Mixed Race Studies

Crossed lines

The University of Chicago Magazine
May-June 2015

Lydiayle Gibson

Allyson Hobbs, AM’02, PhD’09. (Photography by Jennifer Pottheiser)

A secret in her own family led Allyson Hobbs, AM’02, PhD’09, to uncover the hidden history of racial passing.

“You know, we have that in our own family too.” That was the bombshell, the offhand remark that plunged historian Allyson Hobbs, AM’02, PhD’09, into a 12-year odyssey to understand racial passing in America—the triumphs and possibilities, secrets and sorrows, of African Americans who crossed the color line and lived as white. As a first-year graduate student at the University of Chicago, Hobbs happened to mention to her aunt the subject of passing, a casual curiosity sparked by the Harlem Renaissance writers she was reading in school. Her aunt responded by telling her the story of a distant cousin from the South Side of Chicago who disappeared into the white world and never returned.

That story opens Hobbs’s book, A Chosen Exile: A History of Racial Passing in American Life (Harvard University Press, 2014), a lyrical, searching, and studious account of the phenomenon from the mid-19th century to the 1950s. Hobbs’s cousin was 18 when she was sent by her mother to live in Los Angeles and pass as a white woman in the late 1930s. “And our cousin—and this was the part of the story that my aunt really underscored—was that our cousin absolutely did not want to do this,” Hobbs says. “She wanted to stay in Chicago; she didn’t want to give up all her friends and the only life she’d ever known.” But her mother was resolved. And so the matter was decided.

Ten or 15 years later, her cousin got what Hobbs calls an “inconvenient phone call.” Her father was dying. And her mother wanted her to come home right away. “And she says to her mother, ‘I can’t come home. I’m a white woman now.’” She was married to a white man; she had white children. “So she never goes back,” Hobbs says.

Many threads weave through A Chosen Exile, released last fall to glowing reviews: the meaning of identity, the elusive concept of race, ever-shifting color lines and cultural borderlands. But by far the book’s most potent thread is about loss. “The core issue of passing is not becoming what you pass for,” Hobbs writes in the prologue, “but losing what you pass away from.” Historians have tended to focus on the privileges and opportunities available to those with white identities. Hobbs reckons with the trauma, alienation, and scars—not only for those who passed, but also for those they left behind. In letters, unpublished family histories, personal papers, sociological journals, court cases, anthropological archives, literature, and film, she finds “a coherent and enduring narrative of loss.”…

Read the entire article here.