Mixed Race Studies

Status, Race, and Marriage: French Continental Law versus French Colonial Law

American Historical Association
124th Annual Meeting
Friday, 2010-01-08 14:30 PST (Local Time)
Manchester Grand Hyatt San Diego
Manchester Ballroom F (Hyatt)
San Diego, California

Valérie Gobert-Sega
École des Hautes Études en Sciences Sociales, Paris, France

In its most traditional moral and legal conception, marriage had for consequence to erase the crime of cohabitation and dissoluteness. Independentently of geographic space and by virtue of the principle of the unity of French laws and customs, the institution of marriage could not be left supplant under colonial law and order. In 1685, the Edict administering the rights and the duties of slaves and emancipated slaves as well as their relationships with white people in the French colonies established legitimacy and religious rules. However, the rigidity of statutory tripartition of the population could not concretely integrate these justifiable, legally valid but socially prohibited unions. The first legal ban was introduced into the Code of Louisiana in 1724 and the second was imposed by the prescription of April, 1778 for continental France. Meanwhile, the Monarchy was never resolved to reform article 9 of the Code of 1685. In doing so, the administration strategically restricted the civil and professional rights of those who chose to go against the social misalliance. It isn’t until the promulgation of the Civil code of 1805 that the restriction based on race and status is finally unified. But once again even if the principle is acquired, its execution remains unpredictable: it extends to all people, of color or black, in colonies but only to black people in metropolitan France. However, for more than two centuries, the legislator, conscientiously maintained a flaw in the prohibition: whether it be in the colonies or in France, these marriages will never be punished by nullity. This absence of penalty will finally allow the Supreme Court and the Abolitionists to declare the legal ban on interracial marriages invalid and to overrule it.

Intimacy and the Atlantic World

American Historical Association
124th Annual Meeting
Friday, 2010-01-08 14:50 PST (Local Time)
Manchester Grand Hyatt San Diego
Manchester Ballroom F (Hyatt)
San Diego, California

Jennifer L. Palmer, Collegiate Assistant Professor of History
University of Chicago

In 1755 the merchant Aimé-Benjamin Fleuriau returned to his native city of La Rochelle, a bustling port on France’s Atlantic coast, after twenty years in the colonies where he made his fortune in indigo and sugar produced by slaves who worked his plantation. But he did not return alone: he brought five of his mixed-race children with him, his sons and daughters by a woman named Jeanne, one of his former slaves. The children’s gender determined their varied paths: the boys returned to Saint-Domingue where they supervised their father’s plantation, while the girls remained close to their father in La Rochelle. With his support, his daughters Jeanne-Marie and Marie-Charlotte set up house just a few blocks from where Aimé-Benjamin lived in the most splendid house in town with his new, white French wife and children. In spite of the ocean between them, Jeanne-Marie and Marie-Charlotte remained in touch with their brothers in the colonies, and made every effort to reinforce these family ties that distance threatened to pull asunder. In doing so, they drew on family strategies long-established in Europe and deployed them to define their own trans-oceanic, multi-racial family unit. This paper argues that intimacy provides a critical lens through which to view the Atlantic world. It was in the context of the family that enduring relationships between white men and people of color were most common, and examining how such intimate family relationships were constructed and maintained provides insight into how Europeans, including black and mixed-race Europeans, participated in and shaped the Black Atlantic. The results of such a view are sometimes surprising: free women of color, who might at first glance seem among the least influential members of a society that valued rank, name, and status, found ways to shape family structures and strategies.

Proposed Session: Multiracial/ethnic families

XVII ISA World Congress of Sociology
Sociology on the Move
International Sociological Association
2010-07-11 through 2010-07-17
Gothenburg, Sweden

Programme Coordinators

Rudy R. Seward, Professor, Director of Graduate Studies, and Associate Chair of Sociology
University of North Texas, USA

Ria Smit, Associate Professor of Sociology
University of Johannesburg, South Africa

Organizers:

Cynthia M. Cready, Associate Professor of Sociology
University of North Texas, USA

George Yancey, Associate Professor of Sociology
University of North Texas, USA

Empirical and theoretical papers that address any aspect of multiracial/ethnic families are invited for this session. Possible topics include: attitudes toward racial/ethnic dating and intermarriage and multiracial/ethnic families; trends in racial/ethnic dating and intermarriage; individual- and community-level effects on racial/ethnic dating and intermarriage; the impact of racial/ethnic dating and intermarriage on other aspects of individual and community life; representations of multiracial/ethnic families in the media; interracial/ethnic adoption; socialization in multiracial/ethnic families; racial/ethnic identity of children from multiracial/ethnic families; identity issues among adults in multiracial/ethnic families; developmental outcomes of children from multiracial/ethnic families; theoretical and methodological approaches and challenges to the study of multiracial/ethnic families; and the interaction of social policy and multiracial/ethnic families.

