Mixed Race Studies

More Than I Imagined: What a Black Man Discovered About the White Mother He Never Knew

Convergent Books (an imprint of Penguin Random House)
2023-05-02
240 Pages
5-1/2 x 8-1/4
Hardcover ISBN: 9780593443040

John Blake, Award-Winning CNN Journalist

An award-winning journalist tells the story of his quest to reconcile with his white mother and the family he’d never met—and how faith brought them all together.

John Blake grew up in a notorious Black neighborhood in inner-city Baltimore that became the setting for the HBO series The Wire. There he became a self-described “closeted biracial person,” hostile toward white people while hiding the truth of his mother’s race. The son of a Black man and a white woman who met when interracial marriage was still illegal, Blake knew this much about his mother: She vanished from his life not long after his birth, and her family rejected him because of his race.

But at the age of seventeen, Blake had a surprise encounter that uncovered a disturbing family secret. This launched him on a quest to reconcile with his white family. His search centered on two questions: “Where is my mother?” and “Where do I belong?” More Than I Imagined is Blake’s propulsive true story about how he answered those questions with the help of an interracial church, a loving caregiver’s sacrifice, and an inexplicable childhood encounter that taught him the importance of forgiveness.

Blake covered some of the biggest stories about race in America for twenty-five years before realizing that “facts don’t change people, relationships do.” He owes this discovery to “radical integration,” which was the only way forward for him and his family—and is the only way forward for America as a multiracial democracy. More Than I Imagined is a hopeful story for our difficult times.

ARE YOU MIXED-RACE? Are you Biracial, Multiracial, or have biological parents of two or more races?

Tessa Nalven, M.A., Clinical Psychology Doctoral Candidate
University of Rhode Island

2023-03-29

This is a research study about the experiences of young adults in the United States, whose biological parents are two or more races (Multiracial). It is being conducted by Tessa Nalven and Dr. Nichea Spillane at the University of Rhode Island (URI) and is IRB-approved. The following questions will help us determine if you are eligible to be in the study and should take 3-5 minutes to complete.

For more information, click here.

Topsy-Turvy

New England Review
Volume 44, Number 1 (2023)

Herb Harris

“It’s funny about ‘passing.’ We disapprove of it and at the same time condone it. It excites our contempt and yet we rather admire it. We shy away from it with an odd kind of revulsion, but we protect it.”
—Nella Larsen, Passing

I started with a group of boxes that looked like the oldest ones in the attic. The packing tape easily lifted away, no longer sticking to the cardboard, and wine glasses and dishes emerged from pages of the Washington Post from the 1970s. Several heavy boxes contained papers and photographs belonging to my grandparents, but there was one surprisingly light box. I opened it to find a collection of hand-sewn dolls and animal puppets, just a dozen or so of the thousands I knew my grandmother had made when she was a volunteer at Children’s Hospital over the years.

Among the clowns, frogs, and bunnies was one doll that had clearly been sewn with greater care and detail than the others. I recognized it as Grandma’s work, but it had a design I’d never seen before. It was a girl with light pink skin, blue eyes, and blond hair, wearing a long floral dress with a lace collar and a pink bow. I flipped it over to reveal another girl, this one with very dark brown skin, black hair, and brown eyes. The two figures were joined at the torso, and the exaggerated contrast between their features gave the second doll a blackface quality. I remembered that toys like these were called Topsy-Turvy dolls and vaguely associated them with offensive Jim Crow cartoons and minstrel shows. Why would my grandmother, a Black woman, make such a thing? Grandma had died more than twenty years before, and, holding this strange doll in my hands, I had the sense that this was her last word on race.

A little research reveals that Topsy-Turvy dolls originated during the time of slavery. No one can ascribe a single meaning or purpose to them, but their dual identity suggests a connection to the mixed-race children who were a part of the plantation world. These children were enslaved people who could be bought or sold by law. They were also relatives of their owners: cousins, half-siblings, sons, and daughters. These relationships were usually denied, but they were often open secrets. The children might be symbols of the master’s potency or shameful reminders of his transgressions, or they might be objects of love or victims of abuse, but their existence was always charged with hidden meanings and deep conflicts. They could only be talked about with code words filled with ambiguity, like the language my grandparents used when they talked about race. Topsy-Turvy dolls were part of this language. They embodied many things that could never be said…

Read the entire article here.

Georgia Louise Harris Brown (June 12, 1918 – September 21, 1999)

Pioneering Women of American Architecture
October 2017

Anat Falbel
University of Campinas, Brazil

Roberta Washington, Principal
Roberta Washington Architects, New York, New York

Georgia Louise Harris Brown (1918–1999), a pioneering African American architect practicing in Chicago and Brazil from the 1940s to the 1990s, is recognized as the second African American woman licensed as an architect in the United States.¹ She forged an impressive career in industrial architecture in Brazil, where she may have immigrated in the hope of escaping racial prejudice, though she was rarely credited as the designer in publications about these works. (Generally, it was the engineering firms that received the credit.)

EARLY LIFE AND EDUCATION
Georgia Louise Harris Brown was born in Topeka, Kansas, on June 12, 1918, only six years after the extension of equal voting rights to women in the state.² Her family’s genealogy of strong women of mixed ancestry included former enslaved African Americans who arrived from the South to the Union’s slavery-free state after 1861, Native Americans, and German settlers…

Read the entire article here.

‘I Am Latino, I Am Also White’: Why A Latino Of Mixed Ancestry Struggles Each Time He Fills Out A Form

LAist
2020-12-06

Thomas Lopez

“Mr. Lopez, we need you to turn in the form declaring your son’s race,” said the administrator from my son’s school.

