Favourite for Ukip leader Steven Woolfe misses application deadline

Posted in Articles, Media Archive, Politics/Public Policy, United Kingdom on 2016-08-02 01:53Z by Steven

Favourite for Ukip leader Steven Woolfe misses application deadline

The Guardian
2016-08-01

Rowena Mason, Deputy political editor

MEP and migration spokesman could be out of leadership race but insists he is still a candidate

Steven Woolfe, the favourite to succeed Nigel Farage as Ukip leader, could be out of the race after he missed the deadline for submitting his application by 17 minutes because of technical problems.

A spokesman for the MEP and migration spokesman said he was still a candidate. The party has not yet confirmed whether the delay will make him ineligible. A party spokesman said a final decision would be made on Tuesday after final vetting procedures were completed…

Read the entire article here.

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My Name Is Leon by Kit de Waal review – a touching, thought-provoking debut

Posted in Articles, Book/Video Reviews, Family/Parenting, Media Archive, United Kingdom on 2016-07-30 02:19Z by Steven

My Name Is Leon by Kit de Waal review – a touching, thought-provoking debut

The Guardian
2016-06-03

Bernardine Evaristo


Insight and authenticity … Kit de Waal. Photograph: Sarah Lee for the Guardian

A young vulnerable boy is taken into care after his mother is no longer able to cope

Kit de Waal has already garnered praise and attention for her short fiction. She worked in family and criminal law for many years, and wrote training manuals on fostering and adoption; she also grew up with a mother who fostered children. This helps explain the level of insight and authenticity evident in My Name Is Leon, her moving and thought-provoking debut novel.

It is set in the early 1980s and, like What Maisie Knew and The Curious Incident of the Dog in the Night-Time, is told through the perspective of a child who is keenly observant, although we understand more of what is happening around him than he does. In this case, the narrator is eight-year-old Leon, who becomes a foster child. The novel begins with the birth of his baby brother, Jake. Immediately we realise that there is something wrong with their mother, Carol. Rather than cradle the child she has just given birth to, she leaves the hospital room to have a cigarette. The nurse leaves too and tells Leon, “If he starts crying, you come and fetch me. OK?” Leon is left on his own with Jake. The novel is full of quietly shocking moments like this, which reveal how much child protection has moved on from 30 years ago.

The brothers have different, and absent, fathers. While Carol and Jake are white, Leon is mixed race. His father, Byron, is in prison, while Jake’s father, Tony, has rejected Carol and their child. Home is on an estate near a dual carriageway. Carol often leaves her boys alone in the flat when she goes out…

Read the entire review here.

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My Name is Leon

Posted in Books, Family/Parenting, Media Archive, Novels, United Kingdom on 2016-07-30 01:24Z by Steven

My Name is Leon

Viking (an imprint of Penguin Press)
2016-05-31
272 pages
153mm x 234mm x 19mm
359g
Hardback ISBN: 9780241207086
Paperback ISBN: 9780241207093
eBook ISBN: 9780241973394
Audio ISBN: 9780241976203 (Read by Lenny Henry / 07:51:00)

Kit de Waal

A brother chosen. A brother left behind. And a family where you’d least expect to find one.

Leon is nine, and has a perfect baby brother called Jake. They have gone to live with Maureen, who has fuzzy red hair like a halo, and a belly like Father Christmas. But the adults are speaking in low voices, and wearing Pretend faces. They are threatening to give Jake to strangers. Since Jake is white and Leon is not.

As Leon struggles to cope with his anger, certain things can still make him smile – like Curly Wurlys, riding his bike fast downhill, burying his hands deep in the soil, hanging out with Tufty (who reminds him of his dad), and stealing enough coins so that one day he can rescue Jake and his mum.

Evoking a Britain of the early eighties, My Name is Leon is a heart-breaking story of love, identity and learning to overcome unbearable loss. Of the fierce bond between siblings. And how – just when we least expect it – we manage to find our way home.

