Mixed Race Studies
Scholarly perspectives on the mixed race experience.
recent posts
- Mixed Roots: Writers on Multiracial Identity and Both/And Belonging
- The Routledge International Handbook of Interracial and Intercultural Relationships and Mental Health
- Loving Across Racial and Cultural Boundaries: Interracial and Intercultural Relationships and Mental Health Conference
- Call for Proposals: 2026 Critical Mixed Race Studies Conference at UCLA
- Participants Needed for a Paid Research Study: Up to $100
about
Category: United States
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Get Out — Jordan Peele’s acclaimed horror-comedy about a black man who finds himself in a nightmare while visiting his white girlfriend’s suburban family — is the kind of film that gets under your skin, using horror-film tropes to illuminate the daily terror of being black in a white world.
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Get the Fuck Outta Here: A Dialogue on Jordan Peele’s GET OUT Medium 2017-02-27 Son of Baldwin (Robert Jones, Jr) Writer and educator Law Ware had the wonderful idea of he and I having a dialogue on the recently released horror film, Get Out. The film, written and directed by comedian Jordan Peele, stars Daniel Kaluuya…
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I grew up in a community where black was the thing to be. My friends and family members had an ample amount of pride and confidence when it came to their racial identities and weren’t afraid to let people know. I too had this visceral sense of pride in my identity as a child.
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As the number of mixed race people grows in Japan, anxieties about miscegenation in today’s context of intensified globalization continue to increase. Indeed, the multiracial reality has recently gotten attention and led to heightened discussions surrounding it in Japanese society, specifically, in the media.
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In the late 1920s, Adolf Hitler declared in “Mein Kampf” that America was the “one state” making progress toward the creation of a healthy race-based order. He had in mind U.S. immigration law, which featured a quota system designed, as Nazi lawyers observed, to preserve the dominance of “Nordic” blood in the United States.
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James Weldon Johnson’s The Autobiography of an Ex-Coloured Man is considered by many as an early seminal censure and commentary on the contested racial issue of African American in the United States of America. This paper argues that the ‘invisible’ protagonist of the Novel has passed for white as early as his childhood years.
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The series treats relations between Dominicans, Mexicans, and Puerto Ricans with a level of nuance uncommon in mainstream media
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They might never have met, though they nearly crossed paths several times during their young adult years. Even if they had met then, strident objections against mixing races would’ve filled the background, contaminating their relationship before it had a chance to blossom.