Mixed Race Studies

New ‘Latino’ and ‘Middle Eastern or North African’ checkboxes proposed for U.S. forms

All Things Considered
National Public Radio
2023-01-26

Hansi Lo Wang, Correspondent, Washington Desk

The Biden administration is proposing major changes to forms for the 2030 census and federal government surveys that would transform how Latinos and people of Middle Eastern or North African descent are counted in statistics across the United States.

A new checkbox for “Middle Eastern or North African” and a “Hispanic or Latino” box that appears under a reformatted question asking for a person’s race or ethnicity are among the early recommendations announced in a Federal Register notice, which was made available Thursday for public inspection ahead of its official publication.

If approved, the changes would address longstanding difficulties many Latinos have had in answering a question about race that does not include a response option for Hispanic or Latino, which the federal government recognizes only as an ethnicity that can be of any race.

The reforms would also mark a major achievement for advocates for Arab Americans and other MENA groups who have long campaigned for their own checkbox. While the U.S. government currently categorizes people with origins in Lebanon, Iran, Egypt and other countries in the MENA region as white, many people of MENA descent do not identify as white people. In addition to a new box on forms, the proposal would change the government’s definition of “White” to no longer include people with MENA origins…

Read the entire article here.

‘It chips away at you’: Misty Copeland on the whiteness of ballet

Fresh Air
National Public Radio
2022-11-14

Terry Gross, Host

At first, Misty Copeland thought the pain she was experiencing was shin splits. It was 2012, and, after 12 years with the American Ballet Theatre, Copeland, one of the few Black dancers in the company, had finally landed her first leading role in a classical work.

“I knew how critical this moment was for my career,” she says. “If I had gone to the artistic staff or the physical therapists and said, ‘I’m in a lot of pain,’ they would have removed me from the rehearsals. And I would not have been able to perform. And I knew that had that happened, I wouldn’t be given the opportunity again.”

So she pushed on, dancing the principal role in The Firebird, despite the fact that the pain was becoming increasingly severe. Finally, toward the end of the company’s season, Copeland was diagnosed with six stress fractures in her tibia — three of which were classified as “dreaded black line” fractures, meaning that there were almost full breaks through the bone.

When the first surgeon warned her that she might never dance again, Copeland was devastated. “It was just like my whole world came crashing down,” she says. “I felt mostly like I was letting down the Black community.”…

Read the entire story here. Download the story (00:42:00) here.

World-premiere recordings honor legacy of William Grant Still

YourClassical
Minnesota Public Radio
2022-06-29

Julie Amacher, Host

”It’s crucial to remember this is not new music. These manuscripts have been around for generations. I’m aware that there are many more pieces from William Grant Sill and other composers who have been neglected over the years,” conductor Avlana Eisenberg said about Still, who has 13 world premieres on her latest release, William Grant Still: Summerland/Violin Suite/Pastorela/American Suite. “I think it’s incumbent upon us to make sure that this is not a passing phase but momentum that gets carried forth.”

Eisenberg is joined by journalist Celeste Headlee, who is the granddaughter of Still…

Read the article here. Listen to the extended interview (00:41:56) here.

Race Is Often Used as Medical Shorthand for How Bodies Work. Some Doctors Want to Change That.

KHN (Kaiser Health News)
2022-06-13

Rae Ellen Bichell, Colorado Correspondent

Cara Anthony, Midwest Correspondent

Several months ago, a lab technologist at Barnes-Jewish Hospital mixed the blood components of two people: Alphonso Harried, who needed a kidney, and Pat Holterman-Hommes, who hoped to give him one.

The goal was to see whether Harried’s body would instantly see Holterman-Hommes’ organ as a major threat and attack it before surgeons could finish a transplant. To do that, the technologist mixed in fluorescent tags that would glow if Harried’s immune defense forces would latch onto the donor’s cells in preparation for an attack. If, after a few hours, the machine found lots of glowing, it meant the kidney transplant would be doomed. It stayed dark: They were a match.

“I was floored,” said Harried…

Read the entire article here.

