Mixed Race Studies

Martha Wheeler, Eye-Witness to the “Free State of Jones”

Renegade South: Histories of Unconventional Southerners
2017-07-02

Vikki Bynum, Distinguished Professor Emeritus of History
Texas State University, San Marcos

I’ll never forget the excitement I felt when, in the midst of researching The Free State of Jones, I came upon the WPA’s 1936 interview with Martha Wheeler, a former slave of Laurel, Mississippi. Today, I realize more than ever that Martha just may be the best source for verifiable remarks about Newt, Rachel, and Serena Knight, and the interracial community they built in Soso, Mississippi, in the aftermath of the Civil War.¹

Unfortunately, no Hollywood movie could have provided an in-depth treatment of both a Civil War insurrection and the remarkable mixed-race community that followed. Only a fraction of Rachel’s factual personal life was told amid the larger story of slavery, Civil War, and class resistance to Confederate authority.

Nevertheless, judging from the traffic on this blog since release of The Free State of Jones, the movie’s abbreviated portrait of the interracial Knight community piqued tremendous interest among movie audiences. Tantalizing glimpses of the 1948 miscegenation trial of Newt and Rachel’s great-grandson, Davis Knight, as well as images of Newt’s two “wives,”—one white (Serena), the other a woman of color (Rachel)—in scenes of domestic contentment in post-Civil War Mississippi sparked that interest even more…

Read the entire article here.

Free State of Jones Capsizes Lost Cause Myths

Process: A Blog For American History
2016-07-12

Matthew E. Stanley, Assistant Professor of History
Albany State University, Albany, Georgia

Reconstruction is perhaps the least understood period in American history, a distinction that has been both perpetuated by and reflected in popular culture since the late nineteenth century. Films in particular have gone from presenting the era through the Dunning lens of rank white supremacy (The Birth of a Nation, Gone with the Wind, Tennessee Johnson) to skipping straight to white reunion (Abraham Lincoln, Ken Burns’s The Civil War) to addressing its social achievements and betrayals through either subtle foreshadowing (Lincoln, Glory) or highbrowed metaphor (The Hateful Eight). Director Gary Ross’s Free State of Jones, however, which depicts the origins and aftermath of Newton Knight’s bigender and biracial anti-Confederate insurgency in Jones County, Mississippi, might be the first to properly and historically situate Reconstruction in full relation to the war itself, serving as a vigorous repudiation of Lost Cause mythology.

Consulted by and employing source material from historians including Eric Foner, David Blight, and Victoria Bynum, Free State of Jones presents a wartime regional counternarrrative that becomes a postwar national standard narrative. In other words, the events depicted both are and are not historically representative. Led by farmer-turned-renegade Knight, ably portrayed by a suitably angular Matthew McConaughey, white members of the “Knight Company” are deserters and poor farmers who have rejected the Confederate “Twenty Negro Law” and regressive property confiscation; its black constituents are self-emancipated slaves and intrepid spies with even greater interest in overthrowing the callous Southern plantocracy. Through a series of competently shot skirmishes and ambushes, this militant underclass slowly drives Confederate forces from a large swath of southeast Mississippi. Persecuted by the Confederacy and ignored by the Union, Knight’s militia declares a “Free State of Jones” committed to principles of social and economic egalitarianism. His white wife and child having absconded, Knight falls for a mixed race slave, Rachel (Gugu Mbatha-Raw), and together they create a biracial community that still exists…

Read the entire article here.

Charles Blow blows his horn in the New York Times

Renegade South: Histories of Unconventional Southerners
2016-06-27

Victoria Bynum, Distinguished Professor Emeritus of History
Texas State University, San Marcos

In today’s New York Times, opinion editor Charles Blow delivers a harsh critique of the movie, Free State of Jones, arguing that its treatment of slavery in general and the rape of slave women in particular amounts to a “genteel treatment” of the institution. Blow then turns to my book “The Free State of Jones: Mississippi’s Longest Civil War, and accuses me of using “grossly inappropriate descriptors” to characterize what in reality was rape. To demonstrate, he quotes the following passage from my book:

Through encounters with women such as Rachel, Newt knew that white men regularly crossed the color line despite laws and social taboos that forbade interracial liaisons and marriages. Rachel, light-skinned and physically attractive, was the sort of slave after whom many white men lusted. The fact that she had a white-skinned daughter announced to interested men that she had already been “initiated” into the world of interracial relations. (page 86)

With great indignation, Blow then exclaims, “Encounters? Liaisons? Initiated? Sexual relations? As long as she was a slave this was rape! Always. Period.”

