Mixed Race Studies
Scholarly perspectives on the mixed race experience.
recent posts
- The Routledge International Handbook of Interracial and Intercultural Relationships and Mental Health
- Loving Across Racial and Cultural Boundaries: Interracial and Intercultural Relationships and Mental Health Conference
- Call for Proposals: 2026 Critical Mixed Race Studies Conference at UCLA
- Participants Needed for a Paid Research Study: Up to $100
- You were either Black or white. To claim whiteness as a mixed child was to deny and hide Blackness. Our families understood that the world we were growing into would seek to denigrate this part of us and we would need a community that was made up, always and already, of all shades of Blackness.
about
Tag: Tao Leigh Goffe
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An assistant professor of literary theory and cultural history at Cornell University, Goffe teaches a course called Afro-Asia: Future and Feminisms, which explores African/Asian art and scholarship from Lahore to Chicago, New York City to Hong Kong, and examines it through the lens of race, gender, sexuality, and resistance.
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Journey through time with professor and DJ Tao Leigh Goffe as she uncovers her story at the intersection of Black and Chinese culture in this month’s #Initiative29 episode.
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Because family history is inevitably colonial history, I am invested in what and who is left out of the family album and outside of colonial history. Of particular (and selfish) interest to me is the impossibility of subjects of African and Chinese heritage.
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Over the decades of her transatlantic career, distinguished Yale University professor emerita of American and African American studies Hazel V. Carby has considered how one negotiates ancestral ties to two islands intimately entangled by empire, Britain and Jamaica. Her new book, “Imperial Intimacies: A Tale of Two Islands,” is her answer to that question.
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This course explores cultural representations of Afro-Asian intimacies and coalition in novels, songs, films, paintings, and poems.
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This article considers the repurposing of sugar as art and the aesthetic of artists of Afro-Chinese descent, Andrea Chung and Maria Magdalena Campos-Pons. Part of a diasporic tradition of employing sugar as a medium that I call sugarwork, their artwork evokes the colonial entanglements of nutrition and labour on the plantation, centered in the belly.
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This essay focuses on artwork that centers family photographs and home movies as a point of departure to trouble the conventional family album in order to narrate a story about Caribbean Chinese kinship.
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This essay focuses on artwork that centers family photographs and home movies as a point of departure to trouble the conventional family album in order to narrate a story about Caribbean Chinese kinship.
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Understanding and Hearing the Afro-Asian Atlantic Princeton University African American Studies 2016-03-21 Presenters: Tao Leigh Goffe, Kerry Young, Hannah Lowe, Randy Chin, and John Kuo Wei Tchen A panel exploring the intersections of literature, reggae, and the relationships between the minority Chinese community in the Caribbean and the majority Afro-Caribbean community This panel will be…