Mixed Race Studies

Rebecca Hall’s Brief But Spectacular take on ‘Passing’ and racial identity

PBS Newshour
2022-01-12

Melissa Williams

Rebecca Hall has been on-screen since age 10, but in her new film “Passing” she steps into the director role for the first time. It is based on a novel that was written in 1929 by Nella Lawson Larsen at the height of the Harlem Renaissance. Hall shares her Brief But Spectacular take on “Passing” and on her own racial identity as part of our arts and culture series, CANVAS.

Read the full transcript here.

Hannah Lowe

Writers Mosaic
August 2020

Hannah Lowe was born in Essex in 1976 to a white English mother and Afro-Chinese Jamaican father. She studied American Literature at the University of Sussex, followed by an MA in Refugee Studies. She undertook her PhD in Creative Writing at Newcastle University in 2012.

Broadly, Lowe’s work is concerned with migration histories, multicultural London and the complex legacies of the British Empire. Her first poetry collection, Chick (Bloodaxe, 2013), blended these political concerns with a deeply personal and elegiac commemoration of her father, a member of the Windrush generation, who earnt a living in London through playing cards and dice. Her second collection, Chan (Bloodaxe, 2016), expanded these explorations of family in writing about the life and untimely death of her father’s cousin, the jazz saxophonist, Joe Harriott. In this book, Lowe developed a new poetic form – the ‘borderliner’ – which uses typography and double narration to explore ideas about multi-heritage experiences. Lowe’s work is often concerned with historical omissions, and in Ormonde, (Hercules Editions, 2014), she excavates the story of the SS Ormonde, on which her father migrated, and which arrived in Britain before the better known Empire Windrush. Most recently she has published the chapbook, The Neighbourhood, (Outspoken Press, 2019), which explores how communities respond to the pressures of austerity, gentrification and deportation. Her third full-length collection, The Kids, inspired by her work as an inner-city sixth form teacher, won the 2021 Costa Poetry Award…

Read the entire article here.

Thinking in Colour: A BBC Radio Collection of Documentaries on Race, Society and Black History

BBC Digital Audio
2021-02-12
00:57:00
ISBN: 9781529143560

Gary Younge, Professor of Sociology
University of Manchester

Gary Younge Gary Younge (Read by) Robin Miles (Read by) Amaka Okafor (Read by) Full Cast (Read by) Ricky Fearon (Read by)

Gary Younge explores race, society and Black history in these five fascinating documentaries

Author, broadcaster and sociology professor Gary Younge has won several awards for his books and journalism covering topics such as the civil rights movement, inequality and immigration. In this documentary collection, the former Guardian US correspondent turns his attention to current American political and social issues, including populist conservatism, and African-American identity.

In Thinking in Colour, he examines racial ‘passing’: light-skinned African-Americans who decided to live their lives as white people. Looking at the topic through the prism of Nella Larsen’s 1929 novella Passing, Gary hears three astonishing personal stories, and probes the distinction between race and colour.

Recorded shortly after the historic 2008 election, The Documentary: Opposing Obama follows Gary as he travels through Arkansas and Kentucky, talking to people who see Barack Obama’s presidency as nothing but bad news, and hearing their hopes and fears for the future.

In The Wales Window of Alabama, Gary recounts how the people of Wales helped rebuild an Alabama church, where bombers killed four girls in 1963. Hearing of the atrocity, sculptor John Petts rallied his local community to raise money, and subsequently created a new stained glass window that has become a focus for worship and a symbol of hope.

In Ebony: Black on White on Black, we hear the history of Ebony, the magazine that has charted and redefined African-American life since its launch in 1945. But what is its place in the world today, and does it still speak to contemporary African-Americans?

And in Analysis: Tea Party Politics, Gary assesses the Tea Party movement, a US right-wing protest group that objects to big government and high taxes. He finds out what sparked this grass-roots insurgency, who its supporters are, and analyses its impact.

Prince Charles, Meghan Markle and the power of racist microagressions

NBC News
2021-12-01

Sarah E. Gaither, Assistant Professor of Psychology and Neuroscience
Duke University, Durham, North Carolina

Something that may seem innocently ambiguous can in fact leave an incredibly powerful mark.

Imagine that upon your engagement, instead of congratulations, you hear that your future father-in-law has begun musing about your future son or daughter’s complexion. Now imagine how that would feel if you were biracial and the first Black-identified person to marry into the modern British royal family, and none other than the next king of England was allegedly speculating about the race of your hypothetical children.

