Mixed Race Studies

Film Review: Multiracial Identity

Teaching Sociology
Volume 41, Number 4 (October 2013)
pages 397-399
DOI: 10.1177/0092055X13496205

Sara McDonough
Department of Sociology
Virginia Polytechnic Institute and State University

David L. Brunsma, Professor of Sociology
Virginia Polytechnic Institute and State University

Multiracial Identity. 77 minutes. 2010. Brian Chinhema , director. Bullfrog Films. PO Box 149, Oley, PA 19547. 610.779.8226. http://www.bullfrogfilms.com/.

Released in 2011, Multiracial Identity is a timely, well-crafted film written and directed by Brian Chinhema that presents many of the key concepts, debates, and questions surrounding mixed-race identity and multiraciality in American society. Narrated by Dieter Weber, the film integrates both scholarly and nonscholarly voices to present a number of key discussions and tensions about the place and recognition of multiracial people in U.S. society while also providing space for multiracial individuals or the parents of mixed-race children to talk about their experiences and insights on the meanings of multiraciality in the United States. Featuring prominent scholars in the field of multiracial identity, such as Rainier Spencer and Naomi Zack, as well as Aaron Gullickson and Aliya Saperstein, the film provides some basic historical background to contextualize contemporary discussions about multiraciality. While the numbers show an increase of 33 percent in the multiracial population between 2000 and 2010, the existence of multiracial people is not a new phenomenon. The film sets the historical and conceptual stage early, so students might ask, “What has changed in terms of (multi)race and (multi)racial identity in the United States?”

Viewers are provided with an introductory overview of the existence, status, and sociocultural dilemmas that have faced multiracial populations historically. The film does a good job showing the changing meaning of multiraciality across time and space (e.g., regional differences and across racial/ethnic combinations). Though the historically central organizing principle of the black/white binary is discussed, the film raises the question of the utility of this paradigm for understanding multiraciality as it gives attention to the experience of other multiracial individuals (e.g., Hapa-Haoles/Asian-white). Interfacing with the changing demographics associated with the repeal of certain anti-immigration laws in the 1960s, and the increase in Asian and Hispanic/Latino migration in particular, the film more than adequately …

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Nonetheless, correctly and jointly, these articles recognize that we live in a society dominated and dictated by white supremacy. To understand multiracial Americans, we must place individuals with this identity within this context. Additionally, this collection does what no other has: It includes in this recognition the role that class can and does play when it comes to understanding a multiracial identity and construction.

Beth Frankel Merenstein, “Book Review: Multiracial Americans and Social Class: The Influence of Social Class on Racial Identity,” Teaching Sociology,Volume 39, Number 2 (2011): 214-216. http://dx.doi.org/10.1177/0092055X11403292.

Book Review: Multiracial Americans and Social Class: The Influence of Social Class on Racial Identity

Kathleen Odell Korgen, Editor, Multiracial Americans and Social Class: The Influence of Social Class on Racial Identity. New York: Routledge, 2010. 230 pp. (paperback).

Teaching Sociology
Volume 39, Number 2 (2011-04-11)
pages 214-216
DOI: 10.1177/0092055X11403292

Beth Frankel Merenstein, Assistant Professor of Sociology
Central Connecticut State University, New Britain, Connecticut

This collection of articles is organized into four sections, each focusing on the various issues and concerns of multiracial Americans, all with a particular emphasis on social class. Using a variety of methods, including statistical models as well as qualitative, in-depth interviews, the articles focus on issues of identity, demographical change, and culture, all through a lens of, as explained in the foreword, understanding how under a system of white supremacy, social class plays a pivotal role in the creation of a multiracial identity.

One immediate concern I had was with the organization of the book. While I found all the articles useful and informative in their own right, the division under the four different sections was unclear. In particular, I was unclear on why Section III had the three articles it did, focusing on multiracial Asian Americans, multiracial American Indians, and multiracial Hispanic youth, respectively. While none of these articles focused on biracial black-white Americans as the majority of the previous articles did, there seemed to be little other reason these three articles were joined together.

Nonetheless, correctly and jointly, these articles recognize that we live in a society dominated and dictated by white supremacy. To understand multiracial Americans, we must place individuals with this identity within this context. Additionally, this collection does what no other has: It includes in this recognition the role that class can and does play when it comes to understanding a multiracial identity and construction. Furthermore, numerous articles mention the way in which, in most conversations and research on multiracial Americans and racial identity, class is often conflated with culture. For example, Nikki Khanna…

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Teaching Race as a Social Construction: Two Interactive Class Exercises

Teaching Sociology
Volume 37, Number 4 (October 2009)
Pages 369-378

Nikki Khanna, Assistant Professor of Sociology
University of Vermont

Cherise A. Harris, Assistant Professor of Sociology
Connecticut College

This paper offers two interactive exercises to teach students about race as a social construction. In the first exercise, “What’s My Race?”, we ask students to sort various celebrities and historical figures into racial categories, giving them the opportunity to see the difficulty of the task first-hand. More importantly, through the process of sorting individuals into various categories, they are introduced to flaws within the current racial classification scheme in the U.S. In the second exercise, “Black or White?”, students are asked to classify photographs of legendary celebrities and historical figures as either black or white. This exercise is used to introduce the concept of the one drop rule; the majority of individuals in the exercise appear racially ambiguous or white, yet all were historically classified as “black” based on the one drop rule. Both exercises, when used together, are designed to visually illustrate to students the ambiguity and arbitrariness of American racial classifications.

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