Category: Literary/Artistic Criticism

  • Teaching Edith Eaton/Sui Sin Far: Multiple Approaches Asian American Literature: Discourses & Pedagogies Volume 1 (2010) pages 70-78 Wei Ming Dariotis, Associate Professor of Asian American Studies San Francisco State University This essay compares pedagogical approaches to teaching the literature of Edith Eaton in two distinct contexts: a course on Asian American Literature and a…

  • Performativity and the Latina/o-white hybrid identity: performing the textual self University of South Florida 2005 192 pages Shane T. Moreman, Associate Professor of Communications California State University, Fresno A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Communication College of Arts and Sciences This study is…

  • “White Latino” Leaders: A Foregone Conclusion or Mischaracterization of Latino Society The Modern American Volume 3, Issue 2 (Summer-Fall, 2007) Article 11 pages 62-65 Eric M. Gutierrez Am I white? My personal inquiry into race begins with a school picture of a six-year-old boy. My dark brown hair, parted to one side, falls impishly over…

  • Fashioning and Refashioning Marie Laveau in American Memory and Imagination Florida State University 2009 201 pages Tatia Jacobson Jordan A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Fashioning and Refashioning Marie Laveau in American Memory and Imagination follows the life and literary…

  • Racing “mixed race” in the 21st century Gender News The Clayman Institute for Gender Research Stanford University 2012-03-16 Krystale E. Littlejohn Mixed race and social negotiation What are you?  For many people, this question elicits a variety of responses: student, sister, brother, dancer, mother, sports enthusiast.  For ethnically ambiguous people, however, the question usually refers…

  • James Fenimore Cooper and the Invention of the Passing Novel American Literature Volume 84, Number 1 (March 2012) pages 1-29 DOI: 10.1215/00029831-1540932 Geoffrey Sanborn, Associate Professor of Literature Bard College, Annandale-on-Hudson, New York Sanborn’s essay seeks to demonstrate that The Headsman, an overlooked 1833 novel by James Fenimore Cooper, is an allegory of racial passing. After…

  • “Race Under Reconstruction in German Cinema” investigates postwar racial formations via a pivotal West German film by one of the most popular and prolific directors of the era. The release of Robert Stemmle’s Toxi (1952) coincided with the enrolment in West German schools of the first five hundred Afro-German children fathered by African-American occupation soldiers.

  • Paddling Her Own Canoe: The Times and Texts of E. Pauline Johnson (Tekahionwake) University of Toronto Press June 2000 354 pages Paper ISBN: 9780802080240 Cloth ISBN: 9780802041623 Veronica Strong-Boag, Professor of Women’s History University of British Columbia Carole Gerson, Professor of English Royal Society of Canada at Simon Fraser University Winner of the Raymond Klibansky…

  • Birth in the Briar Patch: Charles W. Chesnutt and the Problem of Racial Identity The Southern Literary Journal Volume 41, Number 2, Spring 2009 pages 1-20 DOI: 10.1353/slj.0.0040 Daniel Worden, Assistant Professor of English University of Colorado, Colorado Springs In his speech “The Courts and the Negro,” written around 1908, Charles W. Chesnutt faults the…

  • Exploring Prejudice, Miscegenation, and Slavery’s Consequences in Mark Twain’s Pudd’nhead Wilson The Kennesaw Journal of Undergraduate Research Volume 1, Issue 1, Article 3 (2011) 5 pages Steven Watson Kennesaw State University, Kennesaw, Georgia This research paper analyzes Mark Twain’s use of racist speech and racial stereotypes in his novel Pudd’nhead Wilson. Twain has often been…