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`For Venus smiles not in a house of tears’: Interethnic relations in European cinema

European Journal of Cultural Studies
2003
Vol. 6, No. 1
pages 55-74
DOI: 10.1177/1367549403006001470

Anneke Smelik
University of Nijmegen

In the 1990s, several European filmmakers addressed the Romeo and Juliet motif of `impossible love’ in the context of multiculturalism. A heterosexual love affair between people of different ethnic backgrounds allows filmmakers to address issues of racism and deconstruct racial stereotypes. In the films discussed in this article, the tragic love affairs point to the unwillingness of European countries to become pluralistic and multiethnic societies. Some films have attempted to represent interethnic love relations more hopefully, celebrating happy endings of mixed race couples. The success of such films may indicate that the genre of comedy has won over the tragedy of the Romeo and Juliet topos in cinematic representations of interethnic love relations. Perhaps European cinema is ready to embrace constructions of European identity as hybrid, diverse and multiple.

The Chevalier de Saint-Georges: Virtuoso of the Sword and the Bow

Pendragon Press
March 2006
566 pages
ISBN: 9781576471098

Gabriel Banat

The Chevalier de Saint-Georges, born Joseph Bologne, was the son of an African slave and a French plantation owner on the island of Guadeloupe. The story of his improbable rise in French society, his life as a famous fencer, celebrated violinist-composer and conductor, and later commander of a colored regiment in the French Revolution, should, on the facts alone, gladden the heart of the most passionate romance novelist. Yet, the information disseminated about this illustre inconnu is found in an extravagant nineteenth-century novel, which contains more fiction than fact. Unfortunately, many of the author’s flights of fancy have found their way into serious works about Saint-Georges. Gabriel Banat has set about systematically dispelling the confusion, for the real story is easily as fascinating as any flight of fancy. Gabriel Banat has been a professional violinist all his life; recitalist and member of the New York Philharmonic, he has systematically scoured the violin repertory for interesting and even unknown music. He came across the works of St. Georges and was fascinated by the freshness and charm of these 18th-century compositions. Eventually, he edited a critical edition of all the violin music and, inevitably, began a systematic investigation into the life of this intriguing and multifaceted individual, utilizing archives of the French Land Army, official clippings and untapped personal diaries of St. Georges’ contemporaries. Banat is the author of an authoritative monograph on St. Georges in the Black Music Research Journal.

Gabriel Banat has been a professional violinist all his life: recitalist and member of the New York Philharmonic, he has systematically scoured the violin repertory for interesting and even unknown music. He is the author of an authoritative monograph on St. Georges in the Black Music Research Journal.

Table of Contents

List of Illustrations ix
Acknowledgments xii
Preface xiv
Necrology xviii
Chapter 1 The Island 1
Chapter 2 Joseph 5
Chapter 3 The Trial 12
Chapter 4 A Fugitive Family 22
Chapter 5 The Bologne Plantation 27
Chapter 6 People ¿of Color¿ 37
Chapter 7 Return to France 40
Chapter 8 Paris 46
Chapter 9 The Prodigy 54
Chapter 10 Too Many Blacks 67
Chapter 11 The Chevalier de Saint-Georges 76
Chapter 12 A Young Man About Town 90
Chapter 13 Virtuoso 97
Chapter 14 Gossec 113
Chapter 15 The New Bow 119
Chapter 16 Composions- Quartets and Concertos 125
Chapter 17 Gluck and Marie Antoinette 140
Chapter 18 Concertos andSymphonie Concertantes 159
Chapter 19 TheOpéra Affair 177
Chapter 20 Ernestine 193
Chapter 21 Mme. de Montesson
Chapter 22 Mme. de Montalembert
Chapter 23 L¿Amant Anonyme
Chapter 24 Le Concert des Amateurs
Chapter 25 The Grand Orient of France
Chapter 26 Le Concert Olympique
Chapter 27 Le Palais-Royal
Chapter 28 London
Chapter 29 The Gathering Storm
Chapter 30 The Bastille
Chapter 31 Revolution
Chapter 32 An Orléans Conspiracy?
Chapter 33 Return to London
Chapter 34 Lille
Chapter 35 The National Guard
Chapter 36 La Légion Saint-Georges
Chapter 37 Regicide
Chapter 38 The Great Terror
Chapter 39 Too Many Colonels
Chapter 40 Paris 1795
Chapter 41 Saint Domingue
Chapter 42 Coda-Finale
Epilogue
Epitaphs for those who survived Saint-Georges 456
Appendix: Dramatis Personae
Works List
Discography
List of Documents
Bibliography
Index

