Mixed Race Studies

Visual Pleasure and Racial Ambiguity

University of New Orleans
August 2018
54 pages

Ruth M. Owens MD

Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Fine Arts in Fine Arts

I struggle to present work that reflects a psychological expressivity which at the same time conveys intellectual concepts that are of concern to me. It seems that the fluidity of an image can communicate a certain pathos, and correspond to the fluid nature of one’s identity. Drippy paint, distorted bodies, and vertiginous video clips can give an indication about what a body feels like from within. Depictions of these bodily feelings help to communicate ideas about what it means to be alive in general, and a mixed race woman, in particular.

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Assimilation in Charles W. Chesnutt’s Works

University of New Orleans
2013-05-17
41 pages

Mary C. Harris

A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In English

Charles W. Chesnutt captures the essence of the Post Civil War period and gives examples of the assimilation process for African Americans into dominant white culture. In doing so, he shows the resistance of the dominant culture as well as the resilience of the African American culture. It is his belief that through literature he could encourage moral reform and eliminate racial discrimination. As an African American author who could pass for white, he is able to share his own experiences and todevelop black characters who are ambitious and intelligent. As a result, he leaves behind a legacy of great works that are both informative and entertaining.

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Henry Louis Rey, Spiritualism, and Creoles of Color in Nineteenth-Century New Orleans

University of New Orleans
2009-12-20
72 pages

Melissa Daggett

A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in History

This thesis is a biography of Henry Louis Rey (1831-1894), a member of one of New Orleans’ most prominent Creole of Color families. During the Civil War, Rey was a captain in both the Confederate and Union Native Guards. In postbellum years, he served as a member of the Louisiana House of Representative and in appointed city offices. Rey became heavily involved with spiritualism in the 1850s and established séance circles in New Orleans during the early 1870s. The voluminous transcripts of these séance circles have survived into the twenty-first century; however, scholarly use of these sources has been limited because most of the transcripts and all marginal annotations later written by René Grandjean are in French. The author’s translations of the spirit communications through their entire run reveal insight into the spiritual and material realms negotiated by New Orleans Black Creoles as they weathered declining political and economic fortunes.

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Households and Neighborhoods Among Free People of Color in New Orleans: A View from the Census, 1850-1860

University of New Orleans
2010-05-14
58 pages

Frank Joseph Lovato

A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in History

Historians have debated to what extent the free people of color in New Orleans were members of a wealthy privileged elite or part of a middle or working class in the South’s largest antebellum city. This study steps outside the debate to suggest that analysis of the censuses of 1850 and 1860 shows correlations between neighborhoods, household structures, and occupations that reveal a heterogeneous population that eludes simple definitions. In particular this study focuses on mixed-race households to shed light on this segment of the free colored population that is mostly unstudied and generally misrepresented. This study also finds that immediately prior to the Civil War, mixed-race families, for no easily understood reason, tended to cluster in certain neighborhoods. Mostly this study points out that by the Civil War, the free people of color in New Orleans had evolved into a diverse mostly working class population.

Table of Contents

• List of Figures
• List of Tables
• List of Maps
• List of Census Form
• Abstract
• Introduction
• Origins of the Free People of Color in New Orleans
• Historiography of the Free People of Color in New Orleans
• Methodology Used for Data Gathering
• Economic Role of the Free People of Color in Ante-Bellum New Orleans
• Community Organizations
• Neighborhoods and the Free People of Color
• Free People of Color and the Prelude to the Civil War
• Conclusion
• Bibliography
• Tables
• Maps
• Census Forms
• Vita

List of Figures

• Figure 1 – 4th Ward Mixed-Race Couple Distribution
• Figure 2 – 5th Ward Mixed-Race Couple Distribution
• Figure 3 – New Orleans Population in 1850 & 1860
• Figure 4 – New Orleans Colored Population in 1850 & 1860
• Figure 5 –Population Density of Colored Males in 1850 & 1860