I responded in the comments section of his op ed with the following:…

Read the entire article here.

On The Free State Of Jones

The Huffington Post
2016-06-20

Steven Hahn, Roy F. and Jeannette P. Nichols Professor of History
University of Pennsylvania

Three quarters of a century ago, “Gone with the Wind,” a film that mythologized an Old South of wealthy planters and obedient slaves, premiered in Atlanta amidst great fanfare and public interest. This week, a very different sort of film about the South of the Civil War and Reconstruction era – “Free State of Jones” — will have its premiere, and as we commemorate the 150th anniversary of the War and Reconstruction and struggle through our own time of social and racial divisiveness, the public would do very well to take the film’s measure.

That is because “Free State of Jones,” challenges our many misconceptions of the Civil War and Reconstruction and can promote a dialogue about what may have been possible more than a century ago – and what is very much possible in our own day. “Free State of Jones” is based on a true story of interracial resistance to the Confederacy in Civil War Mississippi. It is the story of how a white farmer from humble origins named Newton Knight came to see how the Confederacy favored the rich planters at the expense of men and women like himself and chose to organize a rebellion aimed at establishing a terrain of freedom, a “free state,” in the county of Jones…

…But Newton Knight eventually went further still. The strongest resistance to the Confederacy came, not from poor white folk, but from those who were destined to be its main victims: the slaves. In Mississippi and elsewhere in the Confederate South, they took the opportunity of the War to flee their plantations and farms, head to Union lines, or form maroons in swamps and remote woodlands, denying slaveholders the labor and submission that had been expected. During his own battles with the Confederacy in rural Jones County, Knight forged alliances with African Americans, most specifically a slave named Rachel with whom he developed an intimate relationship and eventually raised a family…

Read the entire article here.

A Confederate Dissident, in a Film With Footnotes

The New York Times
2016-06-15

Jennifer Schuessler

The forthcoming Matthew McConaughey drama “Free State of Jones” lays claim to being the first Hollywood film in decades to depict Reconstruction, the still controversial post-Civil War period that attempted to rebuild the South along racially egalitarian lines.

But the movie, written and directed by Gary Ross, might also lay claim to a more unusual title: the first Hollywood drama to come with footnotes.

The film recounts the true story of Newton Knight (Mr. McConaughey), a Confederate deserter who led a ragtag dissident army from the swamps of Jones County, Miss., and continued to fight for the rights of African-Americans after the Civil War ended…

…Where Mr. Ross has invented characters or episodes or made guesses about motivations, he explains why, pointing to justifications in the historical record. For example, the film depicts Knight’s decades-long relationship with Rachel (played by Gugu Mbatha-Raw of “Belle”), a former slave who once belonged to his grandfather and with whom he had several children. The site shows an 1876 document in which Knight (who remained married to his white wife) deeded her 160 acres of land — an indication, Mr. Ross writes, that theirs was “a loving relationship that grew over time,” rather than manifesting a “Thomas Jefferson/Sally Hemings power dynamic.” Knight did not own slaves.

The extent of Knight’s collaborations across the color line has been a point of sometimes hot debate among scholars, including those on Mr. Ross’s team. In 2009, after Mr. Stauffer and Sally Jenkins published “The State of Jones,” a book inspired by Mr. Ross’s screenplay, Ms. Bynum posted a blistering three-part review on her blog, questioning what she called its “highly exaggerated claims” that Knight had fought for racial equality before and after the war…

…It remains to be seen how Mr. Ross’s film will land with audiences. Kellie Carter Jackson, an assistant professor of history at Hunter College and the author of the coming book “Force and Freedom: Black Abolitionists and the Politics of Violence,” said there was a need for a more accurate depiction of Reconstruction, but noted that Hollywood “has a hard time divesting white men from the center of the universe.”…

Read the entire article here.

