Mixed Race Studies

Artist Thenjiwe Niki Nkosi reveals—and defies—the white supremacist underpinnings of elite gymnastics

Document Journal
2019-11-07

Miss Rosen

As Simone Biles becomes the most decorated athlete in sports, Nkosi tells Document about the implications of Black girls’ success in elite gymnastics, which has historically been used as a tool of oppression.

When Simone Biles made history at the 2019 World Championships by becoming the most decorated gymnast of any gender, she single-handedly redefined one of the world’s most elite sports. As a Black woman in a traditionally white space, she surpassed all expectations, becoming an icon in the process.

For Johannesburg-based multimedia artist Thenjiwe Niki Nkosi, Biles’ success is a testament to Black power in the face of an establishment determined to undermine it. Earlier this summer Biles invented new skills and the Federation Internationale de Gymnastique (FIG), the sport’s governing body, penalized her for the groundbreaking performance. The FIG reduced the degree of Biles’ signature ‘double double’ dismount (two twists, two flips) from the beam—out of concern, they claimed, about the safety of lesser gymnasts who might harm themselves while attempting it…

…Born in New York to a South African father in exile and a Greek-American mother, Nkosi’s family moved to Harare, Zimbabwe, in 1989 when she just was eight years old. “I get this rush of emotion when I think of the day we were watching Nelson Mandela being released from prison in 1990 on TV,” Nkosi says. “My parents were looking at each other like, ‘This is it, we are going to go.’…

Read the entire article here.

Theaster Gates illuminates the dark history of Maine’s interracial exiles

Document Journal
2019-03-18

Ann Binlot

For his first solo museum exhibition in France at Palais de Tokyo, Theaster Gates explores America’s dark forgotten past through the interracial exile of Malaga Island.

“Nothing is pure in the end… A sea of wood, An island of debate. Can an exhibition start to shift the negative truths of the history of a place?”

Theaster Gates has exemplified the meaning of social practice in his work, creating new models for building community while bringing awareness to both the historical and present-day struggles of black America. In Amalgam, his first solo museum exhibition in France at the Palais de Tokyo in Paris, the Chicago-based artist shed light on Malaga Island, a 41-acre island located at the mouth of the New Meadows River in Casco Bay, Maine. The island was a fishing hamlet, home to an interracial community born out of the Civil War until 1912, when the Maine governor Frederick Plaisted forced its poorest population, a group of about 45 mixed-race individuals, off the island. Some relocated in Maine, while others were involuntarily committed to psychiatric institutions. Ashamed to be associated with the island and the stigma that came with being from there, many of its descendants feared speaking about the incident, which stemmed from racism and classism…

Read the entire article here.

Mitski Doesn’t Bother With Labels. She Prefers Excellence

Westworld
2017-07-14

Tom Murphy

Mitski Ebru Yildiz

Mitski Miyawaki, who performs with her band under her first name, grew up in a biracial, multicultural household. During her childhood, Mitski lived in Japan, Malaysia, China, Turkey and the Democratic Republic of Congo. But it wasn’t until she returned to the U.S. that she had a racial designation imposed on her.

“I discovered I was an Asian American when I arrived in the U.S.,” says Mitski. “I didn’t identify as that before I came here. People started calling me that, and I started being treated in a specific way.”

In the U.S., Mitski was regularly asked what most biracial people – her being half Japanese and half Caucasian American – are asked at least once in their lives: “What ARE you?” Mitski doesn’t particularly identify with American or Japanese culture, and her parents didn’t encourage her to choose or adopt either.

“I think growing up the way I did has made me a lot more objective, and that’s important in the process of writing and trying to look at subjective matter that way,” observes Mitski. “Being an outsider at the time nurtured my eye as a writer.”…

Read the entire article here.

Poland’s multicultural music landscape: from Afro-Polish folk to Polish jazz from Peru

Notes From Poland
2022-02-17

Zula Rabikowska

Poland is often depicted as an ethnically homogeneous country, and in some senses it is. Contemporary Polish identity, however, is more complex and diverse than is often represented in the media, and the markers of Polishness are changing.

Historically, Poland was a multicultural country, with a third of its population composed of minorities. That rich legacy is still reflected in contemporary culture, from food to literature and art.

Though the death, destruction and displacement of World War Two ended that ethnic diversity, the postwar era was marked by migrations from fellow communist countries, in particular Vietnam. And in recent years, Poland has recorded one of Europe’s highest rates of immigration…

Read the entire article here.

Beyonce and Zendaya in talks to team up to remake the 1959 film Imitation Of Life – with superstar singer as producer

The Sun
London, United Kingdom
2022-02-17

Simon Boyle, Executive Showbiz Editor

THEY are two of the most in-demand people in showbiz and Beyonce and Zendaya are now in talks to team up.

I hear both have had early discussions about creating a remake of movie classic Imitation Of Life.

The groundbreaking 1934 film, remade in 1959 starring Lana Turner, grapples with questions of race, class and gender as an aspiring white actress takes in an African-American widow whose mixed-race daughter longs to pass as white…

Read the entire article here.