List of Tables

• Table 1 – 1850 New Orleans Census
• Table 2 – 1860 New Orleans Census
• Table 3 – Population Density for Colored, Mulatto and Blacks in the 1850 New Orleans Census
• Table 4 – Population Density for Colored, Mulatto and Blacks in the 1860 New Orleans Census
• Table 5 – Property Values of the Free People of Color in 1850 New Orleans
• Table 6 – Property Values of the Free People of Color in 1860 New Orleans

List of Maps

• MUNICIPALITIES and WARDS 1847
• WARDS 1852
• Neighborhoods in New Orleans

List of Census Forms

• Title Page 1st and 4th Wards (1st Municipality)
• 1st Ward, 1st Municipality – 1850
• 9th Wards -1860

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Investing in Citizenship: Free Men of Color of Color and the case against Citizens Bank ~ Antebellum Louisiana

University of New Orleans
December 2011
58 pages

Hannah J. Francis

A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in History

Despite the popularity of free people of color in New Orleans as a research topic, the history of free people of color remains misunderstood. The prevailing view of free people of color is that of people who: engaged in plaçage, attended quadroon balls, were desperately dependent upon the dominant population, and were uninterested or afraid to garner rights for themselves. Contemporary historians have endeavored to amend this stereotypical perception; this study aims to be a part of the trend of revisionist history through an in-depth analysis of the co-plaintiffs in Boisdoré and Goulé, f.p.c., v. Citizens Bank and their case. Because Boisdoré and Goulé sue at critical time in New Orleans history, three decades after the Louisiana Purchase during the American transformation of New Orleans, their case epitomizes the era in which it occurs. In bringing suit, Boisdoré and Goulé attempted to thwart some of those forth coming changes.

Table of Contents

• Abstract
• Investing in Citizenship: Free Men of Color of Color and the case against Citizens Bank ~ Antebellum Louisiana
  • Historiography of Citizens Bank and Free People of Color
  • Historical Scholarship of Free People of Color in New Orleans
  • Francois Boisdoré and John Goulé as Free People of Color in New Orleans
  • Citizens Bank
  • Boisdoré and Goulé’s Legal Counsel: Judah Benjamin and Christian Roselius
  • Boisdoré and Goulé v. Citizens Bank
  • Implications of the Case
  • Changes in Nineteenth Century New Orleans
• Bibliography
• Vita

Read the entire thesis here.

Oscar James Dunn: A Case Study in Race & Politics in Reconstruction Louisiana

University of New Orleans
December 2011
296 pages

Brian Mitchell

A Dissertation Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Urban Studies

The study of African American Reconstruction leadership has presented a variety of unique challenges for modern historians who struggle to piece together the lives of men, who prior to the Civil War, had little political identity. The scant amounts of primary source data in regard to these leaders’ lives before the war, the destruction of many documents in regard to their leadership following the Reconstruction Era, and the treatment of these figures by historians prior to the Revisionist movement have left this body of extremely important political figures largely unexplored. This dissertation will examine the life of one of Louisiana’s foremost leaders, Lt. Governor Oscar James Dunn, the United States’ first African American executive officeholder.
 
Using previously overlooked papers, Masonic records, Senate journals, newspaper articles and government documents, the dissertation explores Dunn’s role in Louisiana politics and chronicles the factionalization of the Republican Party in Reconstruction New Orleans. Born a slave and released from bondage at an early age, Oscar J. Dunn was able to transcend the stigma which was often attached to those who had been held in slavery. A native of New Orleans, born to Anglo-African parents, he was also able to transcend the language barrier that often excluded Anglo-Africans from social acceptability in Afro-Creole society. Although illiterate, Dunn’s parents made critical strides in securing his social mobility by providing him with both a formal education and a trade apprenticeship. Those skills propelled Dunn forward within his Anglo-African community wherein he became a key figure in the community’s two most important institutions, the York Rite Masonic Lodge and the African Methodist Episcopal church.
 