List of Illustrations

Fig. 1.1 Map of Guadeloupe xix
Fig. 2.1 View of Basse-Terre, ca. 1750 7
Fig. 2.2 ¿Squares¿ of sugar cane, Bailiff 9
Fig. 5.1 Plantation with view on La Suffrière 30
Fig. 7.1 Custom Records of Passengers arriving in Bordeaux, Aug. 2, 1753 41
Fig. 7.2 Port of Bordeaux, 1753 42
Fig. 8.1 Mme. de Pompadour 49
Fig. 8.2 49 rue St. André des Arts today 52
Fig. 10.1 The Saint-Georges Guard 70
Fig. 11.1 Equestrian statue of Louis XV 79
Fig. 11.2 Chamber music at a musical salon 88
Fig. 12.1 ¿Winter¿ from Les quatre saisons 94
Fig. 12.2 The Italian style of fencing 95
Fig. 13.1 One of Les vingt-quatre violons du Roi 99
Fig. 13.2 Leopold Mozart and his two children 107
Fig. 13.3 English Tea in the Salon of the Four Mirrors 108
Fig. 13.4 Portrait of Saint-Georges at 22 111
Fig. 14.1 François Joseph Gossec 114
Fig. 14.2 L¿Hôtel de Soubise 115
Fig. 15.1 Leopold Mozart, 1756 121
Fig. 15.2 The evolution of the bow 122
Fig. 16.1 Title page of Saint-Georges¿ second set of quartets 130
Fig. 17.1 Maria Antoinette at her spinet in Vienna 145
Fig. 17.2 Christoph Willibald Gluck 147
Fig. 17.3 Marie Antoinette in 1777, Versailles 151
Fig. 18.1 George Polgreen Bridgetower 168
Fig. 19.1 La petit loge at the Opéra in the Palais-Royal 179
Fig. 19.2 Mlle.La Guimard in Le Navigateur 185
Fig. 19.3 Papillon de la Ferté 189
Fig. 20.1 Choderlos de Laclos 195
Fig. 20.2 Théatre Italien in 1777 198
Fig. 21.1 Mme. de Genlis 206
Fig. 21.2 Mme. de Montesson 208
Fig. 21.3 The Duke of Orléans and his son 210
Fig. 23.1 Title page of L¿Amant Anonyme 238
Fig. 24.1 Title page of the D¿Ogny catalogue 246
Fig. 24.2 Saint-Georges¿ quartets listed in the D¿Ogny catalogue 247
Fig. 25.1 Philippe, Duke of Chartres with his family 253
Fig. 26.1 Masonic initiation ceremony 260
Fig. 26.2 The Palais-Royal before its reconstruction 262
Fig. 27.1 ¿Prinny,¿ George, Prince of Wales 277
Fig. 27.2 Philippe, Duke of Orléans 278
Fig. 28.1 Henry Angelo 284
Fig. 28.2 Le Chevalier D¿Éon in his uniform 288
Fig. 28.3 Mlle. La Chevalière D¿Éon in 1783 288
Fig. 28.4 Cartoon of St. George and D¿Éon 293
Fig. 28.5 Fencing match at Carlton House 297
Fig. 29.1 Burning of the Opera House, 1781 307
Fig. 29.2 Palais-Royal after reconstruction 308
Fig. 30.1 Mme. de Genlis as ¿Governor¿ of Philippe¿s children 315
Fig. 30.2 Giovanni Baptista Viotti 317
Fig. 30.3 Louis XVI inaugerating the opening session of the Estates-General 320
Fig. 30.4 Desmoulins haranguing the people 324
Fig. 30.5 Fall of the Bastille
Fig. 31.1 Mrs. Grace Dalrymple Elliott 327
Fig. 32.1 March of the Paris Poissardes, 1789 334
Fig. 32.2 Cartoon of Lafayette kicking Philippe 340
Fig. 33.1 Mr. Angelo¿s Fencing Academy 342
Fig. 34.1 Session at the Jacobin Club, Paris, 1792 363
Fig. 35.1 General Dillon¿s body being burned in Lille 368
Fig. 36.1 Hussar of the Légion St. Georges 374
Fig. 36.2 The battle of Jemappes, 1792 378
Fig. 36.3 Trooper of the 13th regiment of the Chasseurs à cheval, 1793 383
Fig. 37.1 Execution of Louis XVI, 1793 386
Fig. 37.2 Bust of General Dumouriez 388
Fig. 37.3 Arrest of the Commissioners and the Minister of War by Dumourez 397
Fig. 38.1 General Thomas Alexandre Dumas 403
Fig. 38.2 Danton on his way to the guillotine 409
Fig. 38.3 The Feast of the Supreme Being 410
Fig. 38.4 ¿The Last Tumbrel¿ 411
Fig. 40.1 Invasion of the Assembly by the Sans-Culottes 428
Fig. 40.2 Post-Thermadorian manners, 1795 432
Fig. 40.3 Theresa Tallien ¿Our Lady of Thermador¿
Fig. 41.1 Toussaint Louverture, c.1800 444
Fig. 41.2 Map of Saint-Domingue 445

