Mixed Race Studies

Yeah, but Where are You Really From? A story of overcoming the odds

The Irish Times
Dublin, Ireland
2022-05-28

Adesewa Awobadejo, Features Journalist

Book review: Marguerite Penrose writes about her experiences as a mixed-race girl growing up in Dublin

Marguerite Penrose, Yeah, But Where Are You Really From? A story of overcoming the odds (Dublin, Ireland: Sandycove, 2022)

Black and Irish voices have emerged in recent years and this debut is an astonishing addition to the ongoing conversations.

The memoir takes us from 1974 to present-day Ireland through the eyes of the author, Marguerite Penrose. Born with congenital scoliosis in St Patrick’s Mother and Baby Home on Dublin’s Navan Road, Penrose writes about her experiences as a mixed-race girl growing up in the city. Offering a brief glimpse into her life at this home before moving in with her foster family, she gives us a unique avenue to understand this hidden element of Irish history. Her warm and deeply personal memoir celebrates her achievements and exposes the struggles she had to endure…

Read the entire review here.

‘I know I’m Irish and I don’t have to prove that to anybody’

The Irish Times
2022-05-07

Sorcha Pollak, Immigration Reporter

Growing up as a black person with a disability in Dublin, Marguerite Penrose sensed her difference

On June 9th 2020, one week after thousands of young Irish people marched through the streets of Dublin calling for an end to racism and inequality, a new post appeared on the recently established Black and Irish Instagram page.

“My name is Marguerite. I was born in Dublin in 1974. I am a PROUD Irish/Zambian, living in Meath now.”

Marguerite Penrose had never spoken or written publicly about her background. She preferred not to dwell on the first three years of her life which she spent in a mother and baby home on the Navan Road, or her battles with scoliosis throughout her life. She didn’t like remembering the racist remarks outside nightclubs or disapproving stares on the bus. She preferred focusing on the positives – her incredible adopted family and her wonderful friends.

But then she decided to speak out about growing up as a black woman with a disability in Dublin…

Read the entire article here.

Passing review: Ruth Negga may well get another Oscar nomination

The Irish Times
2021-10-29

Donald Clarke, Chief Film Correspondent

This delicately observed portrait of racial dynamics is worth seeing in the cinema

If you sat down unsure whether you were being taken to another time, the gauzy monochrome and 4:3 aspect ratio would go some way to alleviating any doubt. Rebecca Hall’s take on a key African-American novel shrugs off its modest budget to offer a convincingly transportive vision of Harlem in the 1920s. Marci Rodgers’s costumes capture the prohibition lines without resorting to catwalky inverted-commas. The piano-heavy score from Devonté Hynes leans ever-so-gently on the bridge between ragtime and less jaunty sounds to come.

There is, of course, no reason to set Passing at any other time. Nella Larsen’s book is hardly buried in ancient obscurity. But it is still worth pointing towards the calendar. Any contemporary study of a black woman “passing” for white would move out under very different winds. When largely sympathetic characters here twig that Clare (Ruth Negga), a Chicagoan now married to an unsuspecting white jerk (Alexander Skarsgård), has taken on a Caucasian identity, there is variously surprise, irritation, curiosity, but little sense of shock and nothing you would call outrage. That last emotion is left for the racists. Passing is no longer such an everyday business as it once was (which is not to suggest it doesn’t happen). Any film dealing with such a story in the 21st century would necessarily play at a higher temperature. Hall’s decision to cut a late, explosive use of the N-word in the journey from novel to screenplay – though another remains – confirms how the dynamics have altered…

Read the entire review here.

In Irish orphanages, being ‘coloured’ was a defect. I wish Mam had lived to see Black Lives Matter

The Irish Times
2020-07-04

Jess Kavanagh

Jess Kavanagh with Lorraine Maher of I Am Irish

Black Irish Lives: Multiculturalism is seen as new. But Ireland has generations of mixed-race people

I’m not a fan of weddings, but I made sure not to miss my cousin Jamie’s big day. Jamie and I always got along; racially ambiguous like myself, he looks more indigenous Latin American via Dublin 3 but is actually southeast Asian-Italian. After the wedding another cousin, annoyed at her lack of an invitation to the dinner, is spitting some low-grade venom as I roll a cigarette. I tune in at the worst moment.