This dissertation argues that Dunn’s political ascent was linked to the political enfranchisement of antebellum Anglo-Africans in Louisiana, Dunn’s involvement in Anglo-African institutions (particularly the York Rite Masonic Lodge and the African Methodist Episcopal church) and Dunn’s ability to find middle ground in the racially charged arguments that engulfed Reconstruction New Orleans’s political arena.

TABLE OF CONTENTS

• LIST OF TABLES
• LIST OF ILLUSTRATIONS
• ABSTRACT
• CHAPTER I: Introduction
  • Understanding the complexities of Ethnicity and Class in Reconstruction New Orleans
• CHAPTER II: Literature Review
  • Specific Literature in Regard to Oscar James Dunn
• CHAPTER III: Methodology
  • The Problem
  • My Hypothesis
• CHAPTER IV: Giving Roots to the Rootless: The Origin of Oscar James Dunn (1822-1865)
  • Dunn’s Parents
  • Oscar James Dunn’s Youth
  • Dunn the Music Teacher
  • A Plasterer Again
  • Dunn the Mason
  • Dunn the Soldier
  • What a Difference a Place Makes: Geography in Dunn‘s Early Life
  • Reaching a Consensus on Dunn’s Origin
• CHAPTER V: Oscar J. Dunn’s Political Ascension
  • Outside of the Political Arena
  • Civil Rights and the Riot of 1866
  • White Lodge, Black Lodge
  • Cracks in the Foundation
• CHAPTER VI: The Negro Lieutenant Governor and the Republican Schism (1868-1869)
  • The Reluctant Candidate
  • The Test Oath Imbroglio
  • Dunn‘s Inauguration
  • The Metropolitan Police Bill
  • The Civil Rights Bill
  • There and Back again: The First Black Political Junket
  • A Homecoming of Sorts
  • Ending the French Masonic Invasion
  • The Lieutenant Governor‘s New Home
• CHAPTER VII: No Greater Divide (1870-1871)
  • The Masquerade Misadventure
  • Back in the Slammer Again
  • The Voodoo Exorcism
  • Airing Their Dirty Laundry in the Winds of Change
  • Warmoth‘s Presidential Visit
  • The Failed Coup: While the Cat was Away
  • The Two Conventions
  • The Longest Second Line
  • Hard Times and Fond Memories
• CHAPTER VIII: Dunn-Forgotten Hero
• BIBLIOGRAPHY
• APPENDIX A: John Parson’s Biography of Dunn
• APPENDIX B: J. Henri Burch’s Masonic Eulogy of Oscar J. Dunn
• APPENDIX C: Dryden’s Biography of Dunn
• APPENDIX D: Dunn’s Inaugural Address
• APPENDIX E: Louisiana’s Civil Rights Bill
• APPENDIX F: Lieut. Gov. Dunn’s Letter to Horace Greeley
• APPENDIX G: Oscar J. Dunn Commemoration ( J. Morris Chester’s Speech)
• VITA:

LIST OF TABLES

• Table 1. Attackers of James Dunn
• Table 2. Discrepancies in the Eureka Lodge‘s Roll and the First Regiment‘s Service
• Table 3. Dunn‘s Addresses and Dates of Residence
• Table 4. Black Voter Registration Sites in the City of New Orleans in 1865
• Table 5. First Ballot: Dunn‘s nomination for Lt. Governor
• Table 6. Second Ballot: Dunn‘s nomination for Lt. Governor

LIST OF ILLUSTRATIONS

• Figure 1. The American Theater (The Old Camp)
• Figure 2. Freedmen Voting in New Orleans (1867)
• Figure 3. First Vote
• Figure 4. The President Leaving the Willard Hotel (March 4,1853)
• Figure 5. Lieutenant Governor Dunn. 137
• Figure 6. Metropolitan Hotel (1863)
• Figure 7. Canal Street above Claiborne Street circa 1860-1870
• Figure 8. Lt. Governor Dunn and Family
• Figure 9. Sketch of Dunn in Formalwear
• Figure 10. Krewe of Comus Ball
• Figure 11. Currier & Ives Image

Read the entire dissertation here.