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Zawe Ashton interview: The actress is moving on from Fresh Meat with a starring role in Channel 4’s comedy drama Not Safe for Work

Posted in Articles, Arts, Interviews, Media Archive, United Kingdom on 2016-07-28 22:28Z by Steven

Zawe Ashton interview: The actress is moving on from Fresh Meat with a starring role in Channel 4’s comedy drama Not Safe for Work

The Independent
2015-06-19

Gillian Orr


Multi-talented: Ashton likes to do her own thing Immo Klink

Acting, directing, writing: Zawe Ashton is a woman on the move. Gillian Orr tries to keep up

I’ve only just been introduced to Zawe Ashton and she turns to me and whispers, “Let’s make a run for it!” The actress has been holed up in her publicist’s office for the past few hours. Her minders are just out of earshot. “I need some natural light,” she says as we scarper out the front door and head down a Soho street to a cafe. “I’m going to get into so much trouble,” she laughs.

Ashton is very much a woman on the move. And she likes to do her own thing. We might know her best for her portrayal of the wannabe punk Vod in Channel 4’s student-life sitcom Fresh Meat but there is far more to her than acting. She also directs, produces, and writes. Over the past decade she’s been energetic in theatre and film, and soon she’s going to be published. There’s just no holding her back, and here she is again, coffee ordered, keeping one step ahead.

She is down from Manchester, where she’s been filming the fourth – and final – series of Fresh Meat. Sam Bain and Jesse Armstrong’s brilliant creation has helped turn Ashton into one of television’s most striking new actresses, but now she is moving on. A new Channel 4 comedy drama – Not Safe for Work, which begins at the end of the month – is going to show Ashton in a very different light.

Following the chaotic personal and professional lives of a group of dysfunctional government employees who have been forced to relocate from London to Northampton, Not Safe for Work sees Ashton playing Katherine, a recently divorced woman coming to terms with her displacement from the capital and having to live in a flatshare at an age when she thought she’d be having babies…

…Later that year she also won the award for Best Breakthrough On-Screen Talent at the Creative Diversity Network for her work in Fresh Meat. With Vod, just as it is with Katherine, the fact that Ashton is mixed race is never made out to be an issue that needs to be addressed in storylines. It simply isn’t mentioned. Anyone of any ethnicity could have played these characters. Was that a sense that she had strived to achieve? “I’m glad it seems effortless,” she says. “It’s something that I’ve worked really hard at. I think I’ve always felt that I want to do a very specific type of work and I’ve made informed decisions. You know, hopefully be part of a quiet movement or revolution.” She pauses to giggle. “Without sounding too Che Guevara about it.”

She says that as a child she would hand back scripts to her mother and tell her that she didn’t like how certain characters were represented. At the same time, she doesn’t want her background to be ignored. “I don’t want to be ‘de-ethnicised’. I hate it when people say, ‘Oh I don’t even think of you as a woman’, or, ‘I don’t even think of you as a black woman.’ Well what do you think of me as then? A loaf of bread? But any actor of any race can tell if a part is well written or not. It’s really just about reading stuff that feels well-observed and truthful.”…

Read the entire article here.

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Episode 21 w/ Sheila Ruiz, Head of Programmes

Posted in Africa, Audio, Interviews, Media Archive, United Kingdom on 2016-07-27 20:32Z by Steven

Episode 21 w/ Sheila Ruiz, Head of Programmes

Blacticulate
2016-03-07

Ade Bamgbala, Host

Sheila Ruiz, Head of Programmes, Partnerships and Operations
Royal African Society, London, England


Sheila Ruiz

This was another great episode where Sheila and Mangaliso (her newborn) give great advice on how to create a successful event, the challenges, internship platforms out there to help you start a career in Events management, and a whole lot more.

Listen to the episode (00:31:44) here.

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Skin Deep Meets Stella Corradi

Posted in Articles, Arts, Autobiography, Interviews, Media Archive, United Kingdom on 2016-07-27 19:41Z by Steven

Skin Deep Meets Stella Corradi

Skin Deep: Race + Culture
London, England, United Kingdom
2016-07-08

Anuradha Henriques, Editor

East London writer and director Stella Corradi talks fantasy, addiction and her short film “Little Soldier”

Stella Corradi, East London born and bred, is the writer and director behind the short film Little Soldier. Loosely influenced by Corradi’s own personal childhood and memories, Little Soldier tells of the power of a child’s imagination to overcome her reality. It addresses that tempestuous and deeply instinctive love between a mother and child and how that love transcends any obstacle or circumstance.

