The Discourse of Interracial and Multicultural Identity in 19th and 20th Century American Literature
Indiana University of Pennsylvania
May 2007
373 pages
AAT 3257969
Dale M. Taylor
A Dissertation Submitted to the School of Graduate Studies and Research In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy
The narratives of and about mixed-race people have provided a varied and rich artistic canvas. Using various literary works as tools for investigation, this project explores a discourse for mixed-race people and determines to what extent that discourse shapes conceptions about them. In addition, it examines to what extent subjects of mixed-racial heritage and identity establish and form new cultures, struggle for the validity of their existence in spite of racial binaries, affirm their experiences and to some degree question the validity of race itself. A discourse of mixed-race subjects is related to a discourse about race. Issues of hybridity, creolization and mestizaje have affected postcolonial subjects and Americans throughout the Diaspora. The project will consider people of mixed Native American, African, Latin, Asian, European descent and others. Literature involving and about mixed-raced subjects is their history—whether fiction or nonfiction—a history that has been silenced by political, economic and racial ideology. Mixed-racial and mixed-cultural subjects exist in the “between” spaces of racial binaries. They are “called into place” by self and others through discourse to define and negotiate power. Among the writers and works used are: Gigantic, by Marc Nesbitt, The Human Stain by Philip Roth, “Désirée’s Baby” by Kate Chopin, “Stones of the Village” by Alice Dunbar-Nelson, “After Many Days,” by Fannie Barrier Williams, Passing by Nella Larsen, “The Downward Path To Wisdom” by Katherine Anne Porter, “The Displaced Person” by Flannery O’Connor, Yellowman by Dael Orlandersmith, “Origami” by Susan K. Ito, and poetry by Derek Walcott, Walt Whitman and others.
TABLE OF CONTENTS
- One: THE DISCOURSE OF MIXED-RACE SUBJECTIVITY AND IDENTITY
- Two: MIXED-RACE DISCOURSE IN “DESIREE’S BABY” BY KATE CHOPIN, “STONES OF THE VILLAGE” BY ALICE DUNBAR-NELSON, AND ‘AFTER MANY DAYS: A CHRISTMAS STORY” BY FANNIE BARRIER WILLIAMS
- Introduction
- “Desiree’s Baby” by Kate Chopin
- “Stones of the Village” by Alice Dunbar-Nelson
- “After Many Days: A Christmas Story” by Fannie Barrier Williams
- Closing Remarks For Chapter Two
- Three: MIXED RACE AND DISCOURSE IN THE WORK OF KATHERINE ANNE PORTER, NELLA LARSEN AND FLANNERY O’CONNOR
- Introduction
- “The Downward Path To Wisdom” by K.A. Porter
- “The Displaced Person” by Flannery O’Connor
- Passing by Nella Larsen
- Closing Remarks For Chapter Three
- Four: YELLOWMAN, THE HUMAN STAIN, GIGANTIC AND THE DISCOURSE OF INTERRACIAL AND INTRARACIAL SUBJECTIVITY
- Introduction
- Yellowman by Dael Orlandersmith
- The Human Stain by Philip Roth
- Gigantic: “The Ones Who May Kill You In The Morning” by Marc Nesbitt
- Closing Remarks For Chapter Four
- Five: THE FUTURE AND THE DISCOURSE OF MIXED-RACE SUBJECTIVITY
- WORKS CITED
- APPENDICES
- Appendix A – Permissions Letter Professor Natasha Trethewey
- Appendix B – Permissions Letter Schomburg Center for Research in Black Culture The New York Public Library
Purchase the dissertation here.