Podcast Season 2 Episode 8: Centering Garifuna in the African Diaspora

Dialogues in Afrolatinidad
2022-05-04

Michele Reid-Vazquez, Host and Associate Professor
Department of Africana Studies
University of Pittsburgh

In this episode of Dialogues in Afrolatinidad, Dr. Paul Joseph López Oro, Assistant Professor of Africana Studies at Smith College talks with our host Dr. Michele Reid-Vazquez about his research on Garifuna migration and different meanings of Black identity. The conversation also touches upon Afro-Latinx communities in the United States, their relations with African-Americans, and issues of queer identity in these communities.

Conversations In My Head | Conversations In My Head

Music Xray: 21st century A&R

Artist: Davina Robinson
Album: The Blazing Heart
Title: Conversations In My Head
Year: 2008
Track number: 3
Total tracks: 4
Genres: Rock / Alternative & Punk / Pop

“Powerhouse Rock and Roll Soul” describes Davina Robinson’s blend of rock, funk, soul and wild woman attitude, creating a powerful, fierce, soulful rock style. Davina released her debut EP The Blazing Heart in May 2008, and her first full album, Black Rock Warrior Queen, in November 2011. Davina is from Philadelphia, USA and based in Osaka, Japan.

Lyrics

Are you watching me from afar
Standing over my shoulder
Are you floating above the floor
Sorry that I can’t speak Italian anymore

Many years ago your daughter had a Black boyfriend
When she got pregnant it caused a stir
Everyone said just get rid of it
You were the only one who told her to give birth…

Listen to the song and read the lyrics here.

How one Civil Rights activist posed as a white man in order to investigate lynchings

Fresh Air
National Public Radio
2022-03-30

Dave Davies, Guest Host

White Lies author A.J. Baime tells the story of Walter White, a light-skinned Black man whose ancestors had been enslaved. For years White risked his life investigating racial violence in the South.

Listen to the story (00:42:04) and read the transcript here.

Episode 205: Understanding our Multiple Identities

Shifting Our Schools
2022-04-11

Jeff Utecht, Host

Sarah Gaither, Ph.D., Assistant Professor of Psychology and Neuroscience
Duke University, Durham, North Carolina

Dr. Gaither is a social & developmental psychologist studying social identities. She runs the Duke University Identity and Diversity Lab.

Listen to the episode (00:18:53) here.

Writer Gregory Howard Williams’ “Life on the Color Line”

Fresh Air with Terry Gross
WHYY FM, Philadelphia, Pennsylvania
1995-02-21

Terry Gross, Host

Williams spent the first ten years of his life believing he was white in segregated Virginia, and that his dark-skinned father was Italian. When his parents’ marriage ended, his father took him and his brother to Muncie, Indiana, where the boys learned that they were half black. Williams’ new memoir “Life on the Color Line” is about the struggle and repression he faced growing up between the races. Publisher’s Weekly calls it “(an) affecting and absorbing story.”

Listen to the interview (00:23:10) here. Download the interview here.

Nitasha Tamar Sharma: Hawai’i Is My Haven: Race and Indigeneity in the Black Pacific

New Books Network
2022-03-30

Hawai’i Is My Haven: Race and Indigeneity in the Black Pacific (Duke UP, 2021) maps the context and contours of Black life in the Hawaiian Islands. This ethnography emerges from a decade of fieldwork with both Hawaiʻi-raised Black locals and Black transplants who moved to the Islands from North America, Africa, and the Caribbean. Nitasha Tamar Sharma highlights the paradox of Hawaiʻi as a multiracial paradise and site of unacknowledged anti-Black racism. While Black culture is ubiquitous here, African-descended people seem invisible. In this formerly sovereign nation structured neither by the US Black/White binary nor the one-drop rule, non-White multiracials, including Black Hawaiians and Black Koreans, illustrate the coarticulation and limits of race and the native/settler divide. Despite erasure and racism, nonmilitary Black residents consider Hawaiʻi their haven, describing it as a place to “breathe” that offers the possibility of becoming local. Sharma’s analysis of race, indigeneity, and Asian settler colonialism shifts North American debates in Black and Native studies to the Black Pacific. Hawaiʻi Is My Haven illustrates what the Pacific offers members of the African diaspora and how they in turn illuminate race and racism in “paradise.”

Listen to the interview (01:48:48) here.