Mixed Race Studies

Mitski Doesn’t Bother With Labels. She Prefers Excellence

Westworld
2017-07-14

Tom Murphy

Mitski Ebru Yildiz

Mitski Miyawaki, who performs with her band under her first name, grew up in a biracial, multicultural household. During her childhood, Mitski lived in Japan, Malaysia, China, Turkey and the Democratic Republic of Congo. But it wasn’t until she returned to the U.S. that she had a racial designation imposed on her.

“I discovered I was an Asian American when I arrived in the U.S.,” says Mitski. “I didn’t identify as that before I came here. People started calling me that, and I started being treated in a specific way.”

In the U.S., Mitski was regularly asked what most biracial people – her being half Japanese and half Caucasian American – are asked at least once in their lives: “What ARE you?” Mitski doesn’t particularly identify with American or Japanese culture, and her parents didn’t encourage her to choose or adopt either.

“I think growing up the way I did has made me a lot more objective, and that’s important in the process of writing and trying to look at subjective matter that way,” observes Mitski. “Being an outsider at the time nurtured my eye as a writer.”…

Read the entire article here.

Why Chinese Americans Are Talking About Eileen Gu

The New York Times
2022-02-18

Ashley Wong

The critical crossfire Ms. Gu has faced has implications that go far beyond the Olympic slopes, Chinese Americans say. And some see themselves in the duality she has embraced.

When it comes to Eileen Gu, the 18-year-old Olympic gold medalist freestyle skier who was born in San Francisco but competed for China, Chinese Americans have lots of opinions.

There are those who love her, moved by her ability to soar over treacherous slopes with ease. Others are inspired by her efforts to navigate the uneasy political tension between two countries and cultures. Some believe she chose to represent China simply to cash in on the lucrative opportunities it has afforded her.

But like her or not, many Chinese Americans interviewed in the New York region this week agreed on one thing: When Ms. Gu says, as she often does, “When I’m in the U.S., I’m American, but when I’m in China, I’m Chinese,” it resonates with them.

“I think what I’m seeing is somebody who isn’t afraid to love her identities and share that with people,” said Sarah Belle Lin, 28, a Harlem resident. “I think it’s so brave, actually, for her to speak about that on a public platform.”…

Read the entire article here.

Poland’s multicultural music landscape: from Afro-Polish folk to Polish jazz from Peru

Notes From Poland
2022-02-17

Zula Rabikowska

Poland is often depicted as an ethnically homogeneous country, and in some senses it is. Contemporary Polish identity, however, is more complex and diverse than is often represented in the media, and the markers of Polishness are changing.

Historically, Poland was a multicultural country, with a third of its population composed of minorities. That rich legacy is still reflected in contemporary culture, from food to literature and art.

Though the death, destruction and displacement of World War Two ended that ethnic diversity, the postwar era was marked by migrations from fellow communist countries, in particular Vietnam. And in recent years, Poland has recorded one of Europe’s highest rates of immigration…

Read the entire article here.

2022 CMRS Conference Is Two Weeks Away!

Critical Mixed Race Studies Association
2022-01-24

*** View the program schedule here! ***

REGISTER NOW!
It is not too late to register for the 6th biennial Critical Mixed Race Studies Conference titled Ancestral Futurisms: Embodying Multiracialities Past, Present, and Future to be held virtually February 24-26, 2022. To register, click here.

BECOME AN EXHIBITOR
For a small $10 fee you can advertise your business and/or sell your wares during the CMRS Conference in our virtual exhibitor space. Register here.

BECOME A CONFERENCE SPONSOR
It’s not too late to become a 2022 CMRS conference sponsor. Sponsors receive advertisement on the conference website, free registration for students or community members, and conference merchandise featuring the brilliant art image “Transition” by artivist Favianna Rodriguez.

To become a sponsor please go to our Eventbrite page here.

NEW! View the program guide here.

How a Vietnamese Ethiopian Designer Built Her Fashion ‘Dynasty’

Saigoneer
2020-10-23

Written by Diệu Linh. Photos by Lê Việt Dũng.

“I’m young so I still have big dreams,” Kim Berhanu begins our chat on an early September day. At the tender age of 23, Berhanu is already the CEO and creative director of the fashion brand Dynasty the Label. And that’s just the beginning for the half-Vietnamese designer.

Born in Australia into a family of a Vietnamese mother and an Ethiopian father, she understands more than anyone what it means to feel different. That sense of not fitting in nurtured Berhanu’s aspiration to travel the world to experience cultural diversity. “After saving enough money from part-time gigs in high school, I decided on France because I love the arts and culture scene there,” she reminisces. “When I returned, I resolved to explore more destinations because Australia has become my ‘comfort zone.’”

Filled with hope and determination, she moved to Vietnam in 2018. To her, Vietnam is a promised land where many of her personal plans could become a reality. Berhanu said of the opportunities she’s gotten since her return: “As long as you have a big idea, you’ll quickly be able to find kindred minds to actualize it.”…

Read the entire article here.