The Free State of Jones, Movie Edition: Mississippi’s Longest Civil War

University of North Carolina Press
March 2016
352 pages
32 halftones, 10 maps, 4 tables
appends., notes, bibl., index
Paper ISBN 978-1-4696-2705-2

Victoria E. Bynum, Distinguished Professor Emeritus of History
Texas State University, San Marcos

With a New Afterword by the Author

Between late 1863 and mid-1864, an armed band of Confederate deserters battled Confederate cavalry in the Piney Woods region of Jones County, Mississippi. Calling themselves the Knight Company after their captain, Newton Knight, they set up headquarters in the swamps of the Leaf River, where they declared their loyalty to the U.S. government.

The story of the Jones County rebellion is well known among Mississippians, and debate over whether the county actually seceded from the state during the war has smoldered for more than a century. Adding further controversy to the legend is the story of Newt Knight’s interracial romance with his wartime accomplice, Rachel, a slave. From their relationship there developed a mixed-race community that endured long after the Civil War had ended, and the ambiguous racial identity of their descendants confounded the rules of segregated Mississippi well into the twentieth century.

Victoria Bynum traces the origins and legacy of the Jones County uprising from the American Revolution to the modern civil rights movement. In bridging the gap between the legendary and the real Free State of Jones, she shows how the legend–what was told, what was embellished, and what was left out–reveals a great deal about the South’s transition from slavery to segregation; the racial, gender, and class politics of the period; and the contingent nature of history and memory.

In a new afterword, Bynum updates readers on recent scholarship, current issues of race and Southern heritage, and the coming movie that make this Civil War story essential reading.

The Free State of Jones film, starring Matthew McConaughey, Gugu Mbatha-Raw, and Keri Russell, will be released in May 2016.

The True Story of the ‘Free State of Jones’

The Smithsonian Magazine
March 2016

Richard Grant; Photographs by William Widmer

A new Hollywood movie looks at the tale of the Mississippi farmer who led a revolt against the Confederacy

With two rat terriers trotting at his heels, and a long wooden staff in his hand, J.R. Gavin leads me through the woods to one of the old swamp hide-outs. A tall white man with a deep Southern drawl, Gavin has a stern presence, gracious manners and intense brooding eyes. At first I mistook him for a preacher, but he’s a retired electronic engineer who writes self-published novels about the rapture and apocalypse. One of them is titled Sal Batree, after the place he wants to show me.

On his property, Jones County’s J. R. Gavin points out a site that was a hide-out for Newt Knight. “The Confederates kept sending in troops to wipe out old Newt and his boys,” says Gavin, “but they’d just melt into the swamps.” (William Widmer)

I’m here in Jones County, Mississippi, to breathe in the historical vapors left by Newton Knight, a poor white farmer who led an extraordinary rebellion during the Civil War. With a company of like-minded white men in southeast Mississippi, he did what many Southerners now regard as unthinkable. He waged guerrilla war against the Confederacy and declared loyalty to the Union.

In the spring of 1864, the Knight Company overthrew the Confederate authorities in Jones County and raised the United States flag over the county courthouse in Ellisville. The county was known as the Free State of Jones, and some say it actually seceded from the Confederacy. This little-known, counterintuitive episode in American history has now been brought to the screen in Free State of Jones, directed by Gary Ross (Seabiscuit, The Hunger Games) and starring a grimy, scruffed-up Matthew McConaughey as Newton Knight.

As great-granddaughters of Newt and Rachel, Dorothy Knight Marsh, left, and Florence Knight Blaylock revere their past: “It’s a very unusual, complex family,” says Blaylock. (William Widmer)

…After the Civil War, Knight took up with his grandfather’s former slave Rachel; they had five children together. Knight also fathered nine children with his white wife, Serena, and the two families lived in different houses on the same 160-acre farm. After he and Serena separated—they never divorced—Newt Knight caused a scandal that still reverberates by entering a common-law marriage with Rachel and proudly claiming their mixed-race children.

