Mixed Race Studies

A Woman You Should Know — Rita Rio the Sweetheart of Swing

Medium
2018-03-12

Leslie Zemeckis

What started as a publicity stunt surprisingly led to a fulfilling career as “the outstanding orchestra leader” of a popular all-girl band.

She was born Eunice Westmoreland in Miami, Florida in 1914. She would use many names during a diverse career as a showgirl, musician, orchestra leader and actress. Both her parents were of African American heritage and she was gorgeous.

Moving to Philadelphia her father ran a restaurant where as a young girl Eunice began entertaining the customers. As a teenager she became Una Villon and danced as a chorus girl in nightclubs, including Nil’s T. Granlund’s Paradise Restaurant, one of the premier entertainment venues in Manhattan. Granlund, nicknamed N.T.G. was a friend of movie star Jean Harlow, whose career he helped advance. He would be responsible for hiring innumerable chorus girls who would dance onto fame and fortune. The Paradise would feature the likes of fan dancer Sally Rand and silent movie star Lina Basquette. N.T.G.’s partner, or benefactor, was Charlie Sherman who would later be found buried under quick lime at an abandoned barn, on property formerly owned by a mobster associated with a New York gang, the Amberg mob. Sherman had last been seen leaving the Paradise…

Read the entire article here.

Being Biracial Shouldn’t Be An Excuse To Be Racially Neutral

Medium
2020-01-26

Dwayne Wong (Omowale)

Whenever Meghan Markle comes up in the news, my mind immediately always comes back to this quote from her:

On the heels of the racial unrest in Ferguson and Baltimore, the tensions that have long been percolating under the surface in the US have boiled over in the most deeply saddening way. And as a biracial woman, I watch in horror as both sides of a culture I define as my own become victims of spin in the media, perpetuating stereotypes and reminding us that the States has perhaps only placed bandages over the problems that have never healed at the root.

I, on the other hand, have healed from the base. While my mixed heritage may have created a grey area surrounding my self-identification, keeping me with a foot on both sides of the fence, I have come to embrace that. To say who I am, to share where I’m from, to voice my pride in being a strong, confident mixed-race woman.

The reason for this is that Markle’s fame is largely based on her racial identity. Not only has she received a great deal of attention for her marriage to Prince Harry, but this attention comes largely from the fact that she is not white. As Funmi Olutoye wrote: “We’ve made it. I say ‘we’ because even though she’s mixed race, the world still looks at her as black.” The notion that the elevation of a single black individual represents black progress is misguided. This is a topic that I addressed when I wrote The Black African Crisis in the Age of a Black President to help dispel the idea that Barack Obama’s presidency in of itself represented collective advancement for black people. But beyond that, Olutoye invokes the one-drop rule to claim Markle for black people, despite the fact that Markle’s remarks demonstrate that Markle clearly regards herself as a biracial woman who stands on the fence between black and white. Markle does not profess to be a black woman…

Read the entire article here.

Half ‘Asian’/Half ‘Arab’: Reconciling with my Palestinianness

Medium
2021-05-20

Sarah Barzak

“Oh, your dad’s Palestinian? I have so much respect for you now!” said the Arab girl who sat in front of me in Arabic school.

Disgusted. Small. was how I felt.

She sat in front of me every Saturday and only acknowledged my existence on the last day of Arabic school.

We were 17. Which, frankly, was too old to behave this way under my tiger mom’s standards.
Kurang ajar, I thought. Who raised you?

These interactions didn’t stop in my teens. While working at Baba’s convenience store, an Amtu came in and made small talk as we completed the transaction.

“Oh, you know, the man who works here is Palestinian,” she said.

“Yes, I know. He’s my dad,” I responded calmly, “My mother is Malay”…

Read the entire article here.

Thomas Collins, Lost Melungeon Roots

Alicia M. Prater, Ph.D.
2020-09-03

The Goins’, a Melungeon family in Graysville, Tennessee, in the 1920s. Source

Thomas Collins was born about 1785, presumably in Ashe, North Carolina. He was a Melungeon and noted as “Free Colored Person” (FCP) on the 1820 and 1830 U.S. censuses. Thomas married Nancy Williams, who was also denoted as a FCP, around 1800. They moved with their grown children to Perry Co., Kentucky, from Ashe, North Carolina, about 1835. Thomas was then denoted as “Free White Person” on the 1840 census, and the family has been White ever since.

