Mixed Race Studies

When I Was White, A Memoir

St. Martin’s Press (an imprint of Macmillan)
2019-08-06
304 pages
Hardcover ISBN: 9781250146755

Sarah Valentine

The stunning and provocative coming-of-age memoir about Sarah Valentine’s childhood as a white girl in the suburbs of Pittsburgh, and her discovery that her father was a black man.

At the age of 27, Sarah Valentine discovered that she was not, in fact, the white girl she had always believed herself to be. She learned the truth of her paternity: that her father was a black man. And she learned the truth about her own identity: mixed race.

And so Sarah began the difficult and absorbing journey of changing her identity from white to black. In this memoir, Sarah details the story of the discovery of her identity, how she overcame depression to come to terms with this identity, and, perhaps most importantly, asks: why? Her entire family and community had conspired to maintain her white identity. The supreme discomfort her white family and community felt about addressing issues of race–her race–is a microcosm of race relationships in America.

A black woman who lived her formative years identifying as white, Sarah’s story is a kind of Rachel Dolezal in reverse, though her “passing” was less intentional than conspiracy. This memoir is an examination of the cost of being black in America, and how one woman threw off the racial identity she’d grown up with, in order to embrace a new one.

Sweet Taste of Liberty: A True Story of Slavery and Restitution in America

Oxford University Press
2019-08-05
288 Pages
28 b/w images, 2 maps
6-1/8 x 9¼ inches
Hardcover ISBN: 9780190846992

W. Caleb McDaniel, Associate Professor of History
Rice University, Houston, Texas

• The epic, unique, and haunting story an enslaved woman and her quest for justice
• Incorporates recent scholarship on slavery, reparations, and the ongoing connection between slavery and incarceration of black Americans
• McDaniel received a Public Scholar fellowship from the National Endowment for the Humanities that enabled him to write this book

Born into slavery, Henrietta Wood was taken to Cincinnati and legally freed in 1848. In 1853, a Kentucky deputy sheriff named Zebulon Ward colluded with Wood’s employer, abducted her, and sold her back into bondage. She remained enslaved throughout the Civil War, giving birth to a son in Mississippi and never forgetting who had put her in this position.

By 1869, Wood had obtained her freedom for a second time and returned to Cincinnati, where she sued Ward for damages in 1870. Astonishingly, after eight years of litigation, Wood won her case: in 1878, a Federal jury awarded her $2,500. The decision stuck on appeal. More important than the amount, though the largest ever awarded by an American court in restitution for slavery, was the fact that any money was awarded at all. By the time the case was decided, Ward had become a wealthy businessman and a pioneer of convict leasing in the South. Wood’s son later became a prominent Chicago lawyer, and she went on to live until 1912.

McDaniel’s book is an epic tale of a black woman who survived slavery twice and who achieved more than merely a moral victory over one of her oppressors. Above all, A Sweet Taste of Liberty is a portrait of an extraordinary individual as well as a searing reminder of the lessons of her story, which establish beyond question the connections between slavery and the prison system that rose in its place.

BOOK REVIEW: “White Like Her” by Gail Lukasik, Reviewed By C. Ellen Connally

Cool Cleveland
2019-07-16

Former Clevelander and author Gail Lukasik named her recently published memoir White Like Her. Subtitled My Family’s Story of Race and Racial Passing, Lukasik tells the story of her mother, Alvera Frederic Kalina, who changed her racial identity from black to white when she married in 1944 and moved to Cleveland. With that move, she abandoned her black family and racial heritage and in her mind, became white like the man she married.

Alvera hid her secret from the world until her daughter made the discovery when she was tracing her family tree. Her mother’s birth certificate and that of her grandfather and other relatives ,along with census records, showed that her mother and other relatives were black. When confronted with such concrete evidence, Alvera refused to admit her mixed-race heritage. In her mind, her life as a black person was over when she married and left New Orleans, the city of her birth. She begged her daughter not to reveal her secret. For 17 years, until her mother’s death, Lukasik continued her research but did not reveal her findings outside her immediate family.

