respond to a request for comment. Jessie “Little Doe” Baird, vice chairwoman of the Mashpee Wampanoag Tribal Council, also did not respond to a request for comment.

Read the entire article here.

The Law According to Rachael Rollins

Boston Magazine
2019-08-06

Catherine Elton

Portrait by Diana Levine

The charismatic new district attorney is Boston’s greatest hope to bring the criminal justice system into the wide, woke 21st century. What’s at stake? Only the future of law and order in our city.

The first thing I notice when I walk into Rachael Rollins’s downtown corner office is the impressive wraparound windowsill jam-packed with plaques, diplomas, statuettes, and a little engraved glass prism that catches the afternoon light shining through the window. Everyone from Mayor Marty Walsh and Massachusetts Lawyers Weekly to the Cambridge branch of the NAACP and a Dorchester football team has contributed an object to her collection.

“Wow, you have a lot of awards,” I say.

“See,” Rollins says, looking up from her desk. “There are people who like me.”

The second thing I notice is that the city’s top prosecutor is already on the defensive.

At first blush, it seems a little odd that the woman who recently won a landslide election with 185,133 votes (a number she mentions with striking regularity) would feel the need to remind me that there are people who actually like her. Then again, ever since winning the job of Suffolk County district attorney on a promise to reform criminal justice, reduce racial biases in the system, and essentially reinvent the role of DA, Rollins has become a lightening rod for Boston’s law enforcement and political establishments. She has received more attention and public ridicule than any other DA in the state—probably more than all of the rest combined—for policies her critics warn are a threat to public safety. She has taken heat from the cops, feuded publicly with Governor Charlie Baker, and been hammered by a fellow DA. She’s also been thumped by her fellow progressives for not yet making good on some campaign promises and has been featured in more unflattering photos in the Herald than she has spent months on the job. And she’s losing experienced prosecutors by the droves…

…One of the foremost reasons that early supporters thought she should run is the rare mix of personal experiences she could bring to the campaign trail. The eldest of five children of a mixed-race couple, Rollins identifies as black but, thanks to her father, says she is “fluent in white Irish male.” She grew up with tight finances in a working-class family, but a scholarship allowed her to attend school at the tony Buckingham Browne & Nichols. “I am everything that people don’t think I am,” she tells me, “and that’s my superpower.”

Race and class aren’t the only divides Rollins has straddled in her personal life. On one hand, she is an accomplished lawyer who worked at the U.S. attorney’s office and served as general counsel at Massport and the MBTA. On the other hand, one of her siblings has served time in federal prison on drug and weapons charges. And Rollins is candid when talking about how another has had his own run-ins with the law, and a third has battled an opioid addiction. As the result of some of these entanglements with the criminal justice system, Rollins is the guardian and has custody of two of her siblings’ children, in addition to having her own teenage girl. It was these contradictions that made her the most distinctive candidate vying for the job of the county’s top law enforcement officer. “There is no one out there with such a wide range of experiences,” Boston City Council President Andrea Campbell told me, explaining why she was one of those dozens of people who flooded Rollins’s phone with messages urging her to run. “She gets the story from both sides.”…

Read the entire article here.

The Celestials

Tin House Books
2013-06-06
320 pages
Paperback ISBN: 978-1-935639-55-8

Karen Shepard

In June of 1870, seventy-five Chinese laborers arrived in North Adams, Massachusetts, to work for Calvin Sampson, one of the biggest industrialists in that busy factory town. Except for the foreman, the Chinese didn’t speak English. They didn’t know they were strikebreakers. The eldest of them was twenty-two.

Combining historical and fictional elements, The Celestials beautifully reimagines the story of Sampson’s “Chinese experiment” and the effect of the newcomers’ threatening and exotic presence on the New England locals. When Sampson’s wife, Julia, gives birth to a mixed-race baby, the infant becomes a lightning rod for the novel’s conflicts concerning identity, alienation, and exile.