Melungeons: The “free colored people” of Appalachia

The word “Melungeon” started as a racial slur but came to denote the insular communities of darker skinned Baptists, Portuguese, African, Native American, and possibly Romani or Jewish settlers in the Appalachian Mountains of Tennessee, Virginia, and North Carolina before the Revolutionary War. Today, it is considered to refer to a tri-racial isolate from the Southeastern United States…

Read the entire article here.

Meghan Markle, The Royal Family, Right Wing Media Animus and The Specter of Deeply Entrenched Racism!

Medium
2021-03-11

Elwood Watson, Ph.D., Professor of African American and Gender Studies, Post-WWII U.S. History
East Tennessee State University

It didn’t take long for the right-wing media, here in America and in Britain, to gin up their propaganda/outrage machine towards Meghan Markle, better known as The Duchess of Sussex. “Unreasonable,” “entitled,” “ungrateful,” “spoiled,” “Liar! Fake Outrage!” “Fights, Camera, Action,” “Megxile,” “So Who is The Royal Racist?” and so on. Hell, perennial Meghan Markle antagonist and fierce critic, Piers Morgan, literally screamed and stomped off of the set of the program Good Morning Britain. It was a meltdown of epic proportions for all to see.

They were savvy enough not to refer to her as “uppity,” a word reserved for Black people who anger racist, White people by taking them out of their comfort zones. These are the Black folks who upset White bigots by “doing their own thing on their own terms” and, in essence, by telling such Whites to “Go to hell!” Some in the right-wing media would have liked to have called her a “n*gger bitch,” though they know that would have resulted in some consequences, even in our current climate of over racial animus…

Read the entire article here.

The True Story of Jess Krug, the White Professor Who Posed as Black for Years—Until It All Blew Up Last Fall

The Washingtonian
2021-01-27

Marisa Kashino

Photograph courtesy of YouTube

She fabricated harrowing personal backstories, peddled gross caricatures, and spoke from perspectives she had no right to claim. And nobody stopped her.

“Iam a coward.”

Jessica Krug’s confession started ricocheting across screens one brutally muggy afternoon in late-summer Washington. “For the better part of my adult life,” it began, “every move I’ve made, every relationship I’ve formed, has been rooted in the napalm toxic soil of lies.” Krug, a faculty member at George Washington University, had taken to Medium, the online forum, to reveal a stunning fabrication. Throughout her entire career in academia, the professor of African history—a white woman—had been posing as Black and Latina.

“I have thought about ending these lies many times over many years, but my cowardice was always more powerful than my ethics. I know right from wrong. I know history. I know power. I am a coward,” she wrote. “You should absolutely cancel me, and I absolutely cancel myself.”

The statement, posted September 3, 2020, went viral immediately, unleashing a tidal wave of Oh, my Gods across the text chains of Krug’s GW colleagues and other academics. “We were all blindsided,” says GW history-department chair Daniel Schwartz. Distraught emails from Krug’s students—less than a week into a virtual semester already upended by the coronavirus pandemic—began piling up in faculty in-boxes. Meanwhile, an online mob went to work churning up old photos of Krug and tanking the Amazon ratings of her book. By the end of the day, a now-infamous video of Krug calling herself “Jess La Bombalera” and speaking in a D-list imitation Bronx accent was all over the internet….

Read the entire article here.

Setting the Record Straight On The Case of Loving V. Virginia

Medium
2020-10-25

Arica L. Coleman, Ph.D.

Mildred and Richard Loving. Courtesy of Getty Image.

The recent death of Bernard Cohen, one of the lawyers who represented the plaintiffs Richard and Mildred Loving in the landmark Supreme Court case Loving v. Virginia, which overturned proscriptions against interracial marriage in the United States in 1967, has once again thrust the case back into the headlines. In 1958, Richard Loving a “white” man, and Mildred Jeter a “colored” woman, violated several Virginia codes when they married in the District of Columbia, where interracial marriage was legal, and afterward returned to their home in Caroline Country, Virginia, where interracial marriage was illegal, to live as husband and wife. The couple was taken to jail, tried for the crime of being married, and then banished from Virginia for 25 years.

