Mixed Race Studies

A Real Negro Girl: Fredi Washington and the New Negro Renaissance

Oxford University Press
2023-10-02
320 Pages
25 black and white illustrations
6 1/8 x 9 1/4 inches
Hardcover ISBN: 9780197626214

Laurie A. Woodard, Assistant Professor of History
City College of New York, New York, New York

• First biography of dancer, actor, and activist Fredi Washington
• Highlights the role of the performing arts in the history of the New Negro Renaissance, which has tended to be focused on literary arts
• Focuses on an African American who could have but chose not to “pass“

The first biography of performing artist, writer, and civil and human rights activist Fredi Washington.

Following Fredi Washington’s debut in her first dramatic role in 1926, Alfred Spengler of the New York North Side News reported that she was “astonishingly pretty for a real Negro girl.” Throughout her career, Washington was vulnerable to discrimination because her near-white skin and hazel eyes, coupled with her self-identification as Negro, cast her as too physically white to play black and too culturally black to play white. The multifaceted Washington was of course a great deal more than her looks; she was a performing artist, a writer, and a civil and human rights activist. Embracing the genres of dance, theater, and film, she used her talent, creativity, and determination to sustain a thirty-year career in the arts and in labor and political activism during the New Negro Renaissance and beyond.

Although Fredi Washington has been largely forgotten, A Real Negro Girl shows that, at the zenith of her career, she was a household name in the black community, well known in mainstream America, and a darling of the European press. Most famous for her role in the film “Imitation of Life,” she was a part of a cohort that included Paul Robeson, Josephine Baker, and Bill “Bojangles” Robinson. Delving into her professional and personal experiences in Harlem, nationally, and internationally, this book illuminates Washington’s significance to the New Negro Renaissance and reveals the vital influence of black performing artists and of black women on the movement. Over the years, Washington expanded her social and political consciousness and anti-racism activism, encompassing journalism, labor organizing, protests, and support of progressive politics. As a founder and executive director of the Negro Actors Guild of America, she sought to protect black artists from professional exploitation and physical abuse.

Incorporating close readings of images and films, interviews, and fan mail, as well as writings by and about Washington, A Real Negro Girl highlights Fredi Washington as an influential actor in the African American quest for civil and human rights.

Table of Contents

• Acknowledgments
• Introduction
• Chapter 1: Setting the Stage: The Roots of the New Negro Renaissance
• Chapter 2: Dancing All Day: Reading Blackface and Black Bodies
• Chapter 3: Boxers, Blacks, and a Real Negro Girl: White Expectations and Imagined Conceptions of Authentic Blackness
• Chapter 4: Race, Place, and Miscegenation: Fredi Washington in Imitation of Life
• Chapter 5: Beyond the Footlights: New Negro Performing Artists and More Tangible Forms of Activism
• Conclusion
• Notes
• Select Bibliography
• Index

Once We Were Slaves: The Extraordinary Journey of a Multi-Racial Jewish Family

Oxford University Press
2021-08-30
320 Pages
6 1/8 x 9 1/4 inches
Hardcover ISBN: 9780197530474

Laura Arnold Leibman, Professor of English and Humanities
Reed College, Portland, Oregon

Highlights

• Provides a rare historical portrait of life as a Jewish American of color
• Examines the history of racial “passing” in an international context
• Uses an intersectional lens to untangle a family history

An obsessive genealogist and descendent of one of the most prominent Jewish families since the American Revolution, Blanche Moses firmly believed her maternal ancestors were Sephardic grandees. Yet she found herself at a dead end when it came to her grandmother’s maternal line. Using family heirlooms to unlock the mystery of Moses’s ancestors, Once We Were Slaves overturns the reclusive heiress’s assumptions about her family history to reveal that her grandmother and great-uncle, Sarah and Isaac Brandon, actually began their lives as poor Christian slaves in Barbados. Tracing the siblings’ extraordinary journey throughout the Atlantic World, Leibman examines artifacts they left behind in Barbados, Suriname, London, Philadelphia, and, finally, New York, to show how Sarah and Isaac were able to transform themselves and their lives, becoming free, wealthy, Jewish, and–at times–white. While their affluence made them unusual, their story mirrors that of the largely forgotten population of mixed African and Jewish ancestry that constituted as much as ten percent of the Jewish communities in which the siblings lived, and sheds new light on the fluidity of race–as well as on the role of religion in racial shift–in the first half of the nineteenth century.

