Looking at Indians, white Americans see themselves

Posted in Articles, History, Law, Media Archive, Native Americans/First Nation, Politics/Public Policy, United States on 2018-02-11 03:45Z by Steven

Looking at Indians, white Americans see themselves

The Economist
2018-02-10

Thinking about natives in an era of nativism

IN EARLY 1924 the blue-bloods of Virginia found themselves with a problem. To criminalise interracial marriage, the state had drafted a law that classified anyone possessing even “one drop” of non-white blood as “coloured”. Awkwardly, that would include many of the so-called First Families of Virginia, because they traced their descent to a native American woman, Pocahontas, who had been abducted and married by a member of the Jamestown colony three centuries before. This ancestry had been considered far from shameful. It was a mark of American aristocracy, the real-life Pocahontas having been reinvented (she probably did not save the life of a colonist called John Smith) as an “American princess”. To fix matters, a clause known as the “Pocahontas exception” was added to the racist law, to exempt anyone with no more than one-sixteenth Indian blood.

This episode, documented in a new exhibition at the National Museum of the American Indian in Washington, DC, on Indian myths and reality, helps explain a cultural puzzle. It has become clear that the pre-Columbian Americas were much more densely populated, by more sophisticated civilisations, than was previously thought. By one estimate North America, the more sparsely populated continent, had 18m people when Columbus sailed, more than England and France combined. Yet in the popular imagination it remains a vast wilderness, peopled by a few buffalo-hunters. The reason for this gigantic misunderstanding, suggest the Smithsonian’s curators, goes beyond bad schooling…

Read the entire article here.

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National Museum of the American Indian Presents Unprecedented Retrospective “Kay WalkingStick: An American Artist”

Posted in Articles, Arts, Media Archive, Native Americans/First Nation, United States on 2016-01-19 20:50Z by Steven

National Museum of the American Indian Presents Unprecedented Retrospective “Kay WalkingStick: An American Artist”

Newsdesk: Newsroom of the Smithsonian
2015-10-29

SI-423A-2015

For nearly five decades, Kay WalkingStick (Cherokee, b. 1935) has charted an artistic career that is not bound by singular definition. While her early work with Native themes celebrate heroic American Indian leaders with stately, abstract compositions and her more recent heroically scaled paintings recast American landscapes as Native places, WalkingStick’s artistic persona originates from roots in the New York art world of the 1960s and 1970s and her immersion in considerations of abstraction, minimalism and feminist art. “Kay WalkingStick: An American Artist” is the first major retrospective of WalkingStick’s work, including more than 75 works that trace her dynamic career from the 1970s to the present.

The exhibition will be on view from Nov. 7 through Sept. 18, 2016, in the National Museum of the American Indian’s third-floor gallery. The American Federation of the Arts will tour the exhibition to the Dayton Art Institute in Dayton, Ohio (Feb. 9, 2017–May 7, 2017), Montclair Art Museum in Montclair, N.J. (Feb. 3, 2018–June 17, 2018) and two additional venues in 2017. “Kay WalkingStick: An American Artist” is co-curated by Kathleen Ash-Milby (Navajo), associate curator, and David Penney, associate director for museum scholarship. It features both well-known works, such as WalkingStick’s “Chief Joseph” series and hallmark diptychs, as well as never-before-seen works, richly illustrated sketchbooks from the artist’s personal collection and a gallery film featuring the artist discussing her work and process. A press preview will be held Monday, Nov. 2.

“For her entire career, Kay WalkingStick has been rewriting the narrative about Native peoples through her artwork, which has defied categorization,” said Kevin Gover (Pawnee), director of the National Museum of the American Indian. “These seeming contradictions and complexity are part of being an American Indian today, and what makes her an American artist. Our nation itself is built upon diversity of culture and expression. WalkingStick’s background and art reflect this same richness and diversity.”…

Read the entire press release here.

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Design Yourself: IAMNMAI Art Jam

Posted in Arts, Asian Diaspora, Live Events, Media Archive, Native Americans/First Nation, United States on 2012-12-01 15:32Z by Steven

Design Yourself: IAMNMAI Art Jam

National Museum of the American Indian
Potomac Atrium, 1st level
Fourth Street & Independence Ave., S.W.
Washington, D.C.
2012-12-08, 19:00-22:00 EST (Local Time)

Design Yourself: IAMNMAI Art Jam” is an artistic partnership designed to explore issues of identity, community and mixed heritage through art while reminding us that everyone, in their own way, is part of the National Museum of the American Indian (NMAI).

The program features Louie Gong (Nooksack/Chinese/Scottish/French), a Seattle-based educator and artist, and his newly-released customizable art toy dubbed “Mockups.” Local guest artists including Lee Newman, Chris Pappan, Lisa Schumaier and Debra Yepa-Pappan and visitors join him for an interactive evening of creativity, music, and celebration.

“Mock-ups” are available for purchase and art supplies are provided for those who wish to customize their Mockups at the museum.

Groove to local DJ Will Eastman and purchase cuisine from the museum’s Rammy award-winning Mitsitam Native Foods Cafe during the program.

A unique display of artwork, including Gong’s custom shoes and “Mockups” created by guest artists, is on view in the Potomac Atrium Dec. 4 – 13.

For more information, click here.

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