ASU professor takes leadership of NEA

ASU News
Arizona State University, Tempe, Arizona
2022-02-08

Mary Beth Faller, Reporter

Jackson sees opportunity in re-imagining the role of arts in creating healthy communities

An Arizona State University professor is taking over the nation’s top arts agency just as arts organizations are working to re-emerge from the pandemic.

Maria Rosario Jackson is the first African American and Mexican American to lead the National Endowment for the Arts. She was confirmed by the Senate in December.

Jackson is an Institute Professor in ASU’s Herberger Institute for Design and the Arts and holds an appointment in the Watts College of Public Service and Community Solutions. She is on leave from ASU while she fulfills her term as the NEA’s 13th chair.

Read the entire news release here.

How a Vietnamese Ethiopian Designer Built Her Fashion ‘Dynasty’

Saigoneer
2020-10-23

Written by Diệu Linh. Photos by Lê Việt Dũng.

“I’m young so I still have big dreams,” Kim Berhanu begins our chat on an early September day. At the tender age of 23, Berhanu is already the CEO and creative director of the fashion brand Dynasty the Label. And that’s just the beginning for the half-Vietnamese designer.

Born in Australia into a family of a Vietnamese mother and an Ethiopian father, she understands more than anyone what it means to feel different. That sense of not fitting in nurtured Berhanu’s aspiration to travel the world to experience cultural diversity. “After saving enough money from part-time gigs in high school, I decided on France because I love the arts and culture scene there,” she reminisces. “When I returned, I resolved to explore more destinations because Australia has become my ‘comfort zone.’”

Filled with hope and determination, she moved to Vietnam in 2018. To her, Vietnam is a promised land where many of her personal plans could become a reality. Berhanu said of the opportunities she’s gotten since her return: “As long as you have a big idea, you’ll quickly be able to find kindred minds to actualize it.”…

Read the entire article here.

A New Orleans Company Shines A Light On Opera’s Diverse History

Weekend Edition Sunday
National Public Radio
2017-05-28

Malika Gumpangkum and Lulu Garcia-Navarro

For many people, New Orleans is practically synonymous with jazz; it’s the birthplace of both the music and many of its leading lights, from Louis Armstrong to Christian Scott aTunde Adjuah. But now, one organization is working to draw attention to the city’s history of opera music.

OperaCréole, an opera company founded in New Orleans, is resurrecting music written by local composers of color and others who’ve been left out of the overwhelmingly white, male canon. The company’s latest production, La Flamenca, is by the Creole composer Lucien-Léon Guillaume Lambert, whose father was born in New Orleans.

OperaCréole founder and mezzo-soprano Givonna Joseph joined NPR’s Lulu Garcia-Navarro to discuss La Flamenca and her company’s work in general. Hear their full conversation at the audio link…

Listen the entire story here.

The Forgotten Story of Lucien-Leon Guillaume Lambert

Bacchus Tales & Co.
August 2017

J. C. Phillips, Co-Founder, Publisher, Writer

Charles Lucien Lambert ​Sr.

The story of this brilliant, sometime forgotten, underrated composer can date back to the ugly history of racial discrimination in the United States. His family’s sojourner led this brilliant man to work and strive in his chosen profession. It was that sacrifice of his father that made that opportunity possible…

Read the entire article here.

‘The Chevalier’ team is eager to burnish the legacy of Joseph Bologne

Experience CSO
Chicago Symphony Orchestra Association
Chicago, Illinois
2022-02-01

Kyle MacMillan

A champion fencer, gifted athlete, high-ranking officer and violin virtuoso, Joseph Bologne was all those things in 18th-century France, but the classical world has only belatedly come to recognize him as well as a prolific and talented composer.

While he achieved considerable musical success during his lifetime, he nonetheless faced discrimination and was ultimately all but forgotten after his death in 1799, in no small part because he was mixed race. Bologne was born in the French Caribbean colony of Guadeloupe, the son of a white plantation owner and his wife’s African slave.

Chicago’s Music of the Baroque, along with the Chicago Symphony Orchestra Association, will present the Midwest premiere Feb. 18-20 of The Chevalier, a concert theater work about the life and music of this fascinating and unfairly overlooked historical figure. (Bologne took the title of Chevalier de Saint-Georges after graduating from France’s Royal Polytechnical Academy of Fencing and Horsemanship in 1766.) One performance will occur at 8 p.m. Feb. 20 at Symphony Center, with additional dates of 7:30 p.m. Feb. 18, Kehrein Center for the Arts, 5628 W. Washington, and 7:30 p.m. Feb. 19, North Shore Center for the Arts in Skokie.

“We’re absolutely ecstatic that the launchpad for the tour is in three different neighborhoods in Chicago during Black History Month. It is the perfect way to start us off, and I’m just so grateful for the Chicago Symphony Orchestra organization to be platforming it,” said Bill Barclay, writer-director of and an actor in The Chevalier. Now the artistic director of Concert Theatre Works, he was director of music in 2012-19 at Shakespeare’s Globe in London.

Read the entire article here.