Tag: Ngozi Onwurah

  • Ngozi Onwurah, despite being the director of the first independent black British feature film to be released, is not a household name. For a long time, her film Welcome II The Terrordome (1995), was the only film by a black woman to have a UK release.

  • The Body Beautiful: A film by Ngozi Onwurah Women Make Movies England, 1991 23 minutes Color, VHS/16mm/DVD Order No. W99229 Melbourne Film Festival, Best Documentary This bold, stunning exploration of a white mother who undergoes a radical mastectomy and her Black daughter who embarks on a modeling career reveals the profound effects of body image…

  • Interview with Ngozi Onwurah African Women in Cinema African Literature Association Conference April 1997 East Lansing, Michigan Originally published in Sisters of the Screen: Women of Africa on Film Video and Television. Africa World Press, Trenton, NJ,  2000. In another conversation, we talked about your identity as an African woman filmmaker based in London.  You…

  • This lyrical, unsettling film conveys the experience of children of mixed racial heritage. Suffering the aggression of racial harassment, a young girl and her brother attempt to wash their skin white with scouring powder.

  • …Onwurah’s ending is not, however, Utopian; neither her own objectification and labeling by discourse nor her mother’s stigmatization is miraculously resolved. Onwurah’s comment on “a world that sees only in black and white” is both fitting and predictive, since viewers and critics continue to lean towards that very essentialism (if existing scholarship on the film…

  • In her seminal text Femininity, Susan Brownmiller identifies what can simply be termed the mythic proportions of the female body. Idealized, worshiped, ravaged, and reviled-the female body is forever being measured (usually against the unattainable paradigms of a male imagination) and found lacking. The myth of the female body’s inadequacy is crucial to my discussion…