NHUM3031 Passing: (Re)Constructing IdentityPosted in Course Offerings, Identity Development/Psychology, Literary/Artistic Criticism, Media Archive, Passing, United States on 2011-04-25 21:19Z by Steven |
NHUM3031 Passing: (Re)Constructing Identity
The New School
Fall 2009
Tracyann Williams, Instructor
Passing: (Re)Constructing Identity: “Passing,” a term traditionally used to describe fair-skinned Blacks posing as whites, is, in fact, part of a broader cultural phenomenon that has its origins in the pursuit of “the American Dream.” For the sake of economic comforts, racially, ethnically, and sexually diverse individuals submerge certain aspects of their identity in order to “pass” into the community of “whiteness.” Passing comes with obvious advantages, but for some, great personal sacrifice. We read Helen Fremont’s memoir detailing the ethnic (and religious) journey taken by her parents, Nella Larsen’s multilayered novel Passing, and Diane Wood Middlebrook’s biography of gender-crossing jazz musician Billy Tipton. We examine how particular individuals become white while whiteness remains unattainable by others. We draw on “whiteness studies,” an interdisciplinary field that decenters hegemonic markers connected to white dominance, and through this lens, we explore the racial, ethnic, and sexual biases embedded in our culture that have propelled individuals to reinvent themselves. At the dawn of the 21st century, these biases are supposedly less potent. We test this assumption by examining passing in the contemporary context.