Stories of passing — a term used to define the process of abandoning one’s cultural identity and adopting another — are traditionally associated with a light-skinned black person who assumes a white identity. People of color living as white have been the theme for many literary works in the late 19th and 20th century. Clevelander Charles W. Chesnutt, a black man who could have easily passed for white, wrote a significant number of stories about black people passing for white around the turn of the 20th century. Many of the stories take place in Cleveland which he fictionalized to be Groveland, Ohio…

Read the entire review here.

When it Comes to Latinidad, Who Is Included and Who Isn’t?

Remezcla
2019-07-30

Janel Martinez

At the top of November 2018, an Instagram meme created by writer Alan Pelaez Lopez went viral. The Afro-Indigenous (Zapotec) activist placed the term Latinidad on a car making a sharp right turn at an exit. At the top of the image, the road sign that points ahead lists, “admitting racism & anti-Blackness exists & a commitment to build solidarity with Black and Indigenous people.” The arrow pointing right notes, “mestiza supremacy & your insistence that your great-great-great-great grandmother was Black.” The car, which moved in the latter direction, symbolizes the ideologies of Latinidad.

A few days later, Pelaez posted on their Instagram account that “Latinidad is canceled.”

With each repost or share, Latinxs, a large percentage identifying as Afro-Latinx and/or Indigenous, championed Pelaez Lopez’s meme and called for cancellation. Others, many who would be racialized as white or mixed-raced (mulatto or mestizo) Latinxs, contested the message.

Though positioned as an all-inclusive cultural identity, Latinidad has historically proven to be a term beneficial to a select few. Gauging one’s proximity to whiteness – gender, sexual preference and able-bodied privileges included – Latinidad incites the question, who is included and, ultimately, excluded from its definition?…

Read the entire article here.

water/tongue

University of Chicago Press (Distributed for Omnidawn Publishing, Inc.)
April 2019
72 pages
4 halftones
6 x 9
Paperback ISBN: 9781632430656

mai c. doan

Grappling with the shock of her grandmother’s suicide, mai c. doan undertook a writing project that might give voice to her loss as well as to grapple with memory, and the challenge of articulation and of documentation, in all of their contradictions and (im)possibilities. In the poems that comprise water/tongue, doan conjures visceral and intuitive elements of experience to articulate the gendered and intergenerational effects of violence, colonialism, and American empire. Breaking the silence surrounding these experiences, doan conjures a host of voices dispersed across time and space to better understand the pain that haunted her family—made tragically manifest in her grandmother’s death. Looking not only to elements of Vietnamese history and culture, but to the experience of migration and racism in the United States, this book charts a path for both understanding and resistance. Indeed, doan does not merely wish to unearth the past, but also to change the future. If we want to do so, she shows, we must commune with the voices of sufferers both past and present. doan demonstrates how even the form of a work of poetry can act as a subversion of what a reader expects from the motion of the act of reading a line of type or a page of text. doan disarms and unsettles the ways a reader is led to levels of comprehension, and thus disrupts what “comprehension” might mean, as the reader follows the flow of a work, providing an opportunity to sense, and to confront hierarchies that structure ordinary reading and writing. doan brings a reader to conscious appraisal of the hierarchies that affect us, and how these hierarchies can constrain our insights and our mobility. water/tongue is a critical read for anyone interested in the long effects of gendered and cultural violence, and the power of speech to forge new and empowering directions.

The Biracial Identity: Being Grey in a Black & White America

Her Campus at UCD
2018-03-05

Adrien York, UCD Contributor
University of California, Davis

Image courtesy of the author

With Black History Month — the shortest month of the year — being over, I find myself reflecting even more than usual on my racial identity. I have a white mom and a black dad; I’m black and white, or white and black, or mixed, or whatever the heck I’m supposed to call it.

I wish I could call it grey and have people know what I mean, because being mixed paradoxically feels like being both and neither at the same time. It always feels like I’m not “black enough” or not “white enough” to be accepted by either. For a long time this was a weight on my existence, but I’ve recently come to the conclusion that being black and being white are not mutually exclusive.

And I love living in the middle…

Read the entire article here.

