Jesmyn Ward, Heir to Faulkner, Probes the Specter of Race In the SouthPosted in Articles, Autobiography, Literary/Artistic Criticism, Media Archive, Mississippi, United States on 2017-09-05 00:05Z by Steven |
Jesmyn Ward, Heir to Faulkner, Probes the Specter of Race In the South
TIME
2017-08-24
Sarah Begley, staff writer
 Ward, who teaches creative writing at Tulane, set her new novel in a coastal Mississippi town Beowulf Sheehan |
“To understand the world, you must first understand a place like Mississippi” goes a line often attributed to William Faulkner. More than half a century later, Jesmyn Ward may be the newest bard of global wisdom.
The writer rocketed to literary fame in 2011 when she won the National Book Award for her second novel, Salvage the Bones, a lyrical Hurricane Katrina tale. As in her first novel, Where the Line Bleeds, the characters in Salvage live in the fictional Mississippi Gulf Coast hamlet of Bois Sauvage, which is based on Ward’s native DeLisle. Six years and two nonfiction books later, Ward has returned to fiction, and to Bois Sauvage, with Sing, Unburied, Sing, a mystical story about race, family and the long shadow of history.
Ward, 40, wrote her first two novels while moving around the country for writing programs and fellowships, but she has since returned home and started a family. Sing, Unburied, Sing is the first novel she’s written from there and the first she’s written as a mother. “The figurative language that I use is so informed by this place and by the things that I see and experience here,” she says, “that it helped me write Sing, because I’m able to observe and see these things and incorporate them into my writing.” Consider how nature relates to human behavior in this description of a grandfather on a difficult morning: “He matched the sky, which hung low, a silver colander full to leak.” Or when a mother watches her daughter cling to her son: “She sticks to him, sure as a burr: her arms and legs thorny and cleaving.”…
…Ward’s characters are informed of her own deep knowledge of a town like Bois Sauvage. For Sing, Ward asked herself what life would be like for a mixed-race boy like Jojo in contemporary Mississippi, a place where schools are still struggling with segregation and interracial dating has been a historic taboo. “I wanted to understand how he would navigate something of a coming of age in the modern South, where, yes, it is modern, but there are multiple waves of the past here,” she says…
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