Mixed Race Studies

Will Multiracial Kids End Racism? | Decoded | MTV

MTV
2018-01-31

Hosted by: Franchesca “Chescaleigh” Ramsey
Produced by: http://www.kornhaberbrown.com
Episode Written By: Zeba Blay
Directed by: Andrew Kornhaber
Make Up By: Delina Medhin
GFX By: Matthew Rainkin & Sarah Van Hoove
Editing By: Linda Huang

It’s been frequently suggested that in the near future, the massive increase in the number of multiracial children across America will help end racism. But is that actually true? Well no. And in today’s episode, we’re going to explain why ending racism is going to be quite a bit more complicated than making babies with someone of another racial background.

White Model Apologizes After Her Photo Shows Up On Blackhair Magazine

The Huffington Post
2016-11-21

Zeba Blay

“I’m very sorry this cover was taken away from a black woman,” she wrote.

Blackhair magazine had some explaining to do after mistakenly featuring a white model rocking afro-textured hair on the cover of its latest issue. The publication, known for offering hair tips and tricks for black and mixed-race women, was called out by a white model Emily Bador who says an old modeling photo of her was used without her permission for the December/January issue of the mag.

In an Instagram post published on Sunday, Bador shared a photo of the cover, writing in a caption that she “deeply and sincerely” apologized for the picture. Bador explained to her over 64,000 followers that the image had been taken three or four years ago when she was around 15 years old, before she had learned about the concept of cultural appropriation and the stigma many black women receive for wearing their hair in its natural state…

Read the entire article here.

Photo Series Celebrates The ‘Black Girl Power’ Of Brazilian Women

The Huffington Post
2016-03-02

Zeba Blay, Voices Culture Writer

It highlights women who are Afro-Brazilian and proud.

For the past two years, Brazilian journalist Weudson Ribeiro has been documenting the beauty of Afro-Brazilian women by photographing spontaneous portraits of them in an ongoing project. The result was released this month in a photo essay called “Superafro: O poder da mulher negra” or “Superafro: BLACK GIRL POWER.”

The project, which features candid portraits of black women from Brazil, seeks to highlight women who proudly stand in their own blackness as a political statement.

Ribeiro, a 24-year-old journalist and political scientist based in Brasília, has been taking photos for nearly a decade. He is the only son of mixed-race parents, and says that for a long time he struggled with “understanding and accepting my own blackness.”

“It’s a problem that affects the vast majority of Brazilians as a result of our highly mixed ethnic backgrounds,” Ribeiro told The Huffington Post…

Read the entire article here.

What It Really Means To Be Transracial And Black

The Huffington Post
2015-07-08

Zeba Blay

Photo by Luke Ratan

It’s been weeks since the nation became obsessed with — then subsequently forgot about — Rachel Dolezal. In choosing to identify as a black woman, Dolezal introduced the concept of being transethnic or “transracial” into the mainstream. Faulty comparisons to Caitlyn Jenner and the transgender community abounded, and many commentators (including myself) rejected them, arguing that being transracial “is not a thing.”

I’ve since learned that being transracial is a thing — just not in the way Dolezal interpreted it. The first known use of the word dates back to the 1970s. Transracial applies to those adopted by parents of another race. It’s an experience often overlooked, and a vibrant community of transracial speakers, writers, and activists have come forward in the wake of Dolezal to take back ownership of the word and their unique identities.

What have their experiences been, not only in the wake of the scandal, but in their day to day lives? What does it mean to be transracial?

For many transracial adoptees, to reclaim “transracial” is to reclaim themselves…

…Transracial identity, like all identity, can be such a nebulous thing. Some adoptees feel untethered, or as if they’re forced to choose between sides. Many experience an intimate, insider relationship with whiteness and white privilege while simultaneously experiencing racism. Blogger Katakasrainbow described that in-between plainly as the word “transracial” began to trend. “I wasn’t really black due to a lack of present black parents and family, but I could never ever ever really be white either,” she wrote…

Read the entire article here.

Review: Nuance-Deprived “Race” Movie ‘Black or White’ is Actually About White Frustration (Opens Friday)

Shadow and Act: On Cinema Of The African Diaspora
2015-01-27

Zeba Blay

“Black or White” opens nationwide this Friday, January 30, via Relativity…

Is it any wonder that a movie as lazily titled as “Black or White” fails to actually tackle issues of race and class in any meaningful way? Is it any wonder, when its writer and director is Mike Binder, a (white) filmmaker whose approach to storytelling has often lacked any semblance of nuance and subtlety? The movie, apparently “based on true events,” is about a custody battle over a 7-year-old biracial Eloise (charming child actress Jillian Estell), between her wealthy and recently widowed white grandfather Elliot (Kevin Costner), and black grandmother Rowena (Octavia Spencer).

When the movie begins, the little girl has been living with her white grandparents since the death of her teen mother at birth. However, after Elliott’s wife dies in a freak car accident, Rowena, a self-made woman who lives in Compton with a tight knit and sprawling extended family, thinks it’s time that Eloise grows up around other black people, fearing that she may lose a sense of her identity.

It’s a fairly intriguing premise, but one that must be handled delicately in order to work. Here, it doesn’t. Very much in the style of past Costner-collaboration, “The Upside of Anger,” Binder’s brand of comedy drama is far too broad. While Costner, whose swaggering charisma has always been his saving grace, turns in a decent performance, hinging on great chemistry with his child co-star, all the swagger in the world couldn’t save this film.

It’s a movie about race that doesn’t actually want to talk about race. Here, the focal point is the wealthy white man who we’re encouraged to root for, from the very beginning, simply by virtue of the fact that he’s in 90% of every scene. Octavia Spencer, once again, is called on to play a variation of the sassy black woman – her acting, as usual, is great, but she’s given little else to do than suck her teeth and roll her eyes, and provide both comic relief and obstacle for Elliot to overcome…

Read the entire review here.