Fittingly, the 86 year old Cohen who this month of Parkinson’s Disease has been eulogized for cementing his place in American legal history at the young age of thirty-three when he and his co-counsel Philip Hirschkop rocked the Supreme Court with a two-pronged legal argument against state-imposed anti- interracial marriage laws which included a poignant direct quote from Richard Loving who told the attorneys, “Tell the court I love my life, and it is just unfair that I cannot live with her in Virginia.” The Court unanimously agreed.

Yet, in recounting the events which led up to the couple’s triumphant victory of love over hate, the storyline in these accounts follows the popular narrative of the Loving story. But there is more to this case than many have supposed. This article highlights a few unknown facts and debunks some myths about this historic case…

Read the entire article here.

Passing Revisited: Racial Passing and White Supremacy

Medium
2020-09-04

Jennifer Rittner

In the wake of the white supremacist marches in 2017, I wrote a short reflection on racial passing. In that essay I wrote about my Black mother, my white son, and the absurd mythologies of racial purity needed by white supremacists to support their beliefs. Those marchers surely counted among them many who had direct African American heritage as a result of near ancestors who had passed for white in the inhospitable environments of legal slavery and Jim Crow.

The White Supremacy of Masquerading as Black

White supremacy rears its head again in another form of passing, as men and women who have grown up as white children in white families have taken to masquerading as Black adults in order to achieve personal success as race warriors. Jessica Krug and Rachel Dolezal, two sisters-in-deceit, both manipulated their ways to success by passing as a Black woman, and in the process, denying actual women of color the opportunities they took for themselves. Their behavior should cause us to reflect on our United States of Racial Anxiety as we are all, in fact, oppressed by our nation’s historical, collective weaponization of race. While adamantly censuring both of these women, we can use their deceptions as opportunities to reflect on how the social conditions we construct and perpetuate demand certain forms of racial authenticity, often built on the anxieties we all feel about passing as something.

First, two resources for anyone interested in the history of passing:

Allyson Hobbs, A Chosen Exile: A History of Racial Passing in American Life is a well-researched and beautiful read on the topic. James Baldwin, Another Country was one of the first books in which I felt seen around the question of passing as a social act…

Read the entire article here.

No white person, no non-Black person, has the right to claim proximity to or belonging in a Black community by virtue of abuse, trauma, non-acceptance, and non-belonging in a white community. The abuse within and alienation from my birth family and society are no one’s burden but my own, and mine alone to address. Black people and Black communities have no obligation to harbor the refuse of non-Black societies. I have done this. I know it is wrong and I have done this anyway.

Jessica A. Krug, “The Truth, and the Anti-Black Violence of My Lies,” Medium, September 3, 2020. https://medium.com/@jessakrug/the-truth-and-the-anti-black-violence-of-my-lies-9a9621401f85.

On Jessica Krug and Mixed Race Identity

Medium
2020-09-08

Josephine

The revelation in fall 2020 that Jessica Krug, a white American woman, just like Rachel Dolezal before her, spent years holding herself out as Black and Black Latina woman made us all cringe. Krug took pains to make her skin appear bronzed, she dressed in form-fitting clothing, and kept her hair dyed dark black, adding in curly or wavy texture for good measure. We all remember Dolezal’s kinky textured blonde hair and braids that gave her a distinctly ‘mixed race’ look. These women hogged the limelight and took employment and community outreach opportunities from Black women.

Their masquerade has prompted a conversation within the Black and Latinx communities around colorism: the way that light-skinned, mixed race, and white-passing Black women seem to get opportunities that are not available to dark-skinned Black women.

As long as I can remember, American movies with a Black man as the protagonist invariably had him fall in love with a Black woman who appeared mixed race. As a mixed race woman, I noticed this, and I could see how unfair it was: the subtle message was that I would be accepted as beautiful in the black community. Looking back, I see how those same films and series made dark-skinned women question their worth.

Remember Dorothy Dandridge’s ‘exotic’ beauty? We wonder why black women feel pressure to straighten their hair and lighten their skin, but in popular culture, we have all been conditioned to see light-skinned women as the only presentable face of black womanhood. The use of mixed race women as the face of blackness has long left out the majority of Black women who have a beauty that is not contingent on detectable quantum of white blood…

Read the entire article here.