Mixed Race Studies

From the “half-breed” to the “tragic mulatto”: The race integration film in the fifties and the struggle for social equality

New York University
May 2007
435 pages
Publication Number: AAT 3269779
ISBN: 9780549099536

Ryan Daniel DeRosa, Assistant Professor of Film Studies
Ohio University

A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Cinema Studies New York University

This dissertation connects Hollywood “integration films” of the 1950s to the modern civil rights movement and to “liberal” racial ideologies. We use the historiography of Foucault to exhume correspondences between political and popular representations of racial-national identity and of integration, following changes in the formation of ideas empowering racial liberalism. We place film interactively alongside Supreme Court rulings and Congressional debates around race integration, contemporaneously published works of history and sociology, and the “memory” of slavery and Reconstruction as displayed in the wider culture.

In films centering a protagonist who is racially or culturally “mixed,” we examine a change in discourse surrounding racial integration. In the early fifties—from the social problem film such as No Way Out (1950) to the pro-Indian western such as Broken Arrow (1950) and Broken Lance (1954)—motion pictures employ a framework of the melting pot, or cultural assimilation, to represent integration. This signifies national support for racial progress yet also, by using terms of “culture” to repress terms of “class,” suggests widespread resistance to imagining and ensuring needed change in the racial-social structure of society. In the later fifties, a different logic–based on cultural pluralism—represents integration, often in films making miscegenation or racial mixing problematic. Movies such as The Searchers (1956) and Imitation of Life (1959) construct an imagined “right” to protect white status as a “culture,” or “racial cultural” boundaries that would oppose our political knowledge of race and class struggle.

Further, we connect seminal liberal representations of race in the fifties to ideological positions today that efface the persistence of segregation—or that would represent poverty but do not advance a social remedy for it. This dissertation would challenge liberalism to speak not just for passive racial “progress,” for “rationalism” and for the individual, but moreover for the rights of the poor and working class to equal social resources, rights that interact with and would advance racial equality.

Table of Contents

• DEDICATION
• ACKNOWLEDGEMENTS
• ABSTRACT
• INTRODUCTION The Fifties Integration Film and the Limits of Racial Liberalism
  • 1. The Integration Film and the Melting Pot
  • 2. The Fifties Western and Historiography
  • 3. Gunnar Myrdal and Racial Liberalism
• CHAPTER I “I Thought You Were Worried about Being an Indian”: Broken Lance, Brown v. Board of Ed, and Integration Discourse
  • 1. Discourses of Psychology, Integration, and Culture
  • 2. Integration Discourse
  • 1. Discourses of Psychology, Integration, and Culture
  • 2. Integration Discourse
  • 3. Oscar Handlin and the Melting Pot
  • 4. Broken Lance, Integration, and the Status of White Patriarchy
  • 5. Conclusion: Brown’s Lost Justification
• CHAPTER II From Social Problems to Cultural Relations: No Way Out, Broken Arrow, and “Melting Pot” Liberalism
  • 1. The Melting Pot and the Pro-Indian Western
  • 2. To Discover and Unite America: The Sociology of the Melting Pot
  • 3. Reading Culture in Broken Arrow
  • 4. Segregation with Assimilation: Pinky
  • 5. No Way Out and the Return of Class Conflict
  • 6. The Radical Sociology of Oliver C. Cox
  • 7. Conclusion: Ideological Opportunities for Integration
• CHAPTER III The Searchers, the Civil Rights Act of 1957, and the Ideology of Cultural Rights
  • 1. Cultural Rights and Debbie’s Choice
  • 2. The Searchers, Ambiguity and Historical Investigation
  • 3. Relations in the Film
  • 4. American Judaism and Integration Fears
  • 5. The Searchers and the Civil Rights Act of 1957
  • 6. Conclusion: Cultural Rights and History
• CHAPTER IV “You Weren’t Being Colored”: Imitation of Life, Cultural Pluralism, and the Struggle for Social Equality
  • 1. Introduction: “Radical Ambiguity” and Imitation of Life
  • 2. Melodrama and Changing Gender Relations
  • 3. Melodrama, Realism, and Race
  • 4 Imitation in the 1930s: “Mammy” and the New Deal
  • 5. Imitation and Slavery
  • 6. “Mammy” and Melodrama
  • 7. Elkins and a New Pluralism
  • 8. Imitation’s Dual/Dueling Aesthetics
  • 9. Conclusion: “The Other Nation”
• CONCLUSION The Representation of Poverty and the Veil over Culture
  • 1. Looking Forward
  • 2. The “Tragic Mulatto” in the Western, 1960
  • 3. Affirmative Action and Struggle over Diversity
  • 4. The Representation of Poverty
  • 5. Culture as Social Struggle
• BIBLIOGRAPHY

Order the dissertation here.