Existing Across Boundaries: A Conversation with Community Journalist and Editor Sharon Ho Chang

The Seventh Wave
2021-10-15

Sharon Ho Chang knows her way around community journalism. She is the managing editor at the South Seattle Emerald, a digital news and culture publication run by and centering the BIPOC people and communities who live, work, create, and are experiencing displacement due to gentrification in the city’s Central District and South End. The Emerald is a beacon of thorough, complex, and vital reporting for the immediate area, as well as an example of how journalism can embrace multifaceted local stories that have regional, national, and even global importance. In addition to editing the Emerald, Chang is also a writer, artist, and documentarian with a lot of storytelling under her belt, including the publication of two nonfiction books — Raising Mixed Race: Multiracial Asian Children in a Post-Racial World (Routledge, 2015) and the memoir Hapa Tales And Other Lies: A Mixed Race Memoir About the Hawai’i I Never Knew (self published in 2018) — both of which explore in academic and personal ways the experience of being mixed race. She is also a photographer and videographer, and is dedicated to documenting underrepresented and underreported stories of the people and places in her community in Seattle, her family and elders in Taiwan, and her own multiracial transnational experience.

Chang spoke with Interviews Editor Sarah Neilson over Zoom about her many, many journalism projects past and present; her experiences with feedback and creative inspiration over time; voting in her first Taiwan presidential election; and what Economies of Harm means to her…

Read the entire interview here.

Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century

University of North Carolina Press
December 2021
408 pages
49 halftones, notes, bibl., index
6.125 x 9.25
Hardcover ISBN: 978-1-4696-6460-6
eBook ISBN: 978-1-4696-6461-3

Yunxiang Gao, Professor of history
Ryerson University, Toronto, Ontario, Canada

This book explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War—journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China’s modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book’s multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies.

Table of Contents

• Title Page
• Copyright Page
• Dedication
• Contents
• Acknowledgments
• Introduction
• 1. Africa, Arise! Face the Rising Sun! W. E. B. and Shirley Graham Du Bois
• 2. Arise! Ye Who Refuse to Be Bond Slaves! Paul Robeson, “the Black King of Songs”
• 3. Transpacific Mass Singing, Journalism, and Christian Activism: Liu Liangmo
• 4. Choreographing Ethnicity, War, and Revolution around the Globe: Sylvia Si-lan Chen Leyda
• 5. Roar, China! Langston Hughes, Poet Laureate of the Negro Race
• Epilogue
• Notes
• Bibliography
• Index

Marginal Citizens: Interracial intimacies and the incarceration of Japanese Canadians, 1942–1949

Canadian Journal of Law and Society / La Revue Canadienne Droit et Société
Published online 2021-09-08
DOI: 10.1017/cls.2021.18

Mary Anne Vallianatos, Ph.D. Candidate
University of Victoria School of Law, British Columbia

Following Japan’s 1941 attacks on Hawai’i and Hong Kong, Canada relocated, detained, and exiled citizens and residents of Japanese ancestry. Many interracial families, however, were exempted from this racial project called the internment. The form of the exemption was an administrative permit granted to its holder on the basis of their marital or patrilineal proximity to whiteness. This article analyzes these permits relying on archival research and applying a critical race feminist lens to explore how law was constitutive of race at this moment in Canadian history. I argue that the permits recategorized interracial intimacies towards two racial ends: to differentiate the citizen from the “enemy alien”; and to regulate the interracial family according to patriarchal common law principles. This article nuances received narratives of law as an instrument of racial exclusion by documenting the way in which a new inclusive state measure sustained old exclusions.

Read or purchase the article here.

Overlooked No More: Si-lan Chen, Whose Dances Encompassed Worlds

The New York Times
2021-05-27

Jennifer Wilson, Contributing Writer
The Nation

This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.

As a dancer and choreographer, she sought to represent a broad range of ethnic groups, but audiences often sexualized and exoticized her by focusing on her mixed race.

In 1945, the dancer Si-lan Chen sent a draft of her memoir to the writer Pearl S. Buck, with a letter asking for her thoughts on why she was struggling to get the attention of a publisher.

The problem, Buck explained, was that while Chen had dined with the Nationalist leader Chiang Kai-shek in revolutionary China, had been romanced by the poet Langston Hughes in Soviet Moscow, and had worked in Hollywood for the producer Joseph Mankiewicz, no one actually knew who she was.

The autobiography, Buck said, of a mixed-race girl growing up in Trinidad, studying ballet at the Bolshoi and choreographing films like “Anna and the King of Siam” (1946), was too focused on, well, her…

Read the entire article here.

Opinion: Hollywood is putting mixed couples on screen. If only they would talk about it.

The Washington Post
2021-12-29

Tracy Moore, Contributing Writer at Vanity Fair
Los Angeles, California

(Jason Lyon/For The Washington Post)

In Netflix’s holiday rom-com “Love Hard,” comedian Jimmy O. Yang plays Josh Lin, a Chinese American everyman who uses the photo of his much-hotter, mixed-race Asian friend Tag (Darren Barnet) to get dating app matches. The ploy works. He links with and falls for Natalie (Nina Dobrev), a White woman so smitten she flies cross-country to surprise him.

But — shocker — Josh isn’t the beefcake in the photos, but a regular guy. Natalie is incensed, though not about his race. Guilty about his catfishing, Josh helps Natalie woo handsome Tag instead.

Natalie also meets real Josh’s Chinese family, where his father is married to a White woman and his brother dates one. These arrangements surprised me — Asian male/White female relationships, called AMWF online, are rarely shown on-screen. That has finally begun to change, but I’m still waiting for the couples to talk about it…

Read the entire article here.