Mother of Orphans: The True and Curious Story of Irish Alice, A Colored Man’s Widow

2Leaf Press
July 2019
250 pages
6 x 9
Print ISBN: 978-1-940939-78-0
eBook ISBN: 978-1-940939-87-2

Dedria Humphries Barker

Introduction by:

Cathy J. Schlund-Vials, Professor of English; Professor of Asian/Asian American Studies
University of Connecticut

Mother of Orphans is the compelling true story of Alice, an Irish-American woman who defied rigid social structures to form a family with a black man in Ohio in 1899. Alice and her husband had three children together, but after his death in 1912, Alice mysteriously surrendered her children to an orphanage. One hundred years later, her great-grand daughter, Dedria Humphries Barker, went in search of the reasons behind this mysterious abandonment, hoping in the process to resolve aspects of her own conflicts with American racial segregation and conflict.

This book is the fruit of Barker’s quest. In it, she turns to memoir, biography, historical research, and photographs to unearth the fascinating history of a multiracial community in the Ohio River Valley during the early twentieth century. Barker tells this story from multiple vantage points, frequently switching among points of view to construct a fragmented and comprehensive perspective of the past intercut with glimpses of the present. The result is a haunting, introspective meditation on race and family ties. Part personal journey, part cultural biography, Mother of Orphans examines a little-known piece of this country’s past: interracial families that survived and prevailed despite Jim Crow laws, including those prohibiting mixed-race marriage. In lyrical, evocative prose, this extraordinary book ultimately leaves us hopeful about the world as our children might see it.

Passing: A Family in Black & White

Blackstar Film Festival
Philadelphia, Pennsylvania
Saturday, 2019-08-03, 10:00 EDT (Local Time)

United States
2019
(00:48:00)

Robin Cloud, Director

After years of hearing the story of her Nebraska cousins, who, unbeknownst to them, were passing for white, filmmaker Robin Cloud reaches out to the lost cousins in an attempt to bring them back into the family. We follow Robin as she travels through the South and Midwest.

For more information, click here.

Midwest Mixed: Taking the lead on antiracist conversations about multiraciality

Sharon H. Chang, Author, Photographer, Activist
2019-07-25

Sharon H. Chang

Me and Alissa Paris

“There is colorism in this work. There is shadeism in this work. There is anti-blackness in this work. And we are here to critique that.” —Alissa Paris, Executive Director and Co-founder, Midwest Mixed

Heat bounces off the parking lot pavement, blazes bright off light beige walls of the church where the conference is being held. It’s a typically warm, humid morning in Minneapolis. Summer glimmers across a yellow Black Lives Matter banner, bold against the south wall. Inside, the air is comfortable and cooled. Organizers and volunteers in deep purple T-shirts, “Midwest Mixed” written in turquoise, mill about, preparing. More attendees drift through doors, queue up, write their pronouns, hang lanyards from their necks.

Volunteers hand us beautiful 29-page, full color programs. Workshops include reflective writing, creative movement, dialogue and panels. I appreciate right away that there is an emphasis in the workshops on healing, parenting, mental wellness, and healthy families. There is note taking space in the back of the program and a worksheet entitled “A Deep Dive On My Identity” to help attendees think on the different intersections of our whole selves (e.g. geography, nationality, ethnicity, language, race, religion, socioeconomic status, ability, sexual orientation, gender ID, etc.).

In the marketplace, vendors sell social justice buttons, cards and shirts, jewelry from Africa, Corage Dolls to build self-love and confidence in girls of color. Posters display Maria P. P. Root’s Bill of Rights for Racially Mixed People, a history of the multiracial movement, definitions of terms like intersectionality, ethnicity, sexual orientation, gender pronouns. Multi-medium works by local artists fill social rooms and hallways, including Within, Between, and Beyond: a multi-layered interactive installation on mixed race and transracial adoptee stories…

…And by the end of the weekend, I realize I’ve just attended one of the best race conferences I’ve ever been to…

Read the entire article here.

Passing: A Family in Black & White

Topic Magazine
Issue Number 25, Journeys (July 2019)

Directed by Robin Cloud

For decades, African American comedian and filmmaker Robin Cloud had heard tales about the “Nebraska cousins,” a branch of her family that moved away from the East Coast to pass for white in the rural Midwest. In this six-part series, Cloud attempts to find and understand the motives of the relatives who left everything and everyone else behind, and documents how their progeny grapple with the revelation that they aren’t who they thought they were.

Watch the series here.