The Knight Negroes, as these children were known, were shunned by whites and blacks alike. Unable to find marriage partners in the community, they started marrying their white cousins instead, with Newt’s encouragement. (Newt’s son Mat, for instance, married one of Rachel’s daughters by another man, and Newt’s daughter Molly married one of Rachel’s sons by another man.) An interracial community began to form near the small town of Soso, and continued to marry within itself…

Read the article here.

See First Photos of Matthew McConaughey in The Free State of Jones

Time
2015-04-21

Sarah Begley, Culture Reporter

Matthew McConaughey stars in The Free State of Jones (Murray Close)

He’s basically your Civil War boyfriend

For an actor, there’s no better awards bait than an appearance-transforming role in a biographical war movie. World, meet The Free State of Jones.

Matthew McConaughey will star in the action-drama as Newt Knight, a Mississippi farmer who led a southern rebellion against the Confederates during the Civil War. He and his followers “seceded” from the Confederacy, calling Jones County “The Free State of Jones.” After the war, he distinguished himself from fellow southerners once again by marrying a former slave named Rachel…

Read the entire article here.

First Look at Matthew McConaughey in The Free State of Jones

ComingSoon.net
2015-03-09

Max Evry

Motion picture and television studio STX Entertainment has begun principal photography on the theatrical feature The Free State of Jones in and around New Orleans, Louisiana, it was announced by Adam Fogelson, Chairman of STX Entertainment’s Motion Picture Group.

The epic action-drama is written and directed by four-time Oscar nominee Gary Ross (The Hunger Games, Seabiscuit, Pleasantville), and stars Oscar-winner Matthew McConaughey (Interstellar, Dallas Buyers Club), Gugu Mbatha-Raw (Beyond the Lights), Keri Russell (Dawn of the Planet of the Apes) and Mahershala Ali (The Hunger Games: Mockingjay Part 1, “House of Cards”)…

…Set during the Civil War, The Free State of Jones tells the story of defiant Southern farmer Newt Knight, and his extraordinary armed rebellion against the Confederacy. Banding together with other small farmers, and with the assistance of local slaves, Knight launched an uprising that led Jones County, Mississippi to secede from the Confederacy, creating a Free State of Jones.

His marriage to a former slave, Rachel, and his subsequent establishment of a mixed race community was unique in the post-war South. Knight continued his struggle into Reconstruction, which distinguished him as a compelling, if controversial, figure of defiance long beyond the War.

Read the entire article here.

The Life and Death of Davis Knight after State vs. Knight (1948)

Renegade South: Histories of Unconventional Southerners
2009-04-08

Victoria E. Bynum, Emeritus Professor of History
Texas State University, San Marcos

Davis Knight, the great-grandson of the infamous “Free State of Jones” guerrilla, Newt Knight, became the centerpiece of his own drama some 25 years after the death of his notorious ancestor. Although Davis was descended from Newt and his wife, Serena, both of whom were white, he was also the great-grandson of Rachel Knight, a former slave of Newt’s grandfather. And although Davis was white in appearance, because of his descent from Rachel, he was defined as black by his white neighbors. Some of those neighbors did not take kindly to Davis Knight’s marriage in 1946 to Junie Lee Spradley, a local white woman. In 1948, Davis ended up in court, accused of having married across the color line (a crime in several states until 1967). Despite a vigorous defense by Attorney Quitman Ross, a jury pronounced Davis guilty. Convicted of miscegenation, the Ellisville Court sentenced him to five years in Mississippi’s notorious Parchman prison.

Attorney Ross immediately appealed the decision on grounds the court had failed to prove that Davis had 1/8th or more African ancestry, and won his case. The Mississippi State Supreme Court overturned the lower court’s decision and remanded Davis’s case for retrial–a retrial that never took place. In legal terms, the High Court ruled in this important case, the “one drop rule” did not determine one’s racial identity, regardless of social custom. Davis Knight thus escaped going to prison and, for the rest of his life, lived as a white man…

Read the entire article here.