Mixed Race Studies
Scholarly perspectives on the mixed race experience.
recent posts
- The Routledge International Handbook of Interracial and Intercultural Relationships and Mental Health
- Loving Across Racial and Cultural Boundaries: Interracial and Intercultural Relationships and Mental Health Conference
- Call for Proposals: 2026 Critical Mixed Race Studies Conference at UCLA
- Participants Needed for a Paid Research Study: Up to $100
- You were either Black or white. To claim whiteness as a mixed child was to deny and hide Blackness. Our families understood that the world we were growing into would seek to denigrate this part of us and we would need a community that was made up, always and already, of all shades of Blackness.
about
Category: United States
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Gaignard’s work examines issues of race, class, femininity and their various intersections. As the daughter of an interracial couple, identity has informed a large part of Gaignard’s work, in which she invites the viewer to examine their own assumptions on identity.
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Republican, Fear, Love, Blood: The Many Meanings of Red Elephant 2019-04-29 In Full Bloom, 2019. Courtesy the artist and Monique Meloche Gallery, Chicago Genevieve Gaignard is invested in examining the cultural divide between being black and white in the US, navigating a place for all the incremental shades that exist in between. Her latest work…
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Blood can be racially or ethnically specific, so having more blood donors in certain groups can be crucial for saving the lives of patients who share their backgrounds.
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LAWRENCE – More than one white politician has landed in hot water this year after old photographs of them dressed in blackface surfaced. Clearly, racial stereotypes are still a touchy subject. So is it OK for minorities to dress in whiteface? What if it’s meant to represent an inner conflict among people of mixed-race identity?
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The Stark Novel Of A Swamp Girl And A Lonely White Man — Carries The Wallop Of Faulkner And The Skills Of Caldwell
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The presentation argues that mulattoes became negroes in the 1930 census because white Americans feared that black people were secretly among them, passing for white. Furthermore, it argues that the census change did not end the practice of racial passing or diminish white Americans fascination with it and fear of this act.
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The character that you in see this piece explores the spectrum of these experiences through her mixed-race identity and shares them in through a spoken and physical confession.
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It wasn’t until she moved away from her home state of Maine, the whitest state in the country, that visual artist Eleanor Kipping realized it isn’t just her mixed race that affects the way she moves in the world — it’s also her lighter skin tone.