Mixed Race Studies

Addressing Issues of Biracial Asian Americans

Reflections on Shattered Windows: Promises and Prospects for Asian American Studies
Washington State University Press
1988
Chapter 15, pages 111-116

Edited by: G. Y. Okihiro, S. Hune, A. A. Hansen, and J. M. Liu

Stephen L. Murphy-Shigematsu

Revising the Asian American Studies curriculum

One of the more dramatic changes in the post-World War II Asian American population is the increase in those of biracial ancestry. Over the past forty years large numbers of Asian women have married Americans and come to the United States. [n 1] During this period, too, thousands of Asian American men and women have married outside their ethnic group. [n 2] The burgeoning population of biracial youth that has resulted from these developments, represents a significant change in the face of Asian America.

In the light of the above situation, one of the challenges confronting Asian American Studies is to adapt and revise a curriculum created in the early 1970s that was designed primarily for American born Chinese and Japanese. It has become necessary to redesign courses to better accommodate the needs, interests, and backgrounds of the more diverse group of Asian Americans who are presently underrepresented in the curriculum, and increasingly in Asian American Studies classes and in the general population. Those of biracial ancestry are one emerging group whose experiences and needs must be addressed in curriculum development…

Read the entire chapter here.

“What is In My Blood?”: Contemporary Black Scottishness and the Work of Jackie Kay [Book Chapter]

Literature and Racial Ambiguity
Rodopi B.V.
2002-09-15
328 pages
ISBN-10: 9042014180
ISBN-13: 978-9042014183
pp. 1-25(25)

edited by Teresa Hubal and Neil Brooks

Peter Clandfield, Assistant Professor of English Studies
Nipissing University, North Bay, Ontario, Canada

The work of the Scottish writer Jackie Kay (b. 1961) not only refutes simplistic definitions of race and racial attributes, but also challenges utopian idea(l)s about racial and cultural hybridity as a condition that, in itself, resolves problems arising from racial differences—that is, from dissimilarities, conflicts, and things in between. In her 1985 poem “So you think I’m a mule?,” Kay, who is of mixed black-white (African-British) biological parentage, voices what sounds like an unequivocal rejection of white attempts to theorise about people of obviously complex racial ancestry:

If you Dare mutter mulatto
hover around hybrid
hobble on half-caste
and intellectualize on the
“Mixed race problem”,
I have to tell you:
take your beady eyes offa my skin;
don’t concern yourself with
the  “dialectics of mixtures”;
don’t pull that strange blood crap
on me Great White Mother.
Say I’m no mating of a she-ass and a stallion
no half of this and half of that
to put it plainly purely
I am black (lines 29-43)

This 66-line poem is given in full as an epigraph to Heidi Safia Mirza’s Introduction to Black British Feminism: A Reader (Routledge, 1997), where it serves as a strong statement about the determination of black British women to set their own agendas. In the context of Kay’s own evolving career, though, the poem’s significance is much more ambiguous. While its speaker states emphatically that she is black and is “not mixed up” (line 50) about race, mixedrace voices in Kay’s more recent works are less certain. Without being “mixed up” in the sense of being confused or incoherent, these works delineate complex emergent forms of racial and cultural identity that undermine fixed concepts not only of Britishness, blackness, or black Britishness but also of hybridity itself…

Read the entire chapter here.

Sociohistorical Constructions of Race and Language: Impacting Biracial Identity

A chapter in The Psychology of Prejudice and Discrimination. By Jean Lau Chin (Editor). (Santa Barbara, California. Praeger Publishers, 2004. 1,000 pages. ISBN: 0-275-98234-3, ISBN-13: 978-0-275-98234-8)

Matthew J. Taylor, Assistant Professor of Psychology
University of Missouri, St. Louis

Historically, race has been constructed within the American psyche as a dichotomous variable–and either-or proposition.  Moreover, our construction and use of language have developed to mirror the is reality, which ultimately aids in its perception.  Has this divergent approach to race outlived its usefulness and applicability?  Is it realistic, given the face of today’s changing demographic landscape?  At present, there remain cultural and linguistic disconnects between the phenomenological experience of the biracial individual and the expectations of the dualistic society within whichthey reside.  On the individual level, there are implications for psychosocial development (Hall, 2001; Root, 1995).  More broadly speaking, what will develop from the resolution of the dilemma is a new paradigm impacting how the citizens of this country view race and racial identity.  This paper explores the impact that the sociohistorical constructions to race and language have on the lives of biracial individuals.  To this end, the author, who is biracial, will blend sociohistorical conceptions of race and linguistic philosophy with personal narrative components and conclude with implications for multiracial identity development…

Read the entire chapter here.

Mixed-Race Issues in the American and French Melodrama: An Analysis of the Imitation of Life Films (Stahl, USA, 1934; Sirk, USA, 1959) and Métisse (Kassovitz, France, 1993) In: Martin McLoone & Kevin Rockett, eds. Irish Films, Global Cinema, Studies in Irish Film 4.

Four Courts Press
2007
176 pages
Hardback ISBN: 978-1-84682-081-6

Zélie Asava
University College Dublin

The chapter analyses the positionalities of the mixed-race female protagonists of each film and the visualisation of their mixed-race identity.  It considers aspects of their struggle for self-definition against the director’s visual clues about their ‘true’ racial space.  It also explores the possibility in these films for a representation of mixed identity that surpasses the stereotypes of the ‘tragic mulatto’ torn between black and white worlds (as represented by mothers in the American films and lovers/parents in the French film).  Finally the article – as with my thesis – considers the limitations of American cinema in transcending binaried representations of race and the alternatives which French cinema offers, in order to consider the possibility for a mixed-race representative model which would visualise the multiplicity and ‘Third Space’, as Homi K. Bhabha put it, of mixed-race identity.

The Historical Problematization of ‘Mixed Race’ in Psychological and Human-Scientific Discourses

Defining difference: Race and Racism in the History of Psychology
2004
Edited by Andrew Winston
pages pp. 79-108
American Psychological Association

Thomas Teo, Associate Professor
Department of Psychology
York University

This paper reconstructs techniques of problematization regarding “mixed race” from Enlightenment inspired anthropological discourses to the North-American psychological discourses of the present time. Two central techniques of problematization are discussed. The conceptual technique of problematization, used in bio-psychological discourse at the beginning of the 20th century, transformed a lack of evidence into invoking metaphysical concepts such as disharmony. Sociological and social-psychological discourses changed problems of society with hybridity into problems of individuals. The empirical technique of problematization refers to the repeated testing of the inferiority of hybrid groups, for example of the “mulatto hypothesis.” Finally, it is shown how multiracial academics in the contemporary discourse shifted the discourse by focusing on problems that biracial people experience within society. It is suggested that the reconstruction of hybridity illustrates the epistemological and ethical shortcomings of a paradigm that considers humans as objects and not as subjects of research.

Read the entire chapter here.