Table of Contents

• Illustrations
• Preface
• Chapter 1: Origins (Bridgetown, 1793-1798)
• Chapter 2: From Slave to Free (Bridgetown, 1801)
• Chapter 3: From Christian to Jew (Suriname, 1811-12)
• Chapter 4: The Tumultuous Island (Bridgetown, 1812-1817)
• Chapter 5: Synagogue Seats (New York & Philadelphia, 1793-1818)
• Chapter 6: The Material of Race (London, 1815-17)
• Chapter 7: Voices of Rebellion (Bridgetown, 1818-24)
• Chapter 8: A Woman Valor (New York, 1817-19)
• Chapter 9: This Liberal City (Philadelphia, 1818-33)
• Chapter 10: Feverish Love (New York, 1819-1830)
• Chapter 11: When I am Gone (New York, Barbados, London, 1830-1847)
• Chapter 12: Legacies (New York and Beyond, 1841-1860)
• Epilogue
• Appendix: Family Trees
• Abbreviations
• Bibliography
• Notes

Black Puritan, Black Republican: The Life and Thought of Lemuel Haynes, 1753-1833

Oxford University Press
2002-12-12
248 pages
9.04 x 6.84 x 0.9 inches
Hardcover ISBN: 978-0195157178
DOI: 10.1093/0195157176.001.0001

John Saillant, Professor of English and History
Western Michigan University, Kalamazoo, Michigan

In the second half of the eighteenth century, British and American men and women began criticizing the slave trade and slavery as violations of the principles of Christianity, natural rights, and political security. A black spokesman for abolitionism was Lemuel Haynes (1753–1833), one of the first African Americans to publish. Haynes served as a minuteman in the American War of Independence and began writing against the slave trade and slavery in the 1770s. After ordination in a Congregational church, he assumed a pulpit in Rutland, Vermont, where he became a leading controversialist, defender of the theology of Jonathan Edwards, and interpreter of republican ideology. He was dismissed from his pulpit in 1818, because his affiliation to the Federalist Party and his opposition to the War of 1812 offended his congregation. The last 15 years of his life were characterized by pessimism about the ability of Americans of the early republic to defeat racism as well as by a defense of Puritanism, which he believed could guide the creation of a free, harmonious, and integrated society.

Table of Contents

• Introduction
• 1. A Further Liberty in 1776
• 2. Republicanism Black and White
• 3. The Divine Providence of Slavery and Freedom
• 4. Making and Breaking the Revolutionary Covenant
• 5. American Genesis, American Captivity

The Power of Race in Cuba: Racial Ideology and Black Consciousness During the Revolution

Oxford University Press
2017-07-31
272 pages
6-1/8 x 9-1/4 inches
Hardcover ISBN: 9780190632298
Paperback ISBN: 9780190632304

Danielle Pilar Clealand, Associate Professor
Department of Politics and International Relations
Florida International University

• Shows how the economic crisis that followed the Soviet Union’s collapse changed race relations in Cuba
• Examines the official narrative of race in Cuba, contrasting that with black and mixed race Cubans’ identity and lived experience
• Explores how discrimination creates divergent opportunities for black and white Cubans
• Provides personal, informal perspectives from many walks of life in in Cuba, drawing a portrait of black identity through interviewees’ lives

In The Power of Race in Cuba, Danielle Pilar Clealand analyzes racial ideologies that negate the existence of racism and their effect on racial progress and activism through the lens of Cuba. Since 1959, Fidel Castro and the Cuban government have married socialism and the ideal of racial harmony to create a formidable ideology that is an integral part of Cubans’ sense of identity and their perceptions of race and racism in their country. While the combination of socialism and a colorblind racial ideology is particular to Cuba, strategies that paint a picture of equality of opportunity and deflect the importance of race are not particular to the island’s ideology and can be found throughout the world, and in the Americas, in particular.

By promoting an anti-discrimination ethos, diminishing class differences at the onset of the revolution, and declaring the end of racism, Castro was able to unite belief in the revolution to belief in the erasure of racism. The ideology is bolstered by rhetoric that discourages racial affirmation. The second part of the book examines public opinion on race in Cuba, particularly among black Cubans. It examines how black Cubans have indeed embraced the dominant nationalist ideology that eschews racial affirmation, but also continue to create spaces for black consciousness that challenge this ideology. The Power of Race in Cuba gives a nuanced portrait of black identity in Cuba and through survey data, interviews with formal organizers, hip hop artists, draws from the many black spaces, both formal and informal to highlight what black consciousness looks like in Cuba.

