Mixed Race Studies

Jazz à la Creole: French Creole Music and the Birth of Jazz

University Press of Mississippi
November 2022
248 pages
1 table; 29 b&w figures; 20 musical examples
Hardcover ISBN: 9781496842404
Paperback ISBN: 9781496842428

Caroline Vézina
Montréal, Quebec, Canada

The first scholarly volume dedicated to French Creole music and its contribution to the development of jazz in New Orleans

During the formative years of jazz (1890–1917), the Creoles of Color—as they were then called—played a significant role in the development of jazz as teachers, bandleaders, instrumentalists, singers, and composers. Indeed, music penetrated all aspects of the life of this tight-knit community, proud of its French heritage and language. They played and/or sang classical, military, and dance music as well as popular songs and cantiques that incorporated African, European, and Caribbean elements decades before early jazz appeared. In Jazz à la Creole: French Creole Music and the Birth of Jazz, the author describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz.

Caroline Vézina has compiled and analyzed a broad scope of primary sources found in diverse locations from New Orleans to Quebec City, Washington, DC, New York City, and Chicago. Two previously unpublished interviews add valuable insider knowledge about the music on French plantations and the danses Créoles held in Congo Square after the Civil War. Musical and textual analyses of cantiques provide new information about the process of their appropriation by the Creole Catholics as the French counterpart of the Negro spirituals. Finally, a closer look at their musical practices indicates that the Creoles sang and improvised music and/or lyrics of Creole songs, and that some were part of their professional repertoire. As such, they belong to the Black American and the Franco-American folk music traditions that reflect the rich cultural heritage of Louisiana.

Our Unspoken Discomfort with Interracial Relationships

The Walrus
2020-10-01

Charmaine A. Nelson, Professor of Art History and a Tier I Canada Research Chair in Transatlantic Black Diasporic Art and Community Engagement
Nova Scotia College of Art and Design (NSCAD University), Halifax, Nova Scotia, Canada

Canada’s history of slavery has had a profound impact on how we view cross-racial couples

ON A SATURDAY MORNING in April 2018, Tayana Jacques, a Black woman, and Brian Mann, her white boyfriend, were walking together in Montreal’s trendy Plateau-Mont-Royal neighbourhood when police stopped and questioned them over what the two officers called “making excessive noise.” Jacques and Mann were later fined $444 each. The charges were particularly suspicious since this was not a Saturday-night encounter—not a time when people would have been carousing drunkenly home from a nightclub. In fact, the couple had been on their way to get coffee. According to media reports, Jacques says she was restrained and handcuffed after she turned to walk away from the confrontation. She was also questioned without cause about drug use while Mann, who protested, was allegedly kicked in the knee, punched in the face, and pepper-sprayed. By the end of the encounter, two more police cruisers had arrived.

Mann and Jacques have said in media interviews that they were violently mistreated by Montreal police not because of what they were doing but because of who they were: a white man and a Black woman in an obviously romantic relationship. (The Montreal Police Service has declined to comment on the case.) The couple’s story may seem unimportant—an outlier in an otherwise racially harmonious society—but the apparent overreach of the Montreal Police Service, particularly within our current context of global Black Lives Matter protests, is cause for grave concern.

Following the incident, Fo Niemi, executive director of the Center for Research-Action on Race Relations (CRAAR), issued a statement saying the alleged police mistreatment of Jacques and Mann is part of a pattern of police misbehaviour, especially involving Black citizens. (The City of Montreal is now facing a class-action lawsuit for racial profiling brought by the Black Coalition of Quebec on behalf of people who were unjustly arrested by police.) Last October, a report commissioned by the Montreal Police Service confirmed that its officers are far more likely to stop Black, Indigenous, or Arab people than they are white people. This past July, the police service introduced a policy meant to reduce the risk of profiling; among other provisions, the new policy requires officers to complete paperwork clearly stating their reasons for conducting street checks.

But Jacques and Mann’s violent encounter caught my attention because their experience points to an unsettling reality that extends beyond police discrimination: Canadians have a bigger problem with race, and specifically with cross-racial couples, than many would like to admit. As a professor of art history specializing in transatlantic slavery, I find our society’s unspoken discomfort painfully ironic. I study a period when the nonconsensual sexual pairing of white men and Black women, and the sight of their mixed-race children, was entrenched across the Americas; when Black women were routinely dehumanized; and when consensual cross-racial couples—like Jacques and Mann—were considered threatening to colonial hierarchies. That history has been all but erased from our national memory. And it’s had a chronic, undeniable influence on how we perceive cross-racial relationships today.