‘Toubab La!’ Literary Representations of Mixed-Race Characters in the African Diaspora

Cambridge Scholars Publishing
July 2007
453 pages
ISBN13: 9781847182319
ISBN: 1-84718-231-3

Ginette Curry, Professor of English
Florida International University

The book is an examination of mixed-race characters from writers in the United States, The French and British Caribbean islands (Martinique, Guadeloupe, St. Lucia and Jamaica), Europe (France and England) and Africa (Burkina Faso, South Africa, Botswana and Senegal). The objective of this study is to capture a realistic view of the literature of the African diaspora as it pertains to biracial and multiracial people. For example, the expression “Toubab La!” as used in the title, is from the Wolof ethnic group in Senegal, West Africa. It means “This is a white person” or “This is a black person who looks or acts white.” It is used as a metaphor to illustrate multiethnic people’s plight in many areas of the African diaspora and how it has evolved. The analysis addresses the different ways multiracial characters look at the world and how the world looks at them. These characters experience historical, economic, sociological and emotional realities in various environments from either white or black people. Their lineage as both white and black determines a new self, making them constantly search for their identity. Each section of the manuscript provides an in-depth analysis of specific authors’ novels that is a window into their true experiences.

The first section is a study of mixed race characters in three acclaimed contemporary novels from the United States. James McBride’s The Color of Water (1996), Danzy Senna’s Caucasia (1998) and Rebecca Walker’s Black White and Jewish (2001) reveal the conflicting dynamics of being biracial in today’s American society. The second section is an examination of mixed-race characters in the following French Caribbean novels: Mayotte Capécia’s I Am a Martinican Woman (1948), Michèle Lacrosil’s Cajou (1961) and Ravines du Devant-Jour (1993) by Raphaël Confiant. Section three is about their literary representations in Derek Walcott’s What the Twilight Says (1970), Another Life (1973), Dream on Monkey Mountain (1967) and Michelle Cliff’s Abeng (1995) from the British Caribbean islands. Section four is an in-depth analysis of their plight in novels written by contemporary mulatto writers from Europe such as Marie N’Diaye’s Among Family (1997), Zadie Smith’s White Teeth (2000) and Bernardine Evaristo’s Lara (1997). Finally, the last section of the book is a study of novels from West African and South African writers. The analysis of Monique Ilboudo’s Le Mal de Peau (2001), Bessie Head’s A Woman Alone: Autobiographical Writings (1990) and Abdoulaye Sadji’s Nini, Mulâtresse du Sénégal (1947) concludes this literary journey that takes the readers through several continents at different points in time.