Table of Contents

• Table of Contents
• Acknowledgments
• Introduction
• Chapter One: Todos Somos Cubanos: How Racial Democracy Works in Cuba
• Chapter Two: De Aqui Pa’l Cielo: Black Consciousness and Racial Critique
• Chapter Three: Marti’s Cuba: Racial Ideology and Black Consciousness Before 1959
• Chapter Four: Institutionalizing Ideology: Race and the Cuban Revolution
• Chapter Five: “I’m not a Racist”: Anti-Racialism and White Racial Attitudes
• Chapter Six: The Power of a Frame: The Characterization of Racism as Prejudice
• Chapter Seven: Todos Somos Cubanos, pero no Somos Iguales: How Racism Works in Cuba
• Chapter Eight: Uncovering Blackness and the Underground: Black Consciousness
• Chapter Nine: The Seeds of a Black Movement?: Racial Organizing and the Above Ground Movement
• Conclusion

Sweet Taste of Liberty: A True Story of Slavery and Restitution in America

Oxford University Press
2019-08-05
288 Pages
28 b/w images, 2 maps
6-1/8 x 9¼ inches
Hardcover ISBN: 9780190846992

W. Caleb McDaniel, Associate Professor of History
Rice University, Houston, Texas

• The epic, unique, and haunting story an enslaved woman and her quest for justice
• Incorporates recent scholarship on slavery, reparations, and the ongoing connection between slavery and incarceration of black Americans
• McDaniel received a Public Scholar fellowship from the National Endowment for the Humanities that enabled him to write this book

Born into slavery, Henrietta Wood was taken to Cincinnati and legally freed in 1848. In 1853, a Kentucky deputy sheriff named Zebulon Ward colluded with Wood’s employer, abducted her, and sold her back into bondage. She remained enslaved throughout the Civil War, giving birth to a son in Mississippi and never forgetting who had put her in this position.

By 1869, Wood had obtained her freedom for a second time and returned to Cincinnati, where she sued Ward for damages in 1870. Astonishingly, after eight years of litigation, Wood won her case: in 1878, a Federal jury awarded her $2,500. The decision stuck on appeal. More important than the amount, though the largest ever awarded by an American court in restitution for slavery, was the fact that any money was awarded at all. By the time the case was decided, Ward had become a wealthy businessman and a pioneer of convict leasing in the South. Wood’s son later became a prominent Chicago lawyer, and she went on to live until 1912.

McDaniel’s book is an epic tale of a black woman who survived slavery twice and who achieved more than merely a moral victory over one of her oppressors. Above all, A Sweet Taste of Liberty is a portrait of an extraordinary individual as well as a searing reminder of the lessons of her story, which establish beyond question the connections between slavery and the prison system that rose in its place.

Cecilia Valdés or El Angel Hill: A Novel of Nineteenth-Century Cuba

Oxford University Press
2005-09-29 (originally published in 1882)
544 Pages
5-1/2 x 8-1/4 inches
Paperback ISBN: 9780195143959

Cirilo Villaverde (1812-1894)

Edited by:

Sibylle Fischer, Associate Professor of Spanish, Portuguese, and Comparative Literature
New York University

Translated by:

Helen Lane (1921-2004)

Cecilia Valdés is arguably the most important novel of 19th century Cuba. Originally published in New York City in 1882, Cirilo Villaverde’s novel has fascinated readers inside and outside Cuba since the late 19th century. In this new English translation, a vast landscape emerges of the moral, political, and sexual depravity caused by slavery and colonialism. Set in the Havana of the 1830s, the novel introduces us to Cecilia, a beautiful light-skinned mulatta, who is being pursued by the son of a Spanish slave trader, named Leonardo. Unbeknownst to the two, they are the children of the same father. Eventually Cecilia gives in to Leonardo’s advances; she becomes pregnant and gives birth to a baby girl. When Leonardo, who gets bored with Cecilia after a while, agrees to marry a white upper class woman, Cecilia vows revenge. A mulatto friend and suitor of hers kills Leonardo, and Cecilia is thrown into prison as an accessory to the crime.

