Mixed Race Studies

Mexican Costumbrismo: Race, Society, and Identity in Nineteenth-Century Art

Pennsylvania State University Press
2018
180 pages
8″ × 10″
31 color/29 b&w illustrations
Hardcover ISBN: 978-0-271-07907-3

Mey-Yen Moriuchi, Assistant Professor of Art History
LaSalle University, Philadelphia, Pennsylvania

The years following Mexican independence in 1821 were critical to the development of social, racial, and national identities. The visual arts played a decisive role in this process of self-definition. Mexican Costumbrismo reorients current understanding of this key period in the history of Mexican art by focusing on a distinctive genre of painting that emerged between 1821 and 1890: costumbrismo.

In contrast to the neoclassical work favored by the Mexican academy, costumbrista artists portrayed the quotidian lives of the lower to middle classes, their clothes, food, dwellings, and occupations. Based on observations of similitude and difference, costumbrista imagery constructed stereotypes of behavioral and biological traits associated with distinct racial and social classes. In doing so, Mey-Yen Moriuchi argues, these works engaged with notions of universality and difference, contributed to the documentation and reification of social and racial types, and transformed the way Mexicans saw themselves, as well as how other nations saw them, during a time of rapid change for all aspects of national identity.

Carefully researched and featuring more than thirty full-color exemplary reproductions of period work, Moriuchi’s study is a provocative art-historical examination of costumbrismo’s lasting impact on Mexican identity and history.

Contents

• List of Illustrations
• Acknowledgments
• Introduction
• 1. Racialized Social Spaces in Casta and Costumbrista Painting
• 2. Traveler-Artists’ Visions of Mexico
• 3. Literary Costumbrismo: Celebration and Satire of los tipos populares
• 4. Local Perspectives: Mexican Costumbrista Artists
• 5. Costumbrista Photography
• Conclusion
• Notes
• Bibliography
• Index

“I Don’t See Color” Personal and Critical Perspectives on White Privilege

Pennsylvania State University Press
2015
280 pages
6 x 9
Hardcover ISBN: 978-0-271-06499-4

Edited by:

Bettina Bergo, Associate Professor of Philosophy
Université de Montréal, Montreal, Canada

Tracey Nicholls, Associate Professor of Philosophy
Lewis University, Romeoville, Illinois

Who is white, and why should we care? There was a time when the immigrants of New York City’s Lower East Side—the Irish, the Poles, the Italians, the Russian Jews—were not white, but now “they” are. There was a time when the French-speaking working classes of Quebec were told to “speak white,” that is, to speak English. Whiteness is an allegorical category before it is demographic.

This volume gathers together some of the most influential scholars of privilege and marginalization in philosophy, sociology, economics, psychology, literature, and history to examine the idea of whiteness. Drawing from their diverse racial backgrounds and national origins, these scholars weave their theoretical insights into essays critically informed by personal narrative. This approach, known as “braided narrative,” animates the work of award-winning author Eula Biss. Moved by Biss’s fresh and incisive analysis, the editors have assembled some of the most creative voices in this dialogue, coming together across the disciplines.

Along with the editors, the contributors are Eduardo Bonilla-Silva, Nyla R. Branscombe, Drucilla Cornell, Lewis R. Gordon, Paget Henry, Ernest-Marie Mbonda, Peggy McIntosh, Mark McMorris, Marilyn Nissim-Sabat, Victor Ray, Lilia Moritz Schwarcz, Louise Seamster, Tracie L. Stewart, George Yancy, and Heidi A. Zetzer.

Table Contents

• Preface / Eula Biss
• Introduction / Bettina Bergo and Tracey Nicholls
• Part I. What is White Privilege?
  • Chapter 1: Deprivileging Philosophy / Peggy McIntosh
  • Chapter 2: White Privilege and the Problem with Affirmative Action / Lewis R. Gordon
  • Chapter 3: Revisioning “White Privilege” / Marilyn Nissim-Sabat
• Part II. The Images and Rhetoric of White Privilege
  • Chapter 4: The Very Image of Privilege: Film Creation of White Transcendentals in Vienna and Hollywood / Bettina Bergo
  • Chapter 5: Painting and Negotiating Colors / Lilia Moritz Schwarcz
  • Chapter 6: I Was an Honorary White Man: Reflections on Space, Place, and Origin / Mark McMorris
• Part III. Troubling Privilege
  • Chapter 7: Whiteness as Insidious: On the Embedded and Opaque White Racist Self / George Yancy
  • Chapter 8: White Privilege: The Luxury of Undivided Attention / Heidi A. Zetzer
  • Chapter 9: The Costs of Privilege and Dividends of Privilege Awareness: The Social Psychology of Confronting Inequality / Tracie L. Stewart and Nyla R. Branscombe
  • Chapter 10: Unpacking the Imperialist Knapsack: White Privilege and Imperialism in Obama’s America / Eduardo Bonilla-Silva, Victor Ray, and Louise Seamster
• Part IV. Other Perspectives on White and Western Privilege
  • Chapter 11: Whiteness and Africana Political Economy / Paget Henry
  • Chapter 12: The Great White North: Failing Muslim-Canadians – Failing Us All / Tracey Nicholls
  • Chapter 13: Rethinking Ethical Feminism through uBuntu / Drucilla Cornell
  • Chapter 14: The Afrocentrist Critique of Eurocentrism: The Decolonization of Knowledge /Ernest-Marie Mbonda
• Contributor Biographies

