Mixed Race Studies

A Man Called White and Exploring America’s Darkest Secret in “White Lies”

Chicago Review of Books
2022-02-07

Steve Nathans-Kelly

An interview with A.J. Baime about his new book, “White Lies: The Double Life of Walter F. White and America’s Darkest Secret.”

When we speak of the peak years of the Civil Rights Movement, typically we refer to the period beginning with Brown v. Board of Education in 1954 and the Montgomery Bus Boycott of 1955-56—which thrusted Martin Luther King, Jr. onto the national stage. This canonical era concludes with the passage of the Voting Rights Act in August 1965 following the pivotal showdown in Selma. Those eleven years formed the Movement’s dominant narrative, which blurred and obscured most of what came before and after (and oversimplified much that’s in between).

Jacquelyn Dowd Hall’s landmark 2005 essay, “The Long Civil Rights Movement and the Uses of the Past,” ushered in a critical reassessment of these artificial historical boundaries. Hall argued that anointing this era not only limited the movement’s lifespan to a “halcyon decade,” but also narrowed its goals to the pursuit of a vaguely defined “color-blind” society, a notion later used to recast King and others as proponents of neoliberal social and fiscal policy.

Focusing exclusively on this period also meant overlooking many of the foundational figures who preceded it and laid the groundwork for nearly everything that followed.

One such figure is Walter F. White—known in his lifetime as “Mr. NAACP”—who led America’s most powerful civil rights organization from 1929 until his death in 1955. White featured prominently in nearly every important battle against segregation and white supremacy during those years. White’s extraordinary life demonstrates how blinding white Americans’ appalling lack of color-blindness could be.

By all appearances, the blond-haired and blue-eyed Walter White was white. But like his multiracial parents, both born to formerly enslaved people, White identified as Black throughout his life. In his early years with the NAACP, he used his appearance to infiltrate Southern white communities as an undercover white man, gathering critical information on brutal lynchings from killers keen to brag about their crimes…

Read the entire interview here.

White Lies: The Double Life of Walter F. White and America’s Darkest Secret

Mariner Books
2022-02-08
400 pages
Hardcover ISBN: 978-0358447757
Paperback ISBN: 978-0358581772
eBook ISBN: 9780358439660
Audiobook ISBN: 9780358581932

A. J. Baime

A riveting biography of Walter F. White, a little-known Black civil rights leader who passed for white in order to investigate racist murders, help put the NAACP on the map, and change the racial identity of America forever

Walter F. White led two lives: one as a leader of the Harlem Renaissance and the NAACP in the early twentieth century; the other as a white newspaperman who covered lynching crimes in the Deep South at the blazing height of racial violence. Born mixed race and with very fair skin and straight hair, White was able to “pass” for white. He leveraged this ambiguity as a reporter, bringing to light the darkest crimes in America and helping to plant the seeds of the civil rights movement. White’s risky career led him to lead a double life. He was simultaneously a second-class citizen subject to Jim Crow laws at home and a widely respected professional with full access to the white world at work. His life was fraught with internal and external conflict—much like the story of race in America. Starting out as an obscure activist, White ultimately became Black America’s most prominent leader. A character study of White’s life and career with all these complexities has never been rendered, until now.

By the award-winning, best-selling author of The Accidental President, Dewey Defeats Truman, and The Arsenal of Democracy, White Lies uncovers the life of a civil rights leader unlike any other.

Taffy Abel medaled in the 1924 Olympics. Few knew of his Indigenous heritage

National Public Radio
2022-02-07

Troy Oppie, Host/Reporter
Boise State Public Radio, Boise, Idaho

At the 1924 Winter Olympics in Chamonix, France, about two dozen American dignitaries and athletes trudged through snowy streets in the opening parade. The American flag – then with just 48 stars – was carried by hockey player Clarence “Taffy” Abel.

What few outside his family and close friends knew at that time: Taffy Abel was Native American – the first Indigenous athlete to carry the flag at the Olympics. Within days he’d become the first Native American to win a medal in winter games history.

“A Native American, carrying our stars and stripes, nearly 100 years ago,” reflects George Jones, Abel’s 73-year-old nephew by marriage. His voice quivered with pride as he spoke of that moment.

Family stories passed down tell how Abel, his sister Gertrude, and his mother Charlotte – a Canadian Chippewa (now called Ojibwe) – all passed themselves off as white, mostly by not talking about it.

“The main thing that they were fearful of,” says Jones, “[was] that Taffy and his sister would be taken away to an Indian residential school.”…

Read the entire story here.

The Forgotten Story of Lucien-Leon Guillaume Lambert

Bacchus Tales & Co.
August 2017

J. C. Phillips, Co-Founder, Publisher, Writer

Charles Lucien Lambert ​Sr.