For the contemporary reader Helen Lane’s masterful translation of Cecilia Valdés opens a new window into the intricate problems of race relations in Cuba and the Caribbean. There are the elite social circles of European and New World Whites, the rich culture of the free people of color, the class to which Cecilia herself belonged, and then the slaves, divided among themselves between those who were born in Africa and those who were born in the New World, and those who worked on the sugar plantation and those who worked in the households of the rich people in Havana. Cecilia Valdés thus presents a vast portrait of sexual, social, and racial oppression, and the lived experience of Spanish colonialism in Cuba.

American Routes: Racial Palimpsests and the Transformation of Race

Oxford University Press
2017-04-18
296 pages
6-1/8 x 9-1/4 inches
Hardcover ISBN: 9780190624750

Angel Adams Parham, Associate Professor of Sociology
Loyola University, New Orleans, Louisiana

Reviews and Awards

• Co-winner, 2018 Allan Sharlin Memorial Award, Social Science History Association
• Honorable Mention, Thomas and Znaniecki Book Award, International Migration Section, American Sociological Association
• Co-winner, Barrington Moore Book Award in Comparative and Historical Sociology, American Sociological Association

Overview

• The first comparative sociological study of nineteenth century white and free black immigrants to the US
• Challenges the reliance of immigration scholarship on the historical experiences of European immigrants
• Combines archival research, interviews, oral histories, and participant observation to trace the experience of white and black refugees and their descendants in Louisiana over two hundred years

American Routes provides a comparative and historical analysis of the migration and integration of white and free black refugees from nineteenth century St. Domingue/Haiti to Louisiana and follows the progress of their descendants over the course of two hundred years. The refugees reinforced Louisiana’s tri-racial system and pushed back the progress of Anglo-American racialization by several decades. But over the course of the nineteenth century, the ascendance of the Anglo-American racial system began to eclipse Louisiana’s tri-racial Latin/Caribbean system. The result was a racial palimpsest that transformed everyday life in southern Louisiana. White refugees and their descendants in Creole Louisiana succumbed to pressure to adopt a strict definition of whiteness as purity that conformed to standards of the Anglo-American racial system. Those of color, however, held on to the logic of the tri-racial system which allowed them to inhabit an intermediary racial group that provided a buffer against the worst effects of Jim Crow segregation. The St. Domingue/Haiti migration case foreshadows the experiences of present-day immigrants of color from Latin-America and the Caribbean, many of whom chafe against the strictures of the binary U.S. racial system and resist by refusing to be categorized as either black or white. The St. Domingue/Haiti case study is the first of its kind to compare the long-term integration experiences of white and free black nineteenth century immigrants to the U.S. In this sense, it fills a significant gap in studies of race and migration which have long relied on the historical experience of European immigrants as the standard to which all other immigrants are compared.

Table of Contents

• List of Charts and Figures
• Acknowledgements
• Introduction
• Chapter 1: Racial Systems and the Racial Palimpsest
• Chapter 2: St. Domingue as Training Ground: Color, Class, and Social Life Before Louisiana
• Chapter 3: White St. Domingue Refugees and White Creoles in Nineteenth Century Louisiana
• Chapter 4: St. Domingue Refugees and Creoles of Color
• Chapter 5: Twenty-first Century Remnants of a White Creole Past
• Chapter 6: Into the Twenty-First Century: Creoles of Color Finding Their Way
• Chapter 7: Conclusions: Racial Palimpsests and the Transformation of U.S. American Regions
• Appendix
• Notes
• References
• Index

Counting Americans: How the US Census Classified the Nation

Oxford University Press
2017-07-03
376 Pages
6-1/8 x 9-1/4 inches
Hardback ISBN: 9780199917853

Paul Schor, Associate Professor History
Université Paris Diderot, Paris, France

• Shows that U.S. census categories are more complex than previous histories of the census have shown, and directly contributed to the social construction of race.
• Demonstrates the fluidity of racial categories in the U.S. census between the nineteenth and twentieth century, and the social implications of that fluidity.
• Traces the visible and less known connections between categories such as slave, mulatto, mixed, “Mexican race,” and more current categories of the US census.
• Shows how the mobilization of individuals or groups over contested statistical categories occured in the first half of the twentieth century, much earlier than race-based affirmative action policies since the 1960’s.
• Draws on previously unused documents from the Census Bureau archive and other unpublished sources to explore the interactions between census officials and laypeople.

