Mixed Race Studies

Hiding in Plain Sight: Black Women, the Law, and the Making of a White Argentine Republic

University Alabama Press
2020-01-28
184 pages
5 B&W figures / 7 tables
6 x 60 x 9 inches
Trade Cloth ISBN: 978-0-8173-2036-2
EBook ISBN: 978-0-8173-9265-9

Erika Denise Edwards, Associate Professor of History
University of North Carolina, Charlotte

Details how African-descended women’s societal, marital, and sexual decisions forever reshaped the racial makeup of Argentina

Argentina values the perception that it is only a country of European immigrants, making it an exception to other Latin American countries, which can embrace a more mixed—African, Indian, European—heritage. Hiding in Plain Sight: Black Women, the Law, and the Making of a White Argentine Republic traces the origins of what some white Argentines mischaracterize as a “black disappearance” by delving into the intimate lives of black women and explaining how they contributed to the making of a “white” Argentina. Erika Denise Edwards has produced the first comprehensive study in English of the history of African descendants outside of Buenos Aires in the late colonial and early republican periods, with a focus on how these women sought whiteness to better their lives and those of their children.

Edwards argues that attempts by black women to escape the stigma of blackness by recategorizing themselves and their descendants as white began as early as the late eighteenth century, challenging scholars who assert that the black population drastically declined at the end of the nineteenth century because of the whitening or modernization process. She further contends that in Córdoba, Argentina, women of African descent (such as wives, mothers, daughters, and concubines) were instrumental in shaping their own racial reclassifications and destinies.

This volume makes use of a wealth of sources to relate these women’s choices. The sources consulted include city censuses and notarial and probate records that deal with free and enslaved African descendants; criminal, ecclesiastical, and civil court cases; marriages and baptisms records and newsletters. These varied sources provide information about the day-to-day activities of cordobés society and how women of African descent lived, formed relationships, thrived, and partook in the transformation of racial identities in Argentina.

Interracial Marriage and the Meaning of Race

Race Talk
2020-01-08

David Morse, Host

Chinyere K. Osuji, Assistant Professor of Sociology
Rutgers, The State University of New Jersey, Camden

Dr. Chinyere Osuji discusses her book, “Boundaries of Love: Interracial Marriage and the Meaning of Race“. It’s an amazing work of scholarship rooted in comparing and contrasting black/white marriages in Rio de Janeiro and Los Angeles.

Listen to the podcast (00:40:33) here.

All at Sea

4th Estate (an imprint of HarperCollins)
2016-04-07
240 pages
Paperback ISBN: 978-0008142162

Decca Aitkenhead

In May 2014, on a hot still morning on a beautiful beach in Jamaica, Decca Aikenhead’s life changed irrevocably. First her four year old son Jake, pootling by the water’s edge in his pyjamas, was dragged out to sea on a riptide. Then Tony, her partner and Jake’s father, dived in to save him, but drowned in the process.

Tony – a Northern, mixed race former prisoner, drug dealer and crack addict – “Black” and “Decca” – a prize-winning Guardian journalist from the West Country – had always made an improbable couple. For years they tried to find a way to come together from very different starting places. Tony reformed himself, got an education, and then a job. Decca bore him two sons and they bought a medieval farmhouse in Kent and set about transforming it. A decade on, lying in the sand in their favourite place in the world, young, strong, fit and with their children playing at their feet, they were congratulating themselves on their achievements when everything was ripped away.

Bookended by the deaths of her mother in childhood, and Tony this year, All at Sea looks at class, race, privilege and prejudice through the prism of Decca’s life and these deaths. It stares into the dark chasm of our worst nightmare – a random accidental tragedy – and somehow finds the light on the other side.

Mulata Nation: Visualizing Race and Gender in Cuba by Alison Fraunhar (review)

The Americas
Volume 76, Number 4, October 2019
pages 727-728

Mey-Yen Moriuchi, Assistant Professor of Art History
LaSalle University, Philadelphia, Pennsylvania

Mulata Nation: Visualizing Race and Gender in Cuba. By Alison Fraunhar. Jackson: University Press of Mississippi, 2018. Pp. 262. $70.00. Cloth.

Alison Fraunhar discerningly examines how the mulata has been represented and performed in Cuban visual culture from the nineteenth century to the present. She analyzes a variety of visual media, from prints and paintings to film and photography, to demonstrate how the identity and stereotypes of the mulata developed within popular culture and the national imagination.

