Mixed Race Studies

Stories of racial passing, from the pages of Nella Larsen to Detroit’s upper class

Stateside
Michigan Radio
2022-03-25

Elsie Roxborough was born in 1914 in Detroit to one of Michigan’s most prominent Black families. When she died in New York City in 1949, her death certificate listed her race as white. She had lived there as a white woman for over a decade, working for a time as a model while aspiring to acclaim as a playwright.

“She almost immediately goes to New York City after graduation from the University of Michigan,” said Ken Coleman, a journalist who has researched the Roxborough family. Elsie Roxborough “at least professionally changed her name to Pat Rico at one point, and then ultimately, Mona Manet, and her brown, brownish-black hair becomes Lucille Ball auburn.”

Roxborough represents one of the few documented historical instances from Michigan of a Black person choosing to live nearly full-time as a member of white society. This phenomenon, known as racial passing, has received renewed popular attention through recent artistic works like Rebecca Hall’s film adaptation of Nella Larsen’s 1929 novel Passing and Britt Bennett’s novel The Vanishing Half…

Listen to the story (00:19:36) here.

Stateside Podcast: “Passing:” The Story of Elsie Roxborough

Stateside
Michigan Radio
2022-03-24

In 1914, Elsie Roxborough was born into a wealthy, Black family in Detroit. But when she died in 1939, her death certificate listed her as white. Her life was rich, curious and at times, troubled, all while attempting a sort of high-wire-act of living multiple lives, between cities and names and races. Today, we talk about her life, death, and everything in between.

Listen to the story (00:19:36) here. Download the story here.

Rebecca Hall Says ‘Passing’ Liberated Her Family – Contenders New York

Deadline Hollywood
2021-12-04

Fred Topel

Rebecca Hall said Saturday that her mother [Maria Ewing] told her Hall’s directorial debut, Passing, liberated her family, as Hall’s grandfather was a Black man who decided to pass for White in Detroit.

Hall and stars Ruth Negga and André Holland spoke during the panel for the Netflix drama at Deadline’s Contenders Film: New York awards-season showcase.

“She called me up in tears when she first saw it and she just said, ‘You’ve liberated us,’” Hall said. “I grew up observing my mother and thinking about the psychological impact of being brought up in an environment where you weren’t allowed to talk about something. To me, she always looked like a Black woman. I was saying to her, ‘Tell me about this. What are we? Tell me the story.’ She didn’t know. It’s not that she wouldn’t. She couldn’t. She was respecting her father’s wishes.”…

Read the entire article and watch the video discussion here.

Playing the White Card

The Racial Imaginary
The Whiteness Issue (September 2017)

Martha S. Jones, Society of Black Alumni Presidential Professor, Professor of History
Johns Hopkins University, Baltimore, Maryland

Through prose and performance, Martha S. Jones examines the cruel, curious, and comical dimensions of the mixed-race experience. With the pathos of the tragic mulatto in mind, she gets beyond simple renderings of the one-drop rule by exploring family history, her ambiguous appearance, and shifting ideas about racial categories. If race is a social construction it is also a lie, one that Jones exposes through reflections on everyday scenes of race-making. Her work is for those for who checking boxes elicits a shudder, while also speaking to anyone who finds themselves in-between and misunderstood by the sociological categories that organize our world.

Counterfactual Love Stories & Other Experiments

Noemi Press
2021-10-01
Paperback ISBN: 978-1-934819-97-5

Jackson Bliss

From fragmented ransom notes to hanging footnotes, contemporary fairy tales to coded text, interconnecting pieces of modal flash fiction to backwards fractal narratives about gradual blindness, transgressive listicles to how-to guides for performative wokeness, variable destinies in downtown Chicago to impossible dating applications, counterfactual relationships to the French translation of adolescence, the conceptual, language-driven short stories in Counterfactual Love Stories & Other Experiments are an exploration of not just mixed-race/hapa identity in Michigan (and the American Midwest), but also of the infinite ways in which stories can be told, challenged, celebrated, and subverted.

He passed as a white student at U-M — but was actually college’s first black enrollee

Detroit Free Press
2019-10-19

Micah Walker

Tylonn J. Sawyer, 42 of Detroit, works on the mural he’s been painting inside the University of Michigan, Modern Languages Building on campus in Ann Arbor on Saturday, October 19, 2019. The mural titled “First Man: Samuel Codes Watson (Acrylic)” is dedicated to the first African-American to attend the University of Michigan, Samuel Codes Watson. In 1853, Samuel Codes Watson was the first African American student admitted to the [University of] Michigan. (Photo: Eric Seals, Eric Seals/Detroit Free Press)

In 1853, Samuel Codes Watson became the first black student admitted to the University of Michigan at a time where higher education for African Americans was nearly impossible.

Studying to become a doctor, Watson would go on to receive his M.D. from Cleveland Medical College in 1857, being one of the first black people to do so. He later became Detroit’s first elected African-American city official and the city’s richest property owner by 1867.