The DNA Industry and the Disappearing Indian

TomDispatch.com: A regular antidote to the mainstream media
2018-11-29

Aviva Chomsky, Professor of History; Coordinator of Latin American, Latino and Caribbean Studies
Salem State University, Salem, Massachusetts

DNA, Race, and Native Rights

Amid the barrage of racist, anti-immigrant, and other attacks launched by President Trump and his administration in recent months, a series of little noted steps have threatened Native American land rights and sovereignty. Such attacks have focused on tribal sovereignty, the Indian Child Welfare Act (ICWA), and the voting rights of Native Americans, and they have come from Washington, the courts, and a state legislature. What they share is a single conceptual framework: the idea that the long history that has shaped U.S.-Native American relations has no relevance to today’s realities.

Meanwhile, in an apparently unrelated event, Senator Elizabeth Warren, egged on by Donald Trump’s “Pocahontas” taunts and his mocking of her claims to native ancestry, triumphantly touted her DNA results to “prove” her Native American heritage. In turning to the burgeoning, for-profit DNA industry, however, she implicitly lent her progressive weight to claims about race and identity that go hand in hand with moves to undermine Native sovereignty.

The DNA industry has, in fact, found a way to profit from reviving and modernizing antiquated ideas about the biological origins of race and repackaging them in a cheerful, Disneyfied wrapping. While it’s true that the it’s-a-small-world-after-all multiculturalism of the new racial science rejects nineteenth-century scientific racism and Social Darwinism, it is offering a twenty-first-century version of pseudoscience that once again reduces race to a matter of genetics and origins. In the process, the corporate-promoted ancestry fad conveniently manages to erase the histories of conquest, colonization, and exploitation that created not just racial inequality but race itself as a crucial category in the modern world.

Today’s policy attacks on Native rights reproduce the same misunderstandings of race that the DNA industry is now so assiduously promoting. If Native Americans are reduced to little more than another genetic variation, there is no need for laws that acknowledge their land rights, treaty rights, and sovereignty. Nor must any thought be given to how to compensate for past harms, not to speak of the present ones that still structure their realities. A genetic understanding of race distorts such policies into unfair “privileges” offered to a racially defined group and so “discrimination” against non-Natives. This is precisely the logic behind recent rulings that have denied Mashpee tribal land rights in Massachusetts, dismantled the Indian Child Welfare Act (a law aimed at preventing the removal of Native American children from their families or communities), and attempted to suppress Native voting rights in North Dakota…

Read the entire article here.

Chyrstyn Fentroy — First Black Woman To Join Boston Ballet In A Decade — Debuts As Snow Queen In ‘The Nutcracker’

WBUR 90.9 FM
Boston, Massachusetts
2018-11-30

Arielle Gray, Arts Fellow

Lasha Khozashvili and Chyrstyn Fentroy in Mikko Nissinen’s The Nutcracker (Photo by Angela Sterling, courtesy of Boston Ballet)

Artificial snow falls gently from the top of the stage of the Boston Opera House, encasing the space in an ethereal glittering glow. Beneath it dances Chyrstyn Fentroy as the Snow Queen, entwined in an elegant flow of limbs and carefully choreographed steps with the Snow King. The Boston Ballet is rehearsing for its opening night of “The Nutcracker,” the other worldly production based off of E.T.A Hoffman’s novella. Fentroy debuted as the Snow Queen on Thursday evening and will star in the role again on Sunday, Dec. 2.

Fentroy makes a stunning Snow Queen, traversing the stage in a series of light, precise steps. The role is a notable milestone for Fentroy, who has been deeply involved in the world of dance since she was old enough to walk. She tells me she’s the first black female dancer to join the Boston Ballet in the last decade.

Growing up as the daughter of two dancers in Los Angeles, Fentroy spent a lot of time in the dance studio. “’The Nutcracker’ specifically is something that’s kind of been a part of my life forever,” Fentroy told WBUR. “I grew up watching my mom do the Sugarplum Fairy variation and spent so many years in the wings watching performances.”…

Read the entire article here.