In second grade, we transferred him to LAUSD from his parochial school and filed the necessary stack of paperwork, save one form. That was the statement of racial identity.

It wasn’t intentional, just an honest mistake. But it wasn’t one the school would easily overlook. They called my wife and me individually to obtain the form.

Completing this form was not easy. My son is multiracial — Black, white and Native American. I too am multiracial white and Latino. My wife and I are Mexican American…

Read the entire article here.

Identity Wars: Mixed Separatists v. Black Gatekeepers

Mixed Auntie Confidential
2023-03-16

TaRessa Stovall

Does this fight or fuel racism?

A growing trend has Mixed-race Separatists on one side, insisting that we have to identify ONLY as Mixed or we’re criticized as “One-Droppers” for refusing to separate our Mixedness from our Blackness, and rejected as problematic, inauthentic enemies of “true” Mixed identity.

On the other side, there’s a growing number of young Black folks—seemingly mostly women—who proudly self-identify as Gatekeepers. They’re adamant that Mixed-Black people aren’t Black, can’t call themselves Black, and aren’t welcome in Black spaces. This gatekeeping includes Mixed-Black people who very much identify with Black culture and community…

Read the entire article here.

The Cumulative Effects of Colorism: Race, Wealth, and Skin Tone

Social Forces
Published online: 2023-03-13
DOI: 10.1093/sf/soad038

Alexander Adames, Ph.D. Candidate
Department of Sociology
University of Pennslyvania

Researchers have long documented a persistent Black–White gap in wealth. These studies, however, often treat race as a discrete category, eluding its socially constructed nature. As a result, these studies assume that the “effect of race” is consistent across all individuals racialized as Black. Studies that make this assumption potentially obscure heterogeneity in the size of the Black–White wealth gap. Research on skin color stratification suggests that it is possible that the Black–White wealth gap varies by the extent to which a racial subgroup is deemed to fit the broader racial umbrella. In turn, I adopt a more complex operationalization of race that is based on both racial and skin tone appraisals. Drawing on data from the National Longitudinal Survey of Youth 1997, I find that the Black–White wealth gap does vary by the Black skin tone subgroup. Generally, the Black–White gap in assets is smallest when focusing on lighter-skin Black people and largest when focusing on darker-skin Black people. These differences are not only the result of initial disadvantage but also cumulative disadvantage in the rate of wealth accumulation. Lastly, the findings suggest that the Black–White wealth gaps grow at a faster rate than the skin tone wealth gaps. I found that differences were robust to adjustments for parental socioeconomic status, childhood background, and interviewer characteristics. I conclude by discussing the theoretical implications for our understanding of the mechanisms undergirding Black–White disparities in wealth attainment.

Read or purchase the article here.

The Other Mother, A Novel

Counterpoint Press (an imprint of Penguin Random House)
2022-05-03
432 pages
6 x 9
Hardcover ISBN: 9781640095045

Rachel M. Harper

An “extraordinary” page-turning generational saga about a young man’s search for a parent he never knew, and a moving portrait of motherhood, race, and the truths we hide in the name of family (Alice Walker, Pulitzer Prize-winning author of The Color Purple)

Jenry Castillo is a musical prodigy, raised by a single mother in Miami. He arrives at Brown University on a scholarship—but also to learn more about his late father, Jasper Patterson, a famous ballet dancer who died tragically when Jenry was two. On his search, he meets his estranged grandfather, Winston Patterson, a legendary professor of African American history and a fixture at the Ivy League school, who explodes his world with one question: Why is Jenry so focused on Jasper, when it was Winston’s daughter, Juliet, who was romantically involved with Jenry’s mother? Juliet is the parent he should be looking for—his other mother.

Revelation follows revelation as each member of Jenry’s family steps forward to tell the story of his origin, uncovering a web of secrecy that binds this family together even as it keeps them apart. Moving seamlessly between the past and the present, The Other Mother is a daring, ambitious novel that celebrates the complexities of love and resilience—masterfully exploring the intersections of race, class, and sexuality; the role of biology in defining who belongs to whom; and the complicated truth of what it means to be a family.

When Trying to Return Home: Stories

Counterpoint Press (an imprint of Penguin Random House)
2023-02-07
272 pages
5-1/2 x 8-1/4
Hardcover ISBN: 9781640095687

Jennifer Maritza McCauley

A dazzling debut collection spanning a century of Black American and Afro-Latino life in Puerto Rico, Pittsburgh, Louisiana, Miami, and beyond—and an evocative meditation on belonging, the meaning of home, and how we secure freedom on our own terms

Profoundly moving and powerful, the stories in When Trying to Return Home dig deeply into the question of belonging. A young woman is torn between overwhelming love for her mother and the need to break free from her damaging influence during a desperate and disastrous attempt to rescue her brother from foster care. A man, his wife, and his mistress each confront the borders separating love and hate, obligation and longing, on the eve of a flight to San Juan. A college student grapples with the space between chivalry and machismo in a tense encounter involving a nun. And in 1930s Louisiana, a woman attempting to find a place to call her own chances upon an old friend at a bar and must reckon with her troubled past.

That Time I Clapped Back at Langston Hughes

Mixed Auntie Confidential
2023-03-05

TaRessa Stovall

Me at age 3

Even as a child, I balked at the stereotype of the Tragic Mulatto.

It didn’t make sense to me.

And I straight-up resented its implication: that my existence was tragic and my whole life worthless because I was “this close to” but not completely white.

Neither I nor any of the Mixed folks I grew up with seemed the least bit miserable about our ancestry or identities.

I was a young “bookworm”—today I’d be called an avid reader—regularly devouring the works of many fine poets and authors including Langston Hughes, who was one of my favorites…

Read the entire article here.