The story of this brilliant, sometime forgotten, underrated composer can date back to the ugly history of racial discrimination in the United States. His family’s sojourner led this brilliant man to work and strive in his chosen profession. It was that sacrifice of his father that made that opportunity possible…

Read the entire article here.

‘The Chevalier’ team is eager to burnish the legacy of Joseph Bologne

Experience CSO
Chicago Symphony Orchestra Association
Chicago, Illinois
2022-02-01

Kyle MacMillan

A champion fencer, gifted athlete, high-ranking officer and violin virtuoso, Joseph Bologne was all those things in 18th-century France, but the classical world has only belatedly come to recognize him as well as a prolific and talented composer.

While he achieved considerable musical success during his lifetime, he nonetheless faced discrimination and was ultimately all but forgotten after his death in 1799, in no small part because he was mixed race. Bologne was born in the French Caribbean colony of Guadeloupe, the son of a white plantation owner and his wife’s African slave.

Chicago’s Music of the Baroque, along with the Chicago Symphony Orchestra Association, will present the Midwest premiere Feb. 18-20 of The Chevalier, a concert theater work about the life and music of this fascinating and unfairly overlooked historical figure. (Bologne took the title of Chevalier de Saint-Georges after graduating from France’s Royal Polytechnical Academy of Fencing and Horsemanship in 1766.) One performance will occur at 8 p.m. Feb. 20 at Symphony Center, with additional dates of 7:30 p.m. Feb. 18, Kehrein Center for the Arts, 5628 W. Washington, and 7:30 p.m. Feb. 19, North Shore Center for the Arts in Skokie.

“We’re absolutely ecstatic that the launchpad for the tour is in three different neighborhoods in Chicago during Black History Month. It is the perfect way to start us off, and I’m just so grateful for the Chicago Symphony Orchestra organization to be platforming it,” said Bill Barclay, writer-director of and an actor in The Chevalier. Now the artistic director of Concert Theatre Works, he was director of music in 2012-19 at Shakespeare’s Globe in London.

Read the entire article here.

Rebecca Hall says directing ‘Passing’ helped ‘unlock’ Black family history

theGrio
2021-11-10

Mariel Turner, Senior Editor

“It really gave me an access point into the history of my family that otherwise would have remained hidden,” the first-time director says

Writing and directing Passing has given Rebecca Hall a host of things: critical acclaim, first-time directing experience and award season buzz. One thing she didn’t expect, however, is the deep dive into her family’s own history that the film spurred.

The 39-year-old actress-director told theGrio exclusively that reading the 1929 novel on which Passing is based, and directing the film itself, helped her to uncover her own family’s history of passing and white assimilation. Hall, the daughter of Detroit opera singer Maria Ewing and Royal Shakespeare Company founder Peter Hall, confirmed that her grandfather was Black and white-passing…

Read the entire article here.

More than a century later, the music of Samuel Coleridge-Taylor plays on

Experience CSO
Chicago Symphony Orchestra Association
Chicago, Illinois
2021-02-05

Kyle MacMillan

It’s kind of a musical game of names. In November, a group of Chicago Symphony Orchestra members performed Coleridge-Taylor Perkinson’s String Quartet No. 1 (Calvary) (1956), as part of CSO Sessions, a series of small-ensemble virtual concerts on the CSOtv video portal.

In an installment of CSO Sessions debuting Feb. 11, another group of CSO musicians will perform the Clarinet Quintet in F-sharp Minor, Op. 10, a work written 61 years earlier by Perkinson’s namesake: Samuel Coleridge-Taylor. These two composers with overlapping names were from two completely different generations, but they nonetheless have several important characteristics in common. Both were of African descent and racial bias kept them from attaining the recognition and standing they deserved.

Coleridge-Taylor (1875-1912), who had an English mother and Sierra Leone Creole father, gained considerable respect in England during his short life, including early support from Edward Elgar. In part because of the success of The Song of Hiawatha, a trilogy of cantatas, Coleridge-Taylor made three tours to the United States and was received in 1904 at the White House by President Theodore Roosevelt.

The Chicago Symphony Orchestra presented an aria from the first and most famous of the cantatas, Hiawatha’s Wedding Feast, in 1900 when Coleridge-Taylor was just 25 years old; it was the first music by a Black composer performed by the orchestra…

Read the entire article here.

Seattle-based Coast Guard cutter’s journey through the Arctic: No ‘ice liberty’ in changing waters

The Seattle Times
2021-10-20

Hal Bernton, Staff Reporter

They call it “ice liberty,” a tradition during the Coast Guard’s maritime missions in Arctic waters. At a thick ice floe, the crew gets to disembark for a brief moment of freedom from the vessel confines. Some play touch football, or bring hockey gear for the occasion. Others just take a stroll.