According to the new book “Brothers and Wives: Inside the Private Lives of William, Kate, Harry, and Meghan,” written by Christopher Andersen, Meghan, the Duchess of Sussex, didn’t have to imagine how that might feel — she lived it. Among other tidbits, royals expert Andersen claims Prince Charles discussed the potential melanin levels of his future grandchildren over breakfast with his wife, Camilla.

Read the entire article here.

‘Passing’ filmmaker Rebecca Hall shares the personal story behind her movie

Fresh Air
National Public Radio
2021-11-30

Terri Gross, Host

Actor/filmmaker Rebecca Hall had what she describes as a “real gasp” moment when she first read Nella Larsen’s 1929 novel Passing.

The book centers on two light-skinned African American women who run into each other after not having seen each other for many years. One of the women is an active member of Harlem’s Black community. The other is married to a white man and is passing as white.

Reading the story of these fictional women, Hall realized that her maternal grandfather had also passed as white.

“Suddenly, aspects of my family life that were tinged with so much mystery and obfuscation, there was a reason for that,” Hall says.

Hall’s mother, acclaimed opera singer Maria Ewing, also passed as white, though not necessarily by her own volition. Instead, Hall says, Ewing tended to “be whatever people chose to see” — which sometimes meant being described as “exotic” by members of the opera community.

Hall was so moved by Larsen’s novel that she drafted a script for a film adaptation — and then she put it away until she felt ready to do something with it. Now, 13 years later, her adaptation of Passing is available on Netflix…

Read the entire interview here.

We Need To Stop Leaving Mixed-Race People Out Of The Race Conversation

Words of Integrity: Celebrating positivity and embracing the peaks and falls of life.
2021-11-25

Daniella Brookes

Someone said to me recently that if you don’t tell your story, then who will? This is a topic I’ve held back on speaking about because of the colourism that is still so prevalent in the UK; but we can’t speak about race without bringing awareness to all issues associated with it. I’m a mixed-race woman, born to a Jamaican father and a white English mother. I understand my light skinned privileges. I understand that I would never have the same lived experiences as dark-skinned women living in the UK, however being mixed-race (in this instance I use the term mixed-race to refer to those who have one black parent and one white parent) presents its own distressing experiences and I think it’s time we start speaking about them…

Read the entire article here.

Making Mixed Race: A Study of Time, Place and Identity

Routledge
2021-11-24
208 pages
Hardback ISBN: 9780367462918

Karis Campion, Legacy in Action Research Fellow
Stephen Lawrence Research Centre
De Montfort University, Leicester, United Kingdom

By examining Black mixed-race identities in the city through a series of historical vantage points, Making Mixed Race provides in-depth insights into the geographical and historical contexts that shape the possibilities and constraints for identifications.

Whilst popular representations of mixed-race often conceptualise it as a contemporary phenomenon and are couched in discourses of futurity, this book dislodges it from the current moment, to explore its emergence as a racialised category, and personal identity, over time. In addition to tracing the temporality of mixed-race, the contributions show the utility of place as an analytical tool for mixed-race studies. The conceptual framework for the book – place, time, and personal identity – offers a timely intervention to the scholarship that encourages us to look outside of individual subjectivities and critically examine the structural contexts that shape Black mixed-race lives.

The book centres around the life histories of 37 people of Mixed White and Black Caribbean heritage born between 1959 and 1994, in Britain’s second-largest city, Birmingham. The intimate life portraits of mixed identity, reveal how colourism, family, school, gender, whiteness, racism, and resistance, have been experienced against the backdrop of post-war immigration, Thatcherism, the ascendency of Black diasporic youth cultures, and contemporary post-race discourses. It will be of interest to researchers, postgraduate and undergraduate students who work on (mixed) race and ethnicity studies in academic areas including geographies of race, youth identities/cultures, gender, colonial legacies, intersectionality, racism and colourism.

Table of Contents

1. Introduction
2. Introducing Birmingham
3. The making of mixed-race in place
4. From bun down Babylon to melting pot Britain: the manifestations of mixed-race over time
5. Mixed-race privilege and precarious positionalities: the personal politics of identity
6. The making of mixed-race families: past, present and future
7. Conclusion

“What Is The Emotional Legacy Of A Life Lived In Hiding?” Rebecca Hall Honours Her Family’s History In Her New Film Passing

Vogue UK
2021-10-29

Rebecca Hall

Molly Cranna

For her directorial debut, the British actor brings to life the novel that helped unlock the meaning of her family’s heritage.

The elucidation of a family’s history, like the history of a nation, is never straightforward or simple. The truth is stated baldly and then denied, hedged or partially retracted. The same stories somehow become less and less clear with each repetition. Clarity is elusive, and perhaps its pursuit is even unkind – why probe something so delicate as the past? And when it comes to questions of race, what answers could ever be satisfying?