Relationships between people of different races, ethnic origins, religions, languages, and birthplaces are still relatively rare. In the 2011 national household census, 360,045 couples, or about 5 percent of all unions, identified as being mixed. When the figure was first released, in 2014, media coverage framed it as a sign of social progress: the percentage was double that of twenty years prior. Yet, for a nation that claims to celebrate its racial diversity and inclusiveness, living together in a multicultural society seems not to have resulted in the deepest levels of profound social connection signalled by intimate unions…

Read the entire article here.

Meet The Quebec Dads Making Beautiful Black And Mixed-Race Dolls

The Huffington Post
2021-02-10

Amélie Hubert-Rouleau

A little girl with her Ymma doll. INSTAGRAM/YMMA.WORLD

“We realized that the Black dolls were missing.”

Ymma’s website prominently features a Nelson Mandela quote: “It is in your hands to make a better world for all who live in it.”

Gaëtan Etoga and Yannick Nguepdjop take that literally. The two Quebec dads founded the company, which makes Black and mixed-race dolls, to inspire children and expose them to difference…

Read the entire article here.

The Man Striving to Be the ‘Canadian Obama’

The New York Times
2020-07-10

Dan Bilefsky, Canada Correspondent

“The abuse of power has plagued brown and Black people, and we have had enough,” Balarama Holness said. Nasuna Stuart-Ulin for The New York Times

Balarama Holness, 36, a law student and community organizer who once played professional Canadian football, is becoming a leading voice against systemic racism in his country.

MONTREAL — For Balarama Holness, the defining moment of his life happened four years before he was born. It was at a Bob Marley concert in Montreal, when the eyes of his Québécois mother and his Jamaican father interlocked as the singer wailed, “Get up, stand up, stand up for your rights!”

It was the final year of the freewheeling 1970s, and his adventurous Francophone mother and ascetic Anglophone father were strangers in a sprawling hockey arena. But Mr. Holness said barriers of language and race momentarily collapsed as the Marley anthem washed over the crowd — a rare alchemy that he said he had spent his whole life chasing.

“The music dissolved fictitious divisions in society,” Mr. Holness said, “and somewhere between the dreadlocks, the Jamaican patois and Québécois French, the seeds of my existence were sowed, along with my future as a rebel.”

Educator, broadcaster, law student and former championship-winning professional Canadian football player, Mr. Holness, 36, aspires to be a “Canadian Obama” — another “biracial lawyer,” he observes, who cut his teeth as a community organizer. His other role model is Colin Kaepernick, the Black quarterback whose kneeling during the American national anthem before N.F.L. games became a potent symbol against racial and social injustice.

Mr. Holness’s outsized swagger and ambition are perhaps inevitable — he noted that because of his parents’ respect for Hindu tradition, they named him Balarama, considered by some a god with extraordinary strength. A first cousin, Andrew Holness, is Jamaica’s prime minister.

In Balarama Holness’s case, he has grabbed Canadian headlines after mobilizing a grass-roots movement over the past two years that pushed Montreal’s City Hall to hold hearings on systemic racism. That is no small accomplishment in Quebec, a French-majority province where the government has repeatedly denied the existence of systemic racism…

Read the entire article here.

Distorted Descent: White Claims to Indigenous Identity

University of Manitoba Press
September 2019
296 pages
6 × 9
Paper ISBN: 978-0-88755-846-7

Darryl Leroux, Associate Professor
Department of Social Justice and Community Studies
Saint Mary’s University, Kjipuktuk (Halifax, Nova Scotia)

Distorted Descent examines a social phenomenon that has taken off in the twenty-first century: otherwise white, French descendant settlers in Canada shifting into a self-defined “Indigenous” identity. This study is not about individuals who have been dispossessed by colonial policies, or the multi-generational efforts to reconnect that occur in response. Rather, it is about white, French-descendant people discovering an Indigenous ancestor born 300 to 375 years ago through genealogy and using that ancestor as the sole basis for an eventual shift into an “Indigenous” identity today.

After setting out the most common genealogical practices that facilitate race shifting, Leroux examines two of the most prominent self-identified “Indigenous” organizations currently operating in Quebec. Both organizations have their origins in committed opposition to Indigenous land and territorial negotiations, and both encourage the use of suspect genealogical practices. Distorted Descent brings to light to how these claims to an “Indigenous” identity are then used politically to oppose actual, living Indigenous peoples, exposing along the way the shifting politics of whiteness, white settler colonialism, and white supremacy.