The film was selected through Film London’s London Calling scheme in 2015 out of hundreds of submissions, and has recently been awarded a Special Jury Mention Award by Film London. The film has also been nominated for the Best UK Short at the East End Film Festival 2016. Corradi is a force to be reckoned with.

I was lucky enough to work with Stella on a film shoot in London over the last few weeks. Most days after work she would give me a lift home and we would talk about food, politics and UK grime and garage. I recorded this interview in the car on one of those journeys, whilst she navigated the lane drifters on the A40

AH: What is the film about?

SC: The film is about a ten year old girl, Anya, who lives with her mother who suffers from addiction. Anya is working for her mother’s boyfriend, Derek, who comes between them. To protect her mother and her home, she has to get rid of Derek. She uses her imagination to deal with this reality, to give her power and agency…

AH: In inner city London you can’t separate class from race. The majority of working class people in London are people of colour. So your casting, whether conscious or not, is a reflection of this intersection of class and race.

SC: Yes, I agree. But at first I subconsciously intended to cast a little girl who has a similar background to me. Because it was a personal story I subconsciously pictured myself in the role of Anya but when I met the right actress to play Anya, it did occur to me that the film would take on other connotations to do with class, race, interdependency and that’s how films grow really. The way you cast brings on other layers and I love what the actors brought to my film. The mixed race experience in London is transmitted visually through Amaris [Miller] and Zawe [Ashton] and in my opinion adds to the narrative, it does not complicate it. Derek, Anya and Amanda are a bi-racial family unit…

Read the entire interview here.

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The Reality Of Imaginary Whiteness

Posted in Articles, Communications/Media Studies, Media Archive, United Kingdom, United States on 2016-07-26 01:37Z by Steven

The Reality Of Imaginary Whiteness

African American Intellectual Historical Society (AAIHS)
2016-07-24

Jennifer Patrice Sims, Adjunct Professor of Sociology
University of Wisconsin, River Falls

In the 1993 satirical musical comedy Robin Hood: Men In Tights, Dave Chappelle plays Ahchoo, the show stealing side kick to Cary Elwes’ Robin Hood. At the end of the movie, when Robin appoints Ahchoo to be the new Sheriff of Rottingham, the all-white crowd exclaims, “A black sheriff?!” (and the blind family servant gasps, “He’s black?!”). They all eventually accept the appointment when Ahchoo responds, “And why not?! It worked in Blazing Saddles.

Since the release of Robin Hood, black Americans have continued to ask “And why not?!” when white Americans react with incredulity to racial minorities’ presence in movies. From outrage over a black storm trooper in a galaxy far, far away to the rejection of the mere idea of a black man playing James Bond, some white fans expect, and will apparently accept nothing other than, white characters.

This expectation of imaginary whiteness is even more pervasive in literature. In the Harry Potter series, for example, Harry is introduced as a “skinny” boy with “a thin face, knobby knees, black hair, and bright green eyes.” Nowhere in seven books does author J. K. Rowling say that he is white; yet readers knew it intuitively because white is the hegemonic racial group in the United Kingdom. Whiteness need not be specified. It is assumed…

Read the entire article here.

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Dido Belle: Britain’s first black aristocrat

Posted in Articles, Arts, Biography, History, Media Archive, Slavery, United Kingdom on 2016-07-23 23:58Z by Steven

Dido Belle: Britain’s first black aristocrat

The Telegraph
2016-07-06

Nisha Lilia Diu

Amma Asante’s award-winning film Belle arrives on Netflix today. In this feature, first published in June 2014, Nisha Lilia Diu reveals the true story that inspired it

The amazing thing about Dido Elizabeth Belle is not that she was mixed-race. Who knows how many white men’s children were born to black slave women in the 18th century? It’s not even that her father was a wealthy English aristocrat – there were plenty of titled captains tearing around the Caribbean at that time, capturing French and Dutch schooners during the Seven Years’ War and making off with their sugar, coffee and other (often human) cargo. The extraordinary thing about Dido Belle is that her father, a 24-year-old Navy officer called John Lindsay, took her home to England and asked his extended family to raise her. And they did. They did it in some style, too.