My mother, Maria Ewing, was born in Detroit in 1950. Her father worked as an engineer at McLouth Steel in the city, and was also an amateur painter and musician. It was in part his love of music that propelled her to leave home at 18 and, in an improbably rapid fashion, transform herself into an international opera star. My father, Peter Hall, was born in Suffolk, the child of the local stationmaster. He went on to found the Royal Shakespeare Company and forge his way as one of the most significant British theatre directors of the late 20th century. Both products of working-class backgrounds, my parents each became part of a global cultural elite, and both of them thoroughly reinvented themselves in order to do it.

Growing up with my mother – now the former Lady Hall – in the English countryside, there was always some mystery around her background. Within the opera community, she was spoken about as “exotic”. When I looked at my mother, I always, my whole life, thought she looked Black. But there was no factual basis for that, and it was a tricky subject. When I asked questions such as, “Your father, maybe he was African American? Was he Native American? Do you know anything?” she just couldn’t answer with any degree of certainty. Not wouldn’t – she couldn’t. She simply didn’t have any hard information. She knew that things were hidden, that she didn’t know any of his family members, that she just didn’t understand certain things. To an extent, I think she had accepted a degree of vagueness about her own identity. Maybe, for her, that vagueness, that mystery, was simply part of her lineage, something that she had no choice but to accept. And as someone who lived in circumstances that were quite distant from those she grew up in, maybe that vagueness was even useful, an infinitely pliable substance out of which to build a bridge between her old life and her new one…

Read the entire article here.

‘Passing,’ Ruth Negga refuses to be pinned down

The Los Angeles Times
2021-11-11

Sonaiya Kelley, Staff Writer

Ruth Negga has given the subject of identity a lot of thought.

And not just because she stars as Clare Kendry, a fair-skinned Black woman who moves through life as a white woman, in “Passing,” Rebecca Hall’s adaptation of Nella Larsen’s 1929 novel. No, Negga’s musings on identity stem back to her childhood in Ireland and England, where she was first introduced to the concept of being othered.

“To be honest, I’ve never fit in anywhere,” she said over Zoom in October. “I think being Black in Ireland when there wasn’t that many Black people and being Black and Irish in London at an all-white school in the early ’90s wasn’t great for me either.”

At the same time, being hard to categorize has not always been a bad thing, she says. “I think sometimes there is a pleasure I get in being different. I felt safe being the other in many ways because that’s where I could be my whole, true self.”

The Ethiopian-Irish actor frequently upends notions of social constructs such as race and identity in her work. In “Passing,” which is set in the 1920s, Clare enjoys the privileges afforded only to white women by day while sneaking off to Harlem to commune with Black folks by night (Tessa Thompson co-stars as Irene, a woman who only flirts with the possibility of passing). And in 2016’s “Loving,” Negga stars as Mildred Jeter, a woman in an interracial marriage who challenges the Supreme Court to end the anti-miscegenation laws that condemn her marriage as unlawful…

Read the entire interview here.

A British betrayal: the secret deportations of Chinese merchant sailors

The Guardian
2021-11-10

Presented by: Nosheen Iqbal with Dan Hancox and Yvonne Foley
Produced by Joshua Kelly and Axel Kacoutié
Executive producers Phil Maynard and Archie Bland

During the second world war, Chinese sailors served alongside their British allies in the merchant navy, heroically keeping supply lines open to the UK. But after the war hundreds of them who had settled in Liverpool suddenly disappeared. Now their children are piecing together the truth

Liverpool is home to the longest-established Chinese community in Europe having built sea links with Shanghai from the 19th century onwards. A thriving Chinatown is among the city’s present day inheritance of the era. But there is a darker side to the story of Liverpool’s Chinese community.

During the second world war, Chinese men served alongside their British comrades in merchant vessels that kept supply lines of food and other essentials flowing into the UK. It was incredibly dangerous work as the enormous cargo ships were ready targets for German U-boats and many of the seamen perished. After the war, many of the Chinese sailors settled in Liverpool with some starting families. But from 1946 onwards many started to go missing from the city.

On a day that Britain remembers the sacrifices of its war dead, writer Dan Hancox tells Nosheen Iqbal how he began investigating what had happened to the missing Chinese sailors and found a story of betrayal that is largely unknown in the UK. In the months following the war, the Home Office carried out thousands of secret deportations of Chinese seamen leaving their wives and children to believe they had been abandoned.

Yvonne Foley tells Nosheen she was 11 when she was told the truth about her Chinese heritage and has been trying ever since to find out what happened to her biological father she has never known.

Listen to the story (00:30:52) here. Download the story here.