Considered a bridge between European subject and African other, the mulata was “European enough to be visible and beautiful to the white male subject, and African enough to be typologized as sexual, primitive, desirable, and available” (4). Invoking Antonio Benítez-Rojo’s notion of “The Repeating Island,” Homi Bhabha’s concept of colonial mimicry, Stuart Hall’s model of identity based on ambivalence, and Judith Butler’s performativity of identity, along with the work of other theorists, Fraunhar investigates how performance and representation of the mulata and mulataje (performativity of the mulata) are intertwined. The study is not focused on actual life experiences of mulatas but rather their visual representation across media.

Fraunhar begins her analysis through the lens of costumbrismo, a literary and artistic movement popular in Spain and the Americas that represented scenes and types from everyday life. The figure of the desirable mulata, though in existence since the seventeenth century, was cemented during the nineteenth century with costumbrismo. An interesting manifestation of this occurs in marquillas cigarreras, small chromolithographed papers in which cigarettes for the Cuban domestic market were bundled. In this fascinating medium, Fraunhar shows how marquillas served as sites of cubanidad (Cuban identity). Fraunhar argues that the images of mulatas on marquillas demonstrate colonial anxiety and the inability to clearly define racial, social, and spatial boundaries. Unfortunately, the images presented in this chapter were all misnumbered, disrupting the fluidity of the text.

Chapter 2 focuses on the performance of the mulata on the stages, dances, and streets of nineteenth-century Cuba. In popular theater, like teatro bufo and zarzuela, the mulata was one of several principal stock characters performed, along with the negrito (black boy) and the gallego (Spaniard). During this time, the connection between prostitution and mulataje became explicit, thus producing tension between the mulata as a symbol of the nation and desire. Several Cuban actresses found success outside of Cuba in Mexican cabaretera films, performing cultural and racial passing.

Chapter 3 considers the mulata as a sign of femininity, cosmopolitanism, and modernity. Fraunhar examines how the mulata was variously depicted on magazine covers and in avant-garde paintings by early twentieth-century artists such as Jaime Valls, Mario Carreño, Carlos Enríquez, and José Hurtado de Mendoza. Although an icon of modernity, representations of the mulata were still rooted in past tropes of desire and availability. After the revolution of 1959, women’s roles in society were debated as leaders struggled to redefine the nation.

In Chapter 4, Fraunhar investigates how the revolution sought to reform the mulata as a revolutionary citizen. Several Cuban films produced in the 1960s and 1970s have mulata protagonists, presented to showcase how Cuban revolutionary society was constructed upon utopian ideas of equality and community. The mulata became the “new (wo)man” of the revolution (157).

After the collapse of the Soviet Union in 1989 and the beginning of the Período Especial, cultural production was disrupted, and economic crisis ensued. Cuba now positioned itself to foreign visitors as an exotic, nostalgic, tropical tourist destination. Mulatas resumed the role of the sensual, the desirable, and available body of the nation. The rise of jineterismo (hustling) and prostitution associated with the mulata became ubiquitous in Cuba in the 1990s, as did the emergence of drag and cross-gender performativity.

In Chapter 5, Fraunhar discusses the work of several photographers who capture the plight and agency of these mulata jinetera, gay, and trans performers.

A strength of this study is the wide range of popular visual culture that is included, though at times this means less in-depth analysis of specific…

Read or purchase the article here.

Mexican Costumbrismo: Race, Society, and Identity in Nineteenth-Century Art

Pennsylvania State University Press
2018
180 pages
8″ × 10″
31 color/29 b&w illustrations
Hardcover ISBN: 978-0-271-07907-3

Mey-Yen Moriuchi, Assistant Professor of Art History
LaSalle University, Philadelphia, Pennsylvania

The years following Mexican independence in 1821 were critical to the development of social, racial, and national identities. The visual arts played a decisive role in this process of self-definition. Mexican Costumbrismo reorients current understanding of this key period in the history of Mexican art by focusing on a distinctive genre of painting that emerged between 1821 and 1890: costumbrismo.

In contrast to the neoclassical work favored by the Mexican academy, costumbrista artists portrayed the quotidian lives of the lower to middle classes, their clothes, food, dwellings, and occupations. Based on observations of similitude and difference, costumbrista imagery constructed stereotypes of behavioral and biological traits associated with distinct racial and social classes. In doing so, Mey-Yen Moriuchi argues, these works engaged with notions of universality and difference, contributed to the documentation and reification of social and racial types, and transformed the way Mexicans saw themselves, as well as how other nations saw them, during a time of rapid change for all aspects of national identity.

Carefully researched and featuring more than thirty full-color exemplary reproductions of period work, Moriuchi’s study is a provocative art-historical examination of costumbrismo’s lasting impact on Mexican identity and history.