How could the same person be classified by the US census as black in 1900, mulatto in 1910, and white in 1920? The history of categories used by the US census reflects a country whose identity and self-understanding–particularly its social construction of race–is closely tied to the continuous polling on the composition of its population.

By tracing the evolution of the categories the United States used to count and classify its population from 1790 to 1940, Paul Schor shows that, far from being simply a reflection of society or a mere instrument of power, censuses are actually complex negotiations between the state, experts, and the population itself. The census is not an administrative or scientific act, but a political one. Counting Americans is a social history exploring the political stakes that pitted various interests and groups of people against each other as population categories were constantly redefined. Utilizing new archival material from the Census Bureau, this study pays needed attention to the long arc of contested changes in race and census-making. It traces changes in how race mattered in the United States during the era of legal slavery, through its fraught end, and then during (and past) the period of Jim Crow laws, which set different ethnic groups in conflict. And it shows how those developing policies also provided a template for classifying Asian groups and white ethnic immigrants from southern and eastern Europe–and how they continue to influence the newly complicated racial imaginings informing censuses in the second half of the twentieth century and beyond.

Focusing in detail on slaves and their descendants, on racialized groups and on immigrants, and on the troubled imposition of U.S. racial categories upon the populations of newly acquired territories, Counting Americans demonstrates that census-taking in the United States has been at its core a political undertaking shaped by racial ideologies that reflect its violent history of colonization, enslavement, segregation and discrimination.

Table of Contents

• Acknowledgments
• Note on Illustrations and Tables
• Note on Terminology
• Introduction
• Part I: The Origins of the U.S. Census: From Enumeration of Voters and Taxpayers to “Social Statistics,” 1790-1840
  • Chapter 1: The Creation of the Federal Census by the Constitution of the United States: A Political Instrument
  • Chapter 2: The First Developments of the National Census (1800-1830)
  • Chapter 3: The Census of 1840: Science, Politics and “Insanity” of Free Blacks
• Part II: Slaves, Former Slaves, Blacks, and Mulattoes: Identification of the Individual and the Statistical Segregation of Populations (1850-1865)
  • Chapter 4: Whether to Name or Count Slaves: The Refusal of Identification
  • Chapter 5: Color, Race, and Origin of Slaves and Free Persons: “White,” “Black,” “Mulatto” in the Censuses of 1850 and 1860
  • Chapter 6: Color and Status of Slaves: Legal Definition and Census Practice
  • Chapter 7: Census Data for 1850 and 1860 and the Defeat of the South
• Part III: The Rise of Immigration and the Racialization of Society: The Adaptation of the Census to the Diversity of the American Population (1850-1900)
  • Chapter 8: Modernization, Standardization, and Internationalization: From the Censuses of J. C. G. Kennedy (1850 and 1860) to the First Census of Francis A. Walker (1870)
  • Chapter 9: From Slavery to Liberty: The Future of the Black Race or Racial Mixing as Degeneration
  • Chapter 10: From “Mulatto” to the “One Drop Rule” (1870-1900)
  • Chapter 11: The Slow Integration of Indians into U.S. Population Statistics in the Nineteenth Century
  • Chapter 12: The Chinese and Japanese in the Census: Nationalities That Are Also Races
  • Chapter 13: Immigration, Nativism, and Statistics (1850-1900)
• Part IV: Apogee and Decline of Ethnic Statistics (1900-1940)
  • Chapter 14: The Disappearance of the “Mulatto” as the End of Inquiry into the Composition of the Black Population of the United States
  • Chapter 15: The Question of Racial Mixing in the American Possessions: National Norm and Local Resistance
  • Chapter 16: New Asian Races, New Mixtures, and the “Mexican” Race: Interest in “Minor Races”
  • Chapter 17: From Statistics by Country of Birth to the System of National Origins
• Part V: The Population and the Census: Representation, Negotiation, and Segmentation (1900-1940)
  • Chapter 18: The Census and African Americans within and outside the Bureau
  • Chapter 19: Women as Census Workers and as Relays in the Field
  • Chapter 20: Ethnic Marketing of Population Statistics
• Epilogue: The Fortunes of Census Classifications (1940-2000)
• Conclusion
• Notes
• Abbreviations
• Sources and Bibliography
• Index

First Martyr of Liberty: Crispus Attucks in American Memory

Oxford University Press
2017-07-19
328 pages
22 hts
6-1/8 x 9-1/4 inches
Hardcover ISBN: 9780199731619

Mitch Kachun, Professor of History
Western Michigan University

• Most thorough study of what is known about the life of Crispus Attucks.
• First extended analysis of the role of Attucks in American history and memory.
• Figure has been referenced constantly in popular culture throughout the centuries, inc. current series “Luke Cage.”