I Am What I Say I Am: Racial and Cultural Identity among Creoles of Color in New Orleans

University of New Orleans
2009-05-15
62 pages

Nikki Dugar

A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in History

This paper examines the generational changes in the culture and racial self-identification of Creoles of Color of New Orleans. This study argues that the key to understanding Creole culture is the role that isolationism has played in its history. While White ethnics pursued a path of assimilation, Creoles of Color pursued a path of isolationism. This path served them well during the Jim Crow era, but it suddenly became undesirable during the Black Power era. Now, however, new values of multiculturalism have resurrected Creole identity as a cultural asset.

Table of Contents

• List of Figures
• Abstract
• Introduction
• Historiography
• Early Debate
• Distinctly Creole
• Passing
• Light Skin With Good Hair
• Civil Rights Creoles
• Contemporary Creoles
• American Racial Policy and Ideology
• Multiracial Chic
• Conclusion
• Epilogue
• Vita

List of Figures

• Figure 1. Map depicting the proximity of traditional Creole institutions to each other
• Figure 2. Plan of New Orleans, 1872
• Figure 3. Geographic Distributions and Shifts of the Creole Population in New Orleans, 1800-2000
• Figure 4. North Claiborne Avenue before the construction of Interstate Highway 10, 1966
• Figure 5. North Claiborne Avenue after the construction of Interstate Highway 10, 2009

Introduction

“I‟m too white to be black and too black to be white,” remarked Ronald Ricard, a New Orleans Creole of Color, in an interview in the New Orleans Times-Picayune in 1977. Ricard was expressing a sentiment that many Creoles of Color continue to have about themselves. The feeling of not quite belonging to one race or the other has been an issue for many since the antebellum period. Since that time, the Creole community has gone through many political and social changes, which have affected not only the community‟s structure but also ideas about its racial identity. This study will focus particularly on three generations of Creoles: those who came of age before World War II, here called “Traditional Creoles” (born during the colonial period up to the 1930s); those who matured in the post war years, designated “Civil Rights Creoles” (born between 1940s and 1960s); and “Contemporary Creoles” (born in the 1970s to present day). In comparing these pre- and post-war groups, this study will explore how generational differences exist in how Creoles racially identify themselves.

To complicate matters further, Contemporary Creoles do not share a monolithic racial identity, for older and younger members of this category view certain issues very differently. This is to be expected, because identity is a constantly evolving phenomenon influenced by many external factors. Rather than gloss over their differences, this study will examine them closely in search of trends and patterns that will illuminate the entire history of Creoles of Color in New Orleans.

Primary sources used in this study include newspaper and magazine articles, maps, census data, and interviews conducted by the author. The latter were comprised of written questionnaires and follow-up oral interviews administered between Spring 2008 and Spring 2009. The sixteen interviewees were Creoles of Color, meaning people of mixed French-, African-, Spanish-, and Native-American ancestry, most of whom reside in or have familial ties to Louisiana. On the questionnaires, respondents supplied background information on themselves and family members including name, age, gender, current and previous neighborhood residences, and schools attended. They were then asked their opinions regarding Creoles of Color in New Orleans: what traits define the group, what racial and cultural differences separate Creoles from other African Americans, and what racial identity they and their families claim. After completing the questionnaires, participants were invited to contribute additional details, stories, and comments. These interviews, combined with other primary materials noted above, constitute the core of this research endeavor.

An array of secondary sources also informs this study. Secondary sources include works that examine the development of Creole culture. Sources on New Orleans history are used to place the different generations of Creoles within a historical context. Sources on multiculturalism, American popular culture, and Whiteness studies were also used to discuss the generations of Contemporary Creoles.

On the basis of the aforementioned primary and secondary sources, this study argues that the key to understanding Creole culture is the role that isolationism has played in its history. While White ethnics pursued a path of assimilation, Creoles of Color pursued a path of isolationism. This path served them well during the Jim Crow era, but it suddenly became undesirable during the Black Power era. Now, however, new values of multiculturalism have resurrected Creole identity as a cultural asset…

Read the entire thesis here.