“I don’t know why anyone ever told you your grandfather was a doctor. He was a sailor – and everyone knew that.”

I’m taken aback. I don’t react. If you’ve experienced racism you know this moment: a surreal outburst, wildly out of context. It happens so quickly you tend to be left feeling only confusion and mild amusement. The rage creeps in hours, maybe days later.

My biological grandfather was a Nigerian medical student and my biological grandmother was a nurse when they met. The story of their affair changes. Until I was in my 20s I was told he was a student at the Royal College of Surgeons in Ireland when they met, but that has shifted at times to them meeting in the UK. My mother was adopted as a newborn from a religious-run institution in Blackrock, Co Dublin, and my aunts and uncles – Nigerian-Irish, Indian-Irish, Filipino-Italian and North African-Irish – were also adopted as babies…

Read the entire article here.

First Encounters: Chi-Chi Nwanoku and Keith Pascoe

The Irish Times
2017-05-03

Frances O’Rourke

Chi-Chi Nwanoku

‘Ireland brought us back together’

Chi-Chi Nwanoku is a double bassist and a founder member of the Orchestra of the Age of Enlightenment. The eldest of five children of a Nigerian father and an Irish mother, she pursued a career in music after injury ended a promising athletics career. She grew up in Kent and Berkshire and now lives in London

The first time I saw Keith was when we were college students in our early 20s. He seemed incredibly composed, confident, like a good fun guy – he had a mischievous twinkle in his eye which I liked. We weren’t in each other’s social circles but I registered Keith as a kindred spirit.

I’d only started playing the double bass when I was 18, after an athletics injury. When I came out of hospital, my A Levels music teacher said, you have music coursing through your veins – now that your sprinting career is over, if you pick an unpopular orchestral instrument, you could just possibly have a career. I’d played piano since I was seven but I’d never played in an orchestra before. A few years later I got into the Royal Academy of Music…

…I had been in Ireland just once before when I’d taken my mother there in 1986. She hadn’t been back to Ireland in 36 years, didn’t know how she’d be received: she was born in Cappamore in Limerick, grew up in Thurles, but was kind of abandoned by her family after she met and married my father, an Igbo from east Nigeria, in London. We grew up with lots of wonderful stories and memories that she gave us but she had a very very tough time. In London in the 1950s, it was “no blacks, no Irish, no dogs” – it was as much as my parents could do to find a roof over their heads…

Read the entire article here.

Being Irish, mixed race and living abroad: it’s complicated

The Irish Times
2017-12-01

Conrad Bryan, Treasurer
Irish in Britain

A scene from Hashtag Lightie, playing at the Arcola Theatre in north London.

London play ‘Hashtag Lightie’ puts the spotlight on mixed-race identity

I live in London, a melting pot of cultures and ethnicities. It is a place where anything goes and where people of different ethnicities have always mixed, loved and married.

However, today the binary black and white notion of race is being challenged by the younger generation. They are choosing for themselves where they sit on the colour spectrum and how they self-identify. No longer will they accept other people labelling them.

Many are choosing to self-identify as mixed-race rather than black, which is causing a real debate in the black community here. This has many consequences for individuals struggling to determine where they fit in society, or what side to take…

Read the entire article here.

“I’m mixed race. I identify as a black woman from Ireland, who is quite pale,” she laughs. “The only heritage I ever had was Irish heritage.” [Lorraine] Maher is aware of her other ancestry, “but it is not important at the moment for me”, she says…

Anthea McTeirnan, “‘Growing up in Ireland I was the only black person’,” The Irish Times, September 30, 2016. http://www.irishtimes.com/culture/growing-up-in-ireland-i-was-the-only-black-person-1.2807492.

‘Growing up in Ireland I was the only black person’

The Irish Times
2016-09-30

Anthea McTeirnan

Lorraine Maher, aged nine and today, who is curating the exhibition of photos of mixed-race Irish people at the London Irish Centre in Camden.