Race in Contemporary Brazil: From Indifference to Inequality

Pennsylvania State University Press
1999
304 pages
Dimensions: 6 x 9
1 illustration
Hardcover ISBN: 978-0-271-01905-5
Paperback ISBN: 978-0-271-01906-2

Edited by: Rebecca Reichmann

Brazil’s traditionally agrarian economy, based initially on slave labor and later on rural labor and tenancy arrangements, established inequalities that have not diminished even with industrial development and urban growth. While fertility and infant mortality rates have dropped significantly and life expectancy has increased during the past thirty years, the gaps in mortality between rich and poor have remained constant. And among the poor of different races, including the 45 percent of Brazil’s population identified as preto (“black”) or pardo (“brown”) in the official census, persistent inequalities cannot be explained by the shortcomings of national economic development or failure of the “modernization” process.

Reichmann assembles the most important work of Brazilians writing today on contemporary racial dynamics in policy-relevant areas: the construction of race and color classification systems, access to education, employment and health, racial inequalities in the judiciary and politics, and black women’s status and roles. Despite these glaring social inequalities, racial discrimination in Brazil is poorly understood, both within and outside Brazil.

The still-widespread notion of harmonious “racial democracy” in Brazil was first articulated by anthropologist Gilberto Freyre in the 1930s and was subsequently reinforced by the popular media, social observers, and scholars. By giving voice to Brazilians’ own interpretations of race, this volume represents an essential contribution to the increasingly international debates about the African diaspora and comparative constructions of race.

Machado de Assis: Multiracial Identity and the Brazilian Novelist

Penn State University Press
2012-05-19
336 pages
6 x 9, 1 illustration
Hardcover ISBN: 978-0-271-05246-5

G. Reginald Daniel, Professor of Sociology
University of California, Santa Barbara

Joaquim Maria Machado de Assis (1839–1908) was Brazil’s foremost novelist of the late nineteenth and early twentieth centuries. As a mulatto, Machado experienced the ambiguity of racial identity throughout his life. Literary critics first interpreted Machado as an embittered misanthrope uninterested in the plight of his fellow African Brazilians. By midcentury, however, a new generation of critics asserted that Machado’s writings did reveal his interest in slavery, race, and other contemporary social issues, but their interpretations went too far in the other direction. Reginald Daniel, whose expertise on Brazilian race relations gives him special insights, takes a fresh look at how Machado’s life—especially his experience of his own racial identity—was inflected in his writings. The result is a new interpretation that sees Machado as endeavoring to transcend his racial origins by universalizing the experience of racial ambiguity and duality into a fundamental mode of human existence.

Blacks of the Rosary: Memory and History in Minas Gerais, Brazil

Penn State University Press
2005-08-18
304 pages
6 x 9, 8 illustrations/5 maps
Hardcover ISBN: 978-0-271-02693-0
Paperback ISBN: 978-0-271-02694-7

Elizabeth W. Kiddy, Associate Professor of History and Director of Latin American and Caribbean Studies
Albright College, Reading, Pennsylvania

Blacks of the Rosary tells the story of the Afro-Brazilian communities that developed within lay religious brotherhoods dedicated to Our Lady of the Rosary in Minas Gerais. It shows how these brotherhoods functioned as a social space in which Africans and their descendants could rebuild a communal identity based on a shared history of an African past and an ongoing devotional practice, thereby giving rise to enduring transnational cultures that have survived to the present day. In exploring this intersection of community, identity, and memory, the book probes the Portuguese and African contributions to the brotherhoods in Part One. Part Two traces the changes and continuities within the organizations from the early eighteenth century to the end of the Brazilian Empire, and the book concludes in Part Three with discussion of the twentieth-century brotherhoods and narratives of the participants in brotherhood festivals in the 1990s. In a larger sense, the book serves as a case study through which readers can examine the strategies that Afro-Brazilians used to create viable communities in order to confront the asymmetry of power inherent in the slave societies of the Americas and their economic and social marginalization in the twentieth century.