Mixed Race Studies

It doesn’t matter how dark or fair someone’s skin is or if they grew up in a family that struggled or one of privilege. There is no such thing as being Indigenous enough.

Charla Huber, “Charla Huber: Every Indigenous person is Indigenous enough,” The Times Colonist, December 30, 2018. https://www.timescolonist.com/opinion/columnists/charla-huber-every-indigenous-person-is-indigenous-enough-1.23566435.

Charla Huber: Every Indigenous person is Indigenous enough

The Times Colonist
Victoria, British Columbia, Canada
2018-12-30

Charla Huber, Communications and Indigenous Relations
M’akola Group of Societies

Devan Cronshaw, left, Riley McKenzie and Alita Tocher are all urban Indigenous people in the capital region. Photograph By Charla Huber, Times Colonist

So often, we hear the words reconciliation and decolonization, and lately I have been wondering if people really understand their meanings. The more I read, learn and listen, the more important these words become to me.

I am a product of the Sixties Scoop and was adopted and raised by a non-Indigenous family. Being adopted and having no knowledge of or connection to my birth family growing up, I really held onto being Indigenous. It was the only thing that I ever knew about myself for sure.

Because I wasn’t raised in Indigenous culture, I have often wondered if I am Indigenous enough. This is especially heightened because I am half. I am very open about my heritage and my adoption, but I do struggle saying: “My family is from Fort Chipewyan and I have Inuit roots.” I’ve never set foot on my ancestors’ traditional territory…

Read the entire article here.

Museum buys 1882 painting by African-American artist who worked in Victoria

The Times Colonist
Victoria, British Columbia, Canada
2018-04-24

Louise Dickson

Giant’s Castle Mountain: A.L. Fortune Farm, Enderby B.C. Oct. 6, 1882, painted by Grafton Tyler Brown while he was living in Victoria. Photograph By via Royal B.C. Museum

The Royal B.C. Museum has purchased an major landscape painting by 19th-century African-American artist Grafton Tyler Brown.

The painting — Giant’s Castle Mountain: A.L. Fortune Farm, Enderby B.C. Oct. 6, 1882 — is considered by University of Victoria history professor John Lutz to be the most important of Brown’s B.C. paintings. The painting, bought for $44,000 from Uno Langmann Fine Art Ltd. in March, shows Alexander Leslie Fortune’s farmstead on the edge of a forest. The agrarian foreground is dwarfed by a looming mountain.

The Royal B.C. Museum holds the greatest number and most significant of Brown’s Canadian works. Giant’s Castle Mountain is considered to be a work of artistic and historical significance to British Columbians. It was painted in Victoria after Brown visited the southern Interior…

Read the entire article here.

Victoria to fly flag in memory of executed Métis leader Louis Riel

Times Colonist
Victoria, British Columbia
2013-11-15

Richard Watts

The infinity-embossed flag of the Métis Nation will fly at municipalities around B.C. as they proclaim Saturday as Louis Riel Day.

Victoria, Langford and Sidney have agreed to the proclamation. Victoria has even agreed to fly the flag of the Métis Nation, a white infinity symbol (a sideways “8”) on a solid blue, black or red background.

Today, at Royal Roads University in the Blue Heron House, Métis culture will be showcased with a short film, bannock and tea, from 10 a.m. to noon.

Bill Bresser, president of Métis Nation Greater Victoria, said the celebration is part of a growing recognition across Canada that now sees Riel, not as an executed villain but as a defender of the Métis.

“He is now recognized not as a traitor but somebody fighting for his people and the rights and property of people that were being taken advantage of,” said Bresser.

Also, Bresser said, Métis people are now being recognized as legitimate builders of the modern country…

Read the entire article here.