For more information on the rise of the so-called ‘Eastern Metis’ in the eastern provinces and in New England, including a storymap, court documents, and research materials, visit the Raceshifting website, created by Unwritten Histories Digital Consulting.

Table of Contents

• Introduction—Self-Indigenization in the Twenty-First Century
• Part One: The Mechanics of Descent
  • Chapter One—Lineal Descent and the Political Use of Indigenous Women Ancestors
  • Chapter Two—Aspirational Descent: Creating Indigenous Women Ancestors
  • Chapter Three—Lateral Descent: Remaking Family in the Past
• Part Two: Race Shifting as Anti-Indigenous Politics
  • Chapter Four—After Powley: Anti-Indigenous Activism and Becoming “Métis” in Two Regions of Quebec
  • Chapter Five—The Largest Self-Identified “Métis” Organization in Quebec: The Métis Nation Of The Rising Sun
• Conclusion—White Claims to Indigenous Identity
• Acknowledgements
• Appendix
• Notes
• Bibliography
• Index

She was being raised as a white child in Texas while her Haitian father was fighting racism in Montreal

The Doc Project
CBC Radio
2019-10-28

Shari Okeke, Producer

Rhonda Fils-Aimé and her father, Philippe, at a family gathering this year in Braunfels, Texas. (Submitted by Rhonda Fils-Aimé)

Rhonda Fils-Aimé was adopted by a white family as a baby, and her biological father, Philippe, had no idea

Until she was 49 years old, the only information Rhonda Lux had about her family background was that she was German, French and Indian. That’s what her adoptive mother had told her, and for most of her life, Rhonda didn’t question it.

Rhonda was born in San Antonio, Texas in 1968 and was left in a children’s shelter.

“I was adopted by a white family and raised in a white community,” she said.

Only recently, in 2017, did Rhonda discover the truth about her racial heritage and manage to find her father, Philippe — who she learned had been part of an historic protest against racism in Montreal…

Read the article and listen to the story (00:28:31) here.

Who gets to be Metis? As more people self-identify, critics call out opportunists

National Post
2017-11-23

Graeme Hamilton

Robin Robichaud shows his t-shirt after a meeting for the Wobtegwa aboriginal community, a new Metis group. Christinne Muschi /National Post

The arrival of new players is stirring up tension with established Métis groups and raising concern among First Nations leaders

SHERBROOKE, Que. – The scent of burning sage lingers in the air as drummers begin a song of welcome. They are traditions dating back centuries, but on this Sunday afternoon the ceremony opens a gathering of one of the country’s youngest Aboriginal groups — the two-year-old Wobtegwa Métis clan.

The meeting, held in a high school auditorium, has brought together members from a corner of Quebec stretching northeast from Montreal past Quebec City and south to the United States border. Some of those present have long known of their Indigenous roots; for others the discovery has come recently. But they have all come together to push for government recognition of their rights.

“This clan is sovereign on its territory,” Yves Cordeau, band chief for the Lac-Mégantic region informs the group.

If the claim comes as news to many in Quebec, it’s because the province’s Métis awakening is recent. Raynald Robichaud, the Wobtegwa’s clan chief, says even members of his own family discouraged him from returning to his Aboriginal roots. “We knew we had a great-grandmother who was aboriginal, but our family absolutely did not want to talk about it, because they were afraid,” he says. “For us now, the fear is gone, and people are coming back.”…

…Checking a box on a census or connecting to family heritage is one thing. But as groups like the Wobtegwa lay claim to special services and territorial rights — in some cases, the same land as other Aboriginal groups — a backlash to the influx of new Métis is emerging. Some critics question the motivation of those who “become” Métis, and the impact of their activism on more established groups. Others question the right to self-identify at all…

…Leroux, Gaudry and organizations representing western Métis maintain that mixed ancestry alone does not make one Métis. True Métis — as recognized by the Constitution as one of Canada’s three aboriginal groups — must have roots in Manitoba’s historic Red River settlement, they say. That can include Métis all the way west to British Columbia and into Ontario, but not as far east as Quebec and the Maritimes…

Read the entire article here.

Whispering Grounds whispers thoughts of origins and nature

Quebec Chronicle-Telegraph
2011-10-19

Amanda Halm

Whispering Grounds, an exhibit of 13 charcoal drawings by artist Annie Lalande, is currently on display at the Bank National Financial Group Gallery, a space dedicated to visual arts in the Palais Montcalm.

Incongruous lines and organic shapes sweep across paper to symbolize the bi-racial identity that swirls inside the artist…

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