Now, Tylonn Sawyer is bringing more awareness to Watson’s story through a work of art.

The Detroit artist is working with two U-M students on a mural to honor Watson. He’s spent the last two weekends painting inside U-M’s Modern Language Building. The mural was to be completed Saturday.

The project is part of Sawyer’s residency at the Institute for the Humanities, which will include his exhibition, “White History Month Vol. 1,” and a series of student engagement opportunities…

…”I was trying to find something not too heavy-handed, but something that could fit the theme (of the exhibit) and then it dawned on me, I wanted to know who was the first black person to attend the school,” he said.

However, since Watson was of mixed race, he passed as white during his two years at U-M. Fortunately for Sawyer, that fact made the doctor more compelling to paint for “White History.”

“That fascinates me that there was a black person who had white privilege and was cognizant of his ethnicity,” he said. “When you really think about it, he kinda wasn’t a black person when he was there. That’s such a juxtaposition for me.”…

Read the entire article here.

Black Indian: A Memoir by Shonda Buchanan

Wayne State University Press
2019-08-26
352 pages
7 black-and-white photos
Size: 6×9
Paperback ISBN: 9780814345801
Ebook ISBN: 9780814345818

Shonda Buchanan, Literary Editor
Harriet Tubman Press

Black Indian, searing and raw, is Amy Tan’s The Joy Luck Club and Alice Walker’s The Color Purple meets Leslie Marmon Silko’s Ceremony—only, this isn’t fiction. Beautifully rendered and rippling with family dysfunction, secrets, deaths, alcoholism, and old resentments, Shonda Buchanan’s memoir is an inspiring story that explores her family’s legacy of being African Americans with American Indian roots and how they dealt with not just society’s ostracization but the consequences of this dual inheritance.

Buchanan was raised as a Black woman, who grew up hearing cherished stories of her multi-racial heritage, while simultaneously suffering from everything she (and the rest of her family) didn’t know. Tracing the arduous migration of Mixed Bloods, or Free People of Color, from the Southeast to the Midwest, Buchanan tells the story of her Michigan tribe—a comedic yet manically depressed family of fierce women, who were everything from caretakers and cornbread makers to poets and witches, and men who were either ignored, protected, imprisoned, or maimed—and how their lives collided over love, failure, fights, and prayer despite a stacked deck of challenges, including addiction and abuse. Ultimately, Buchanan’s nomadic people endured a collective identity crisis after years of constantly straddling two, then three, races. The physical, spiritual, and emotional displacement of American Indians who met and married Mixed or Black slaves and indentured servants at America’s early crossroads is where this powerful journey begins.

Black Indian doesn’t have answers, nor does it aim to represent every American’s multi-ethnic experience. Instead, it digs as far down into this one family’s history as it can go—sometimes, with a bit of discomfort. But every family has its own truth, and Buchanan’s search for hers will resonate with anyone who has wondered “maybe there’s more than what I’m being told.”

Detroit Housewife Kills White Husband

Jet
1953-03-05
page 20

A 29-year-old Detroit Negro housewife stabbed her white husband to death because he nagged her about not having his dinner ready. Mrs. Dorothy Homic told police she took a paring knife from her husband, Frank, 38, and stabbed him in the chest after he threatened her. She was arraigned on a first degree murder charge before Recorders Judge Paul E. Krause.

Longtime professor Martha Jones reflects on her time at the University

The Michigan Daily
2017-05-22

Riyah Basha, Daily News Editor

Courtesy of Martha Jones

In her 15 years at the University of Michigan, History Prof. Martha Jones has invested much of herself into the campus community — and the return has not disappointed. As a co-director of the Law School’s program in Race, Law and History, former associate chair of the Department of Afroamerican and African Studies and, most recently this winter, her work as a Presidential Bicentennial professor with the landmark Stumbling Blocks exhibit — Jones has become somewhat of a stalwart in convening campus around issues of race and social justice.

Jones arrived in Ann Arbor the day before 9/11, and — from the battle over affirmative action and Proposal 2 to Obama to Trump to the University’s contentious celebration of its 200th year — took part in molding the University in the years thereafter. This summer, though, Jones will relocate to Baltimore to join the history department at Johns Hopkins University. She joined the Daily for an exit interview of sorts, to reflect on her career at the University and the lessons she’s taken from this year, and decade, of powerful turbulence…

Read the entire interview here.

Nadia Karizat: Divided into nothing

The Michigan Daily
2016-05-18

Nadia Karizat

There are moments in my life that have burned me silently and set me up for questioning what I am. I say “what” and not “who” because I know who I am. I am someone who believes that the best moments are spontaneous, that music cures all and that the most fun thing one can do on a Saturday night is sit with friends and discuss our exquisite lives. I am also a biracial (Arab and White [Italian]) woman from Michigan who’s checked “other” on every single form she’s needed to fill out since she was 8 years old and made aware that society felt the need to force all her complexities into a single box…

Read the entire article here.