Contents

• List of Illustrations
• Acknowledgments
• Introduction
• 1. Racialized Social Spaces in Casta and Costumbrista Painting
• 2. Traveler-Artists’ Visions of Mexico
• 3. Literary Costumbrismo: Celebration and Satire of los tipos populares
• 4. Local Perspectives: Mexican Costumbrista Artists
• 5. Costumbrista Photography
• Conclusion
• Notes
• Bibliography
• Index

Hazel Carby: Where Are You From?

Duke Franklin Humanities Institute
2018-11-05

An account of how a young black girl, growing up in South London, had to learn to negotiate the racial fictions of post World War Two Britain, drawn from Dr. Carby’s forthcoming book, “Imperial Intimacies” (Verso 2019).

Hazel Carby is Charles C. & Dorothea S. Dilley Professor of African American Studies & American Studies and the Director of the Initiative on Race, Gender, and Globalization at Yale University. Born in postwar UK, trained at the University of Birmingham under Stuart Hall’s mentorship, she is a foundational scholar of US black feminist intellectual history. Her books include Reconstructing Womanhood (1987), Race Men (1998), and Cultures in Babylon (1999). She was named the 2014 recipient of the Jay B. Hubbell Medal for Lifetime Achievement in American Literary Studies.

Co-directed by Richard Powell, Jasmine Nichole Cobb, and Lamonte Aidoo, the From Slavery to Freedom Lab examines the life and afterlives of slavery and emancipation, linking Duke University to the Global South.

Watch the address here.

Context-dependence of race self-classification: Results from a highly mixed and unequal middle-income country

PLOS ONE
2019-05-16
DOI: 10.1371/journal.pone.0216653

Dóra Chor
Department of Epidemiology and Quantitative Methods
National School of Public Health
Oswaldo Cruz Foundation, Rio de Janeiro, RJ, Brazil

Alexandre Pereira
Laboratory of Genetics and Molecular Cardiology, Heart Institute (InCor)
University of São Paulo, São Paulo, SP, Brazil

Antonio G. Pacheco
Scientific Computing Program
Oswaldo Cruz Foundation, Rio de Janeiro, RJ Brazil

Ricardo V. Santos
Department of Epidemiology and Quantitative Methods
National School of Public Health, Oswaldo Cruz Foundation, Rio de Janeiro, RJ, Brazil
Department of Anthropology, Museu Nacional, Rio de Janeiro, RJ Brazil

Maria J. M. Fonseca
Department of Epidemiology and Quantitative Methods
National School of Public Health, Oswaldo Cruz Foundation, Rio de Janeiro, RJ, Brazil

Maria I. Schmidt
Postgraduate Program in Epidemiology, School of Medicine
Federal University of Rio Grande do Sul, Porto Alegre, RS Brazil

Bruce B. Duncan
Postgraduate Program in Epidemiology, School of Medicine
Federal University of Rio Grande do Sul, Porto Alegre, RS Brazil

Sandhi M. Barreto, Faculty of Medicine & Clinical Hospital
Federal University of Minas Gerais, Belo Horizonte, MG Brazil

Estela M. L. Aquino
Institute of Collective Health
Federal University of Bahia, Salvador, BA Brazil

José G. Mill
Department of Physiological Sciences
Federal University of Espirito Santo, Vitória, ES Brazil

Maria delCB Molina
Department of Physiological Science
Federal University of Espirito Santo, Vitória, ES Brazil

Luana Giatti, Faculty of Medicine & Clinical Hospital
Federal University of Minas Gerais, Belo Horizonte, MG Brazil

Maria daCC Almeida
Gonçalo Muniz Institute, Oswaldo Cruz Foundation, Salvador, BA Brazil

Isabela Bensenor
Center for Clinical and Epidemiological Research, University Hospital
University of São Paulo, São Paulo, SP Brazil

Paulo A. Lotufo
Center for Clinical and Epidemiological Research
University Hospital, University of São Paulo, São Paulo, SP Brazil