Belle grew up in Kenwood House in north London. It was the palatial weekend retreat of Lindsay’s uncle, the first Earl of Mansfield, set in landscaped gardens with a view of St Paul’s Cathedral six miles away. Mansfield was Lord Chief Justice, and he made a number of landmark rulings on slavery that were among Britain’s first steps towards abolition. Did Belle’s presence in his home have anything to do with it? Plenty of his contemporaries thought so, and they didn’t admire him for it.

“Dido was very, very privileged,” says William Murray, a descendant of the earl and the son of the heir apparent. “She was in the top 5 per cent, perhaps the top 1 per cent, in terms of how she lived, her allowance, her dress, her education.” But Belle’s position was far from clear-cut…

Read the entire article here.

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Akala: Dynamite by any other name…

Posted in Articles, Arts, Media Archive, United Kingdom on 2016-07-20 18:59Z by Steven

Akala: Dynamite by any other name…

The Guardian
2013-06-01

Kate Mossman, Editor and Pop critic
New Statesman


Akala in Notting Hill last month: ‘In Brixton and Tottenham my sister was worshipped because she was representing a side of intellectual black culture that is never usually acknowledged.’ Photograph: Karen Robinson for the Observer

Rapper, adapter of Shakespeare and brother of Ms Dynamite, Akala is on a mission to correct a few misconceptions

A few weeks ago in these pages, Birmingham rapper Lady Leshurr asked why there had been no high-profile female rappers in the UK since Ms Dynamite. Akala seems a good person to consult – one, because he’s her brother, and two, because you can ask Akala just about anything and you’ll get a pretty comprehensive answer. In the course of 68 minutes in a London community centre under the Westway, he talks about 16th-century explorers, Biggie Smalls, the universities of 13th-century Timbuktu, tai chi, the Black Wall Street of Oklahoma, the African city portraits of Olfert Dapper, Eminem, peanuts, Napoleon’s generals, traffic lights and golf. But back to Ms Dynamite.

“I remember the Daily Mail wrote an article about my sister at the time,” he says, “and essentially their argument was, ‘Well, she’s not really black, is she – she’s quite clever and she’s got a white mum!’ It was so funny the way they tried to co-opt us. Remember that big story about Bob Marley and his ‘white dad’ last year? He was unequivocally black power, but he’s rewritten as this fun-loving Rasta. Mark Duggan [the Tottenham man shot by police in August 2011] was also mixed race, but no one’s ever going to co-opt Mark Duggan!”…

Read the entire article here.

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Expat Mom Maria Tumolo On Raising A Multicultural Family In England

Posted in Articles, Caribbean/Latin America, Family/Parenting, Interviews, Media Archive, United Kingdom on 2016-07-11 13:56Z by Steven

Expat Mom Maria Tumolo On Raising A Multicultural Family In England

The Voix: Diverse Narratives. Native Insights
2016-07-07

Although she was happy and content with her life as it were back in Trinidad, Maria Tumolo was at a crossroad regarding her professional and personal development. She had received a firm offer of admission from Edinburgh University with the intention of pursuing a masters degree in publishing, but she had never been away from home. At the age of 27, she finally made the decision to move to England.

“I came to England on a working holiday visa. On arrival I lived and worked in Cambridge for a few months,” Tumolo says. “I eventually moved to London because at the time, I was living with the family of an English work mate who I met in Trinidad. When she decided to move back to Cambridge, I moved to London so she could be with her family. It was also easier to travel around Europe from London.”

Today, Tumolo lives in Surrey, England with her husband and children – Angelo and Valentina who are five & three years old respectively – where she is a children’s book author and the founder of a Trini-British Parenting & Lifestyle Blog that explores parenting as an expat, family experiences as a mixed heritage family, fashion and food.

Tumolo shares her journey to England and tells us more about raising a multicultural family…

Read the entire interview here.

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