A new exhibition in London challenges the perceptions of what Irish people look like

Lorraine Maher’s son Aaron died from cancer two years ago. Aaron, who along with his brothers, Dwayne, Darnel and Rù-ffel, had visited his mother’s homeplace in Carrick-on-Suir, Co Tipperary, many times and met his Irish family often, was proud to be Irish. Aaron would have chosen to play soccer for the Republic of Ireland, no doubt about that. He was also a fervent Tipperary supporter.

Maher visits his grave often.

“In the graveyard in London, he has his Irish flag and his Tipperary flag on his grave with his St Lucia flag.”

His dad is from St Lucia, and Aaron was proud of his dual heritage.

Aaron’s photograph is on his gravestone, too. “I see people looking at the grave like they are thinking: what has Ireland got to do with him?”

But Aaron was proud of his Irishness, she says. “He had two heritages and both made him proud.”

Even though it is now more common in Britain to use the term “dual heritage” rather than “mixed race”, Maher is not completely sold on the newer description.

“It is challenging because my only heritage is Irish,” she says. “So that is what the conversation I wanted to have is about. For mixed-race Irish people our ancestry, our roots, our blood are Irish.”…

…Maher was never an “immigrant”. She grew up in 1960s-1970s Carrick-on-Suir, Co Tipperary, where she was the only black person she knew. After Presentation Convent Primary, she moved to Scoil Mhuire in Greenhill.

“I’m mixed race. I identify as a black woman from Ireland, who is quite pale,” she laughs. “The only heritage I ever had was Irish heritage.” Maher is aware of her other ancestry, “but it is not important at the moment for me”, she says…

Read the entire article here.

Tim Brannigan, a real black Irish republican

The Irish Times
Dublin, Ireland
2016-05-28

Fionola Meredith

When Tim Brannigan was born his mother persuaded a doctor to declare him a stillbirth. Then she gave him to an orphanage – coming back a year later to ‘adopt’ the son she couldn’t admit she’d had. After that he had a normal IRA–safe-house childhood

When Tim Brannigan was 19 he found out who he really was. Growing up as a black kid in 1970s west Belfast, he already knew he was different. He had been adopted as a baby, he believed. But it turned out the person who “adopted” him was his own mother, Peggy. As he tells it in his memoir, Where Are You Really From?, it is an extraordinary narrative of secrecy, desperation and deep, unbreakable devotion, played out against the flaming backdrop of the Troubles. So perhaps it isn’t surprising that Hollywood can see its cinematic potential. Brannigan recently sold the film rights to his life story to the Oscar-winning producer John Lesher, and scripting will soon be under way.

“Mum told me everything on July 13th, 1985,” Brannigan says. He remembers the date clearly because it was the day of Live Aid, Bob Geldof’s televised music fundraiser for famine relief in Ethiopia. The family had decamped to an uncle’s holiday house in Cushendall, Co Antrim, to escape the Twelfth parades in Belfast. “The drink was flowing, and my mum was sitting there with a glass in her hand,” says Brannigan. “She started asking me what I wanted to do when I got my A levels. Suddenly she said, ‘Your father was a doctor.’”

That didn’t make sense. As far as Tim knew his adoptive father was Tom Brannigan, a delivery man and sometime showband singer, whom he describes as a chancer. “He had plenty of opportunities to fly his kite, and he did.”

“Get ready,” Peggy said. “First of all, you’re not adopted.” Shocked, Tim began to weep. “Don’t cry,” his mother whispered. “People will think I’m shouting at you. And don’t tell them, or I’ll bust your face!”…

Read the entire article here.

Nuns told her that “no man will ever want you, because you’re black”; a career counsellor said she should “consider taking man friends” to support herself. “I was told I wouldn’t amount to anything and should consider prostitution,” [Rosemary] Adaser says.

Her black background was vilified and even denied, she says, and she was constantly told that she would never be wanted in Irish society. “I was not allowed any identity at all. That is very, very damaging for the soul.”

Kitty Holland, “Mixed Race Irish: ‘We were the dust to be swept away’,” The Irish Times, July 18, 2015. http://www.irishtimes.com/news/social-affairs/mixed-race-irish-we-were-the-dust-to-be-swept-away-1.2287196.