Mixed Race Studies

Illusions: A Film by Julie Dash

Women Make Movies
1983
34 minutes
BW
16mm/DVD
Order No. 99306

Julie Dash, Director/Writer

This critically acclaimed drama from filmmaker Julie Dash (Daughers of the Dust) takes place in 1942 at a fictitious Hollywood motion picture studio.

The time is 1942, a year after Pearl Harbor; the place is National Studios, a fictitious Hollywood motion picture studio. Mignon Duprée, a Black woman studio executive who appears to be white and Ester Jeeter, an African American woman who is the singing voice for a white Hollywood star are forced to come to grips with a society that perpetuates false images as status quo. This highly-acclaimed drama by one of the leading African American women directors follows Mignon’s dilemma, Ester’s struggle and the use of cinema in wartime Hollywood: three illusions in conflict with reality.

For more information, click here.

Juxta: A film by Hiroko Yamazaki

Women Make Movies
1989
29 minutes
BW, 16mm/DVD
Order No. W99356

Hiroko Yamazaki

This beautiful drama observes the psychological effects of racism on two children of Japanese women and American servicemen. Thirty-one year old Kate, the daughter of a Japanese/white mixed marriage visits her childhood friend, Ted, a Japanese-Black American. Together they confront the memory of her mother’s tragic story in this telling, emotionally nuanced journey into the complexity of US racism.

Halving the Bones: A film by Ruth Ozeki

Women Make Movies
1995
70 minutes
Color/BW, DVD

Ruth Ozeki, Filmmaker, Novelist, and Zen Buddhist Priest

Skeletons in the closet? Halving the Bones delivers a surprising twist to this tale. This cleverly-constructed film tells the story of Ruth, a half-Japanese filmmaker living in New York, who has inherited a can of bones that she keeps on a shelf in her closet. The bones are half of the remains of her dead Japanese grandmother, which she is supposed to deliver to her estranged mother. A narrative and visual web of family stories, home movies and documentary footage, Halving the Bones provides a spirited exploration of the meaning of family, history and memory, cultural identity and what it means to have been named after Babe Ruth!

AWARDS, FESTIVALS, & SCREENINGS

• Sundance Film Festival
• International Documentary Association Award Nomination
• Sydney & Melbourne Film Festivals
• Margaret Mead Film Festival
• San Francisco Asian American Film Festival
• Montreal World Film Festival

The Body Beautiful: A film by Ngozi Onwurah

Women Make Movies
England, 1991
23 minutes
Color, VHS/16mm/DVD
Order No. W99229

Melbourne Film Festival, Best Documentary

This bold, stunning exploration of a white mother who undergoes a radical mastectomy and her Black daughter who embarks on a modeling career reveals the profound effects of body image and the strain of racial and sexual identity on their charged, intensely loving bond. At the heart of Onwurah’s brave excursion into her mother’s scorned sexuality is a provocative interweaving of memory and fantasy. The filmmaker plumbs the depths of maternal strength and daughterly devotion in an unforgettable tribute starring her real-life mother, Madge Onwurah.

Seven Hours To Burn

Women Make Movies
USA/Canada, 1999
9 minutes
Color/BW, VHS/16mm
Order No. W01699

Shanti Thakur

“A visually expressive personal documentary that explores a family’s history. Filmmaker Thakur mixes richly abstract filmmaking with disturbing archival war footage to narrate the story of her Danish mother’s and Indian father’s experiences. Her mother survives Nazi-occupied Denmark while her father experiences the devastating civil war in India between Hindus and Muslims. Both émigrés to Canada, they meet and marry, linking two parallel wars. Their daughter lyrically turns these two separate histories into a visually rich poem linking past and present in a new singular identity.” Doubletake Documentary Film Festival Catalogue

View the trailer here.

Beyond Black and White: A film by Nisma Zaman

Women Make Movies
1994
28 minutes
Color, 16mm/DVD
Order No. W99431

Beyond Black and White is a personal exploration of the filmmaker’s bicultural heritage (Caucasian and Asian/Begali) in which she relates her experiences to those of five other women from various biracial backgrounds. In lively interviews and group discussions these women reveal how they have been influenced by images of women in American media, how racism has affected them, and how their families and environments have shaped their racial identities. Their experiences are placed within the context of history, including miscegenation laws and governmental racial classifications. Beyond Black and White is a remarkable celebration of diversity in American society.

A Knock Out: A film by Tessa Boerman and Samuel Reiziger

Women Make Movies
Netherlands, 2004
53 minutes
Color, VHS/DVD
Subtitled
Order No. W05882

Boxing champion Michele Aboro grew up in South London, where life for a girl was never easy, let alone for a mixed-race lesbian girl. Thanks to her tenacious spirit and an uncanny talent for combat sports, she put her difficult past behind her and managed to sign a contract with the biggest boxing promoter in Europe. She won all 21 fights, 18 of them with a knockout – an exceptional achievement in women’s boxing. But despite her spectacular record in the ring, her career came to a sudden halt when her promoter broke her contract under the belief that she was not “promotable.”

Refusing to vamp up her image and pose naked in magazines, this undefeated world champion was abandoned by an industry more interested in selling sex than sport. A Knock Out interweaves Aboro’s personal story with interviews with boxers whose wild success strikes a painful contrast with Aboro’s struggles. Searching for logic behind Aboro’s case, this poignant documentary captures a universal story of fighting for one’s identity and offers a probing look at the intersection of gender, ethnicity, sexuality and the increased commercialization of women’s sports.

Coffee Colored Children: A film by Ngozi Onwurah

Women Make Movies
England, 1988
23 minutes
Color/BW, VHS/16mm/DVD
Order No. W99160

• National Black Programming Consortium, Prized Pieces
• San Francisco Film Festival, Golden Gate Award

This lyrical, unsettling film conveys the experience of children of mixed racial heritage. Suffering the aggression of racial harassment, a young girl and her brother attempt to wash their skin white with scouring powder. Starkly emotional and visually compelling, this semi-autobiographical testimony to the profound internalized effects of racism and the struggle for self-definition and pride is a powerful catalyst for discussion.

The work opens with a video essay showing adults and children of many ethnicities interacting harmoniously to an upbeat and soulful song with a chorus about “coffee-colored people.” Through narration by her and her brother and dramatization, Onwurah relays incidents from her own childhood. She recounts the brutal and racist vandalization of her apartment. In reenactments, she is seen making up her face with white makeup and scrubbing her body in the bathtub with chemical abrasives. At the close of the piece, she and her brother stand in front of a fire, burning symbolic mementos of their pain and confusion over their own physical identities. “Melting pot,” she asks, “or incinerator?” The work is approximately 16 and one-half minutes long.

Director:
Onwurah, Ngozi A.

Producers:
Onwurah, Ngozi A.
Onwurah, Simon K.

Editor:
Onwurah, Ngozi A.

Performers:
Onwurah, Madge
McKay, Haley
McKay, Michael
McKay, Anette
Onwurah, Ngozi A.
Onwurah, Simon K.