First Martyr of Liberty explores how Crispus Attucks’s death in the 1770 Boston Massacre led to his achieving mythic significance in African Americans’ struggle to incorporate their experiences and heroes into the mainstream of the American historical narrative. While the other victims of the Massacre have been largely ignored, Attucks is widely celebrated as the first to die in the cause of freedom during the era of the American Revolution. He became a symbolic embodiment of black patriotism and citizenship.

This book traces Attucks’s career through both history and myth to understand how his public memory has been constructed through commemorations and monuments; institutions and organizations bearing his name; juvenile biographies; works of poetry, drama, and visual arts; popular and academic histories; and school textbooks. There will likely never be a definitive biography of Crispus Attucks since so little evidence exists about the man’s actual life. While what can and cannot be known about Attucks is addressed here, the focus is on how he has been remembered–variously as either a hero or a villain–and why at times he has been forgotten by different groups and individuals from the eighteenth century to the present day.

Table of Contents

• Acknowledgments
• Introduction
• Chapter 1: Who Was This Man?
• Chapter 2: The Dustbin of History: Crispus Attucks and American Amnesia, 1770s-1840s
• Chapter 3: First Martyr of Liberty: Crispus Attucks and the Struggle for Citizenship in the Civil War Era
• Chapter 4: Crispus Attucks Meets Jim Crow: The Segregation of American Memory, 1870s-1910s
• Chapter 5: Crispus Attucks Meets the New Negro: Black History and Black Heroes between the World Wars
• Chapter 6: Crispus Attucks Meets Dorie Miller: Black Patriotism and Activism in the World War II Era
• Chapter 7: Crispus Attucks and the Black Freedom Struggle, 1950s-1970s
• Chapter 8: Crispus Attucks from the Bicentennial to the Culture Wars, 1970s-1990s
• Chapter 9: Crispus Attucks in Twenty-First Century America
• Conclusion
• Notes
• Index

We Are Who We Say We Are: A Black Family’s Search for Home Across the Atlantic World

Oxford University Press
2014-12-01
224 Pages
32 illustrations
5-1/2 x 8-1/4 inches
Paperback ISBN: 9780199978335

Mary Frances Berry, Geraldine R. Segal Professor of American Social Thought and Professor of History
University of Pennsylvania

This colored Creole story offers a unique historical lens through which to understand the issues of migration, immigration, passing, identity, and color-forces that still shape American society today. We Are Who We Say We Are provides a detailed, nuanced account of shifting forms of racial identification within an extended familial network and constrained by law and social reality.

Author Mary Frances Berry, a well-known expert in the field, focuses on the complexity and malleability of racial meanings within the US over generations. Colored Creoles, similar to other immigrants and refugees, passed back and forth in the Atlantic world. Color was the cause and consequence for migration and identity, splitting the community between dark and light. Color could also split families. Louis Antoine Snaer, a free man of color and an officer in the Union Army who passed back and forth across the color line, had several brothers and sisters. Some chose to “pass” and some decided to remain “colored,” even though they too, could have passed. This rich global history, beginning in Europe–with episodes in Haiti, Cuba, Louisiana, and California–emphasizes the diversity of the Atlantic World experience.

Contents

• Preface
• Chapter I: Becoming Colored Creole
• Chapter II: Becoming Americans
• Chapter III: Family Troubles
• Chapter IV: Fighting for Democracy
• Chapter V: Becoming “Negroes”
• Chapter VI: Opportunity and Tragedy in Iberia Parish
• Chapter VII: Mulattoes and Colored Creoles
• Chapter VIII: Just Americans
• Chapter IX: At Home or Away: We Are Who We Say We Are
• Epilogue: Becoming “Black”
• Notes