This year, there was no suitable ice to be found during the Coast Guard Cutter Healy’s northern journey off Alaska and Canada. So the event was canceled.

“A lot of the floes had melt ponds with holes in them like Swiss cheese,” said Capt. Kenneth Boda, commander of the Seattle-based icebreaker. “We couldn’t get the right floe.”

Boda spoke via telephone during a port call in Boston. The vessel is deep into a marathon voyage that began July 10 as the 420-foot ship pulled away from its berth at the Coast Guard base in downtown Seattle and traveled into Arctic waters off Alaska. After a jog south, the Healy headed north again and through the Northwest Passage to the Atlantic…

…Arctic shipwreck found

During the voyage, the Healy crew traversed some of the waters cruised more than a century ago by their vessel’s namesake, “Hell Roaring” Mike Healy, captain of the wooden-hulled U.S. Revenue Cutter Bear from 1886 to 1895.

Healy, who was born into slavery, is a legendary figure in U.S. maritime history. He was the first person of African American descent to command a U.S. government ship, and embarked on annual patrols off Alaska, which covered 15,000 to 20,000 miles.

Healy was a kind of maritime sheriff who helped enforce the law as he acted as “judge, doctor and policeman to Alaska Natives, merchant seamen, and whaling crews,” according to a U.S. Coast Guard history, and also led the Bear on a historic 1884 rescue of starving survivors of an Arctic expedition under command of Army 1st Lt. Adolphus Greely…

Read the entire article here.

An Education for All: Teacher Educated Her Hampton Students `for Eternity’

The Daily Press
Norfolk, Virginia
1995-02-07

Felice Belman

Mary S. Peake

HAMPTON — Mary S. Peake was so devoted to her students that she taught them even when it was illegal to do so.

She was so dedicated to education that, even after the city of Hampton was burned by Confederate rebels, she started a school for ex-slaves at Fort Monroe.

And she was so concerned about her work that in February 1862 – so weak from tuberculosis that she couldn’t stand – Peake gathered her students round her bedside and taught lessons between violent spasms of coughing. She died the next day.

”It’s important to remember Mary S. Peake because she taught the prominent people of her time,” said Debbie Lee Bryant, a genealogist and historian in Hampton. ”It’s important to remember her because she was the first black missionary teacher, and because her school was the forerunner to what’s now known as Hampton University.”

Peake’s contemporaries were equally admiring.

”Mrs. Peake was a remarkable person as to disposition, talents and piety,” said an unsigned article in an 1862 edition of the ”American Missionary” magazine, the journal of the American Missionary Association.

”She devoted unreservedly to the elevation of her own race,” the article said.

Mary S. Peake was a free black woman when most Southern blacks were slaves. She taught black children in Hampton and, in 1861, opened a school, marking the beginning of general education for blacks in the South. The founders of Hampton Institute, now called Hampton University, were inspired by Peake’s example.

Peake was the first teacher of blacks in any territory liberated by the Federal Army and the founder of the first school for blacks after the war began.

Born Mary Smith Kelsey, Peake was the daughter of a free black woman and a white Englishman. She was sent away to school in Alexandria but returned home to Norfolk at the age of 16, after Congress shut down schools for blacks in the Washington area. A studious girl, she turned most frequently to the Bible, according to a biography written by her contemporary, the Rev. Lewis C. Lockwood…

Read the entire article here.

75 years after Viola Desmond’s arrest, a north-end Halifax group seeks to honour her

CBC News
2021-11-08

Feleshia Chandler, Reporter

North End Business Association announces it will commission a commemorative art piece

It’s been 75 years since businesswoman-turned social justice activist Viola Desmond was arrested at the Roseland Theatre in New Glasgow, N.S., for challenging racial segregation by daring to sit in a “whites only” section.

To mark that anniversary, the North End Business Association in Halifax has announced a new commemorative art piece collaboration set to be completed in 2022.

“We’ve been working on it for the last year,” said Bernadette Hamilton-Reid with the African Nova Scotian Decade for People of African Descent Coalition (ANSDPAD).

“It’s very exciting to see this come to fruition as to how we can best commemorate Viola for her strong resiliency as a Black woman entrepreneur and setting the stage for many other generations to come after her.”

ANSDPAD is part of the Viola Desmond Legacy Committee, which was established in 2018 in order to see Desmond, who died in 1965, recognized in Halifax, the city where she lived and where her actions in business and civil rights have a lasting impact.

The North End Business Association is collaborating with the committee to have an art piece built on Gottingen Street, near where Desmond’s old hairdressing shop used to be…

Read the entire article here.