Ethnic-racial classification criteria are widely recognized to vary according to historical, cultural and political contexts. In Brazil, the strong influence of individual socio-economic factors on race/colour self-classification is well known. With the expansion of genomic technologies, the use of genomic ancestry has been suggested as a substitute for classification procedures such as self-declaring race, as if they represented the same concept. We investigated the association between genomic ancestry, the racial composition of census tracts and individual socioeconomic factors and self-declared race/colour in a cohort of 15,105 Brazilians. Results show that the probability of self-declaring as black or brown increases according to the proportion of African ancestry and varies widely among cities. In Porto Alegre, where most of the population is white, with every 10% increase in the proportion of African ancestry, the odds of self-declaring as black increased 14 times (95%CI 6.08–32.81). In Salvador, where most of the population is black or brown, that increase was of 3.98 times (95%CI 2.96–5.35). The racial composition of the area of residence was also associated with the probability of self-declaring as black or brown. Every 10% increase in the proportion of black and brown inhabitants in the residential census tract increased the odds of self-declaring as black by 1.33 times (95%CI 1.24–1.42). Ancestry alone does not explain self-declared race/colour. An emphasis on multiple situational contexts (both individual and collective) provides a more comprehensive framework for the study of the predictors of self-declared race/colour, a highly relevant construct in many different scenarios, such as public policy, sociology and medicine.

Read the entire article here.

How States Make Race: New Evidence from BrazilHow States Make Race: New Evidence from Brazil

Sociological Science
Volume 5, (2018-11-26)
pages 722-751
DOI: 10.15195/v5.a31

Stanley R. Bailey, Professor of Sociology
University of California, Irvine

Fabrício M. Fialho, Postdoctoral Researcher
Centre de Recherches Internationales, Sciences Po Paris, France

Mara Loveman, Professor of Sociology
University of California, Berkeley

The Brazilian state recently adopted unprecedented race-targeted affirmative action in government hiring and university admissions. Scholarship would predict the state’s institutionalization of racial categories has “race-making” effects. In this article, we ask whether the Brazilian state’s policy turnabout has affected racial subjectivities on the ground, specifically toward mirroring the categories used by the state. To answer, we conceptualize race as multidimensional and leverage two of its dimensions—lay identification and government classification (via open-ended and closed-ended questions, respectively)—to introduce a new metric of state race-making: a comparison of the extent of alignment between lay and government dimensions across time. Logistic regression on large-sample survey data from before the policy turn (1995) and well after its diffusion (2008) reveals an increased use of state categories as respondents’ lay identification in the direction of matching respondents’ government classification. We conclude that the Brazilian state is making race but not from scratch nor in ways that are fully intended.

Read the entire article here.

Racial Intermarriage in the Americas

Sociological Science
Volume 6, (2019-04-23)
pages 293-320
DOI: 10.15195/v6.a12

Edward Telles, Professor of Sociology
University of California, Santa Barbara

Albert Esteve, Director and Adjunct Professor (Department of Geography)
Centre d’Estudis Demogràfics
Universitat Autònoma de Barcelona

We compare intermarriage in Brazil, Cuba, and the United States among the black, white, and mixed-race population using log-linear models with data from newly available anonymized and harmonized individual census microdata for the 2000 round of censuses. We find that black–white intermarriage is 105 times as likely in Brazil and 28 times as likely in Cuba compared to the United States; that Brazilian mulatos are four times as likely to marry whites than blacks, but Cuban mulatos are equally likely to marry whites and blacks; and negative educational gradients for black–white intermarriage for Cuba and Brazil but nonexistent or positive gradients in the United States. We propose a theory of intergenerational mixture and intermarriage and discuss implications for the role of preferences versus structure, universalism and education, and mulato escape-hatch theory.

Read the entire article here.

An Intimate History of the British Empire

The New Yorker
2019-10-09

Maya Binyam

Hazel Carby as a child. Photograph Courtesy Hazel Carby

In “Imperial Intimacies,” Hazel Carby weaves together the story of colonialism and the story of her family.

After Carl Carby arrived in England from Jamaica, in 1943, he wore starched shirts, polished dress shoes, and neatly knotted ties. He was from the colonies, but his mannerisms evinced a restrained, British sensibility. Like most early immigrants from the Caribbean, he was expected to provide a service: his entrance to England was predicated on his employment as a bomber pilot in the Royal Air Force, which recruited around six thousand people from England’s “black colonies” to fight in the Second World War. At a dance in Worcester, he met Iris Leaworthy, a young, white Welsh woman who worked as a civil servant in the Air Ministry, and the two bonded over the surprising similarities of their upbringings. Both had grown up in poverty. As schoolchildren, each donned a starched uniform and, on Empire Day, a holiday designed to instill in children a feeling of belonging to a great nation, waved the Union Jack. When England went to war, both of them enthusiastically offered their service. The pair soon married, and had a daughter named Hazel. To her, Carl spoke little of Jamaica. “It was as if he had been born an airman in the Royal Air Force,” Hazel Carby writes in “Imperial Intimacies,” her new book of political history, which came out last month…

Read the entire review here.