Overall, this comprehensive study of mixed-race characters in the literature of the African diaspora reveals not only the old but also the new ways they decline, contest and refuse racial clichés. Likewise, the book unveils how these characters resist, create, reappropriate and revise fixed forms of identity in the African diaspora of the 20th and 21st century. Most importantly, it is also an examination of how the authors themselves deal with the complex reality of a multiracial identity.

Table of Contents

• Acknowledgements
• Introduction
• PART I. THE UNITED STATES
  • Chapter 1: James McBride’s The Color of Water (1996): A Journey Beyond Black and White
  • Chapter 2: Danzy Senna’s Caucasia (1998): The Surviving Canary
  • Chapter 3: Rebecca Walker’s Black White and Jewish: Autobiography of a Shifting Self (2001): The Chameleon Experience
• PART II. THE FRENCH CARIBBEAN ISLANDS
  • Chapter 4: Mayotte Capécia’s I am a Martinican Woman (1948): “My father is Black, My Mother is Brown, and I, Am I White?” (Martinican Riddle)
  • Chapter 5: Michèle Lacrosil’s Cajou (1961): The Anti-Narcissus
  • Chapter 6: Raphaël Confiant’s Ravines du Devant-Jour (1993): Ethnostereotypes in Martinique
• PART III. THE BRITISH CARIBBEAN ISLANDS
  • Chapter 7: The Racial Paradox of Derek Walcott in What the Twilight Says (1970), Derek Walcott: Another life (1973) and Dream on Monkey Mountain (1967)
  • Chapter 8: Michelle Cliff’s Abeng (1995): A Near-White Jamaican Woman’s Quest for Identity
• PART IV. EUROPE
  • Chapter 9: Marie N’Diaye’s Among Family (1997): A Desperate Search for Caucasian Identity
  • Chapter 10: Zadie Smith’s White Teeth (2000): The Concept of Englishness in the 21st Century
  • Chapter 11: Bernardine Evaristo’s Lara (1997): Transculturality in England: Oyinbo, Whitey, Morena, Nig Nog, Nigra!
• PART V. AFRICA
  • Chapter 12: Monique Ilboudo’s Le Mal de peau (2001): Colonization and Forced Hybridity
  • Chapter 13: Bessie Head’s A Woman Alone: Autobiographical Writings (1990): White-on-Black and Black-on-Black Racial Oppression in Southern Africa
  • Chapter 14: Abdoulaye Sadji’s Nini, Mulâtresse du Sénégal (1947): “Toubab La!”
• Conclusion
• Works Cited
• Primary Sources
• Critical Sources
• Index

Read a preview  here.

Between Totem And Taboo: Black Man, White Woman in Francographic Literature

University of Exeter Press
2001
292 pages
Hardback ISBN: 9780859896498
BIC Code: 1HFD, 2ADF, 3JF, 3JH, 3JJ

Roger Little

Between Totem and Taboo picks its way judiciously through a minefield of prejudice, myth and stereotypes.  It is the first book to explore the literary representation by authors black and white, male and female, of interracial relations between France and her former territories in West Africa through the special nexus of the white woman and the black man.

Presented as a text-based chronological exploration of the relationship from 1740 to the present day, it reveals how racism distorted such relations for a quarter of a millennium.  It will fascinate anyone seriously interested in Black studies, Women’s studies and Postcolonial studies, who will find in it not only many unknown or unconsidered texts but a new angle of approach to their research.  All quotations are in French and English.

Roger Little was Professor of French (1776) at Trinity College Dublin until his retirement in 1998. He has an outstanding record of scholarship in French and francophone writing, with particular interests in sub-Saharan Africa and the Caribbean. His academic work has mainly concentrated on modern French poetry and the representation of Blacks in Francographic literature. He has edited several volumes of Textes littéraires for University of Exeter Press. The French government has conferred upon him the rank of Chevalier de l’Ordre National du Mérite and he has been awarded the Prix de l’Académie française: médaille de vermeil du rayonnement de la langue française.

Table of Contents

• Acknowledgements
• Some Key Dates
• Introduction: Between Totem and Taboo
• 1. Eighteenth-century Enwhitenment
• 2. From Taboo to Totem
• 3. Traditions and Transitions
• 4. Opposite genders, Opposite Agendas
• 5. The French Empire Writes Back
• 6. Struggles for Independence
• 7. The Freedom to Choose
• 8. Liberty and Licence
• 9. Full Circle
• Conclusion: Beyond Difference and Indifference
• Notes
• Select Bibliography
• Index

Labeling People: French Scholars on Society, Race, and Empire, 1815-1848

McGill-Queen’s University Press
2003-08-20
264 pages
6 x 9
15 drawings
Cloth ISBN: (0773525807) 9780773525801

Martin S. Staum, Professor of History
University of Calgary

An examination of techniques used by scholarly societies to classify people that constructed the image of an inferior “Other” to promote social stability at home and a relationship of domination or paternalism with non-Europeans abroad.

Nineteenth-century French scholars, during a turbulent era of revolution and industrialization, ranked intelligence and character according to facial profile, skin colour, and head shape. They believed that such indicators could determine whether individuals were educable and peoples perfectible. In Labeling People Martin Staum examines the Paris societies of phrenology (reading intelligence and character by head shapes), geography, and ethnology and their techniques for classifying people. He shows how the work of these social scientists gave credence to the arrangement of “races” in a hierarchy, the domination of non-European peoples, and the limitation of opportunities for ill-favored individuals within France.

While previous studies have contrasted the relative optimism of middle-class social scientists before 1848 with a later period of concern for national decline and racial degeneration, Staum demonstrates that the earlier learned societies were also fearful of turmoil at home and interested in adventure abroad. Both geographers and ethnologists created concepts of fundamental “racial” inequality that prefigured the imperialist “associationist” discourse of the Third Republic, believing that European tutelage would guide “civilizable” peoples, and providing an open invitation to dominate and exploit the “uncivilizable.”

Africans and Native Americans: The Language of Race and the Evolution of Red-Black Peoples (Second Edition)

University of Illinois Press
1993
Paper: 978-0-252-06321-3
352 pages

Jack D. Forbes, Professor Emeritus. Native American Studies and Anthropology
University of California, Davis

This volume will revise the way we look at the modern populations of Latin America and North America by providing a totally new view of the history of Native American and African American peoples throughout the hemisphere. Africans and Native Americans explores key issues relating to the evolution of racial terminology and European colonialists’ perceptions of color, analyzing the development of color classification systems and the specific evolution of key terms such as black, mulatto, and mestizo, which no longer carry their original meanings. Jack Forbes presents strong evidence that Native American and African contacts began in Europe, Africa, and the Caribbean and that Native Americans may have crossed the Atlantic long before Columbus.

Black Europe and the African Diaspora

University of Illinois Press
2009
368 pages
6 x 9 in. 
15 black & white photographs, 1 map
Cloth: ISBN 978-0-252-03467-1
Paper: ISBN 978-0-252-07657-2

Edited by

Darlene Clark Hine, Board of Trustees Professor of African American Studies
Northwestern University

Trica Danielle Keaton, Associate Professor of African American and Diaspora Studies
the University of Minnesota, Twin Cities

Stephen Small, Associate Professor of African American Studies
University of California, Berkeley

Multifaceted analyses of the African diaspora in Europe

The presence of Blacks in a number of European societies has drawn increasing interest from scholars, policymakers, and the general public. This interdisciplinary and multi-disciplinary collection penetrates the multifaceted Black presence in Europe, and, in so doing, complicates the notions of race, belonging, desire, and identities assumed and presumed in revealing portraits of Black experiences in a European context. In focusing on contemporary intellectual currents and themes, the contributors theorize and re-imagine a range of historical and contemporary issues related to the broader questions of blackness, diaspora, hegemony, transnationalism, and “Black Europe” itself as lived and perceived realities.

Contributors are Allison Blakely, Jacqueline Nassy Brown, Tina Campt, Fred Constant, Alessandra Di Maio, Philomena Essed, Terri Francis, Barnor Hesse, Darlene Clark Hine, Dienke Hondius, Eileen Julien, Trica Danielle Keaton, Kwame Nimako, Tiffany Ruby Patterson, T. Denean Sharpley-Whiting, Stephen Small, Tyler Stovall, Alexander G. Weheliye